The Trouble with Girls

After joining the Skulls, Ryan Sommers (Robin Dunne) is warned not to betray any secrets about the organization or its high-powered members. However, when Ryan witnesses a murder within the Skulls' private chambers, he finds that the closer he gets to revealing the truth - the more dangerous life becomes.

In the arctic, as Saiva is being born, a shaman declares that she is evil and will bring harm to all who become involved with her. Saiva is cast out of her tribe of herders and grows up to live a nomadic existence with Anja, a young woman she adopts as an infant. Then Loki, an injured and starving soldier, stumbles into their isolated lives. The women nurse him back to health, but treachery, violence and doom await them all.

A delinquent tomboy takes the job of a murderous carney's assistant.

Claire is under the grip of a mysterious new cult called Faults. Desperate to be reunited with their daughter, Claire's parents recruit one of the world's foremost experts on mind control, Ansel Roth.

Tobi and Achim, the pride of the local crew club, have been the best of friends for years and are convinced that nothing will ever stand in the way of their friendship. They look forward to the upcoming summer camp and the crew competition. Then the gay team from Berlin arrives and Tobi is totally confused. The evening before the races begin, the storm that breaks out is more than meteor-logical.

Austin, Texas, is an Eden for the young and unambitious, from the enthusiastically eccentric to the dangerously apathetic. Here, the nobly lazy can eschew responsibility in favor of nursing their esoteric obsessions. The locals include a backseat philosopher who passionately expounds on his dream theories to a seemingly comatose cabbie, a young woman who tries to hawk Madonna's Pap test to anyone who will listen and a kindly old anarchist looking for recruits.

Bertram Pincus, a cranky, people-hating Manhattan dentist, develops the unwelcome ability to see dead people. Really annoying dead people. Even worse, they all want something from him, particularly Frank Herlihy, a smooth-talking ghost, who pesters him into a romantic scheme involving his widow Gwen. They are soon entangled in a hilarious predicament between the now and the hereafter!

This film tells the tale of the Harper Affair, in which young Jimmy Harper finds his life of promise turn into a life of debauchery and murder thanks to the new drug menace marijuana. Along the way he receives help from his girlfriend Mary and Jesus himself, but always finds himself in the arms of the Reefer Man and the rest of the denizens of the Reefer Den.

Sid and Bernie keep having their amorous intentions snubbed by their girlfriends Joan and Anthea, so when they decide to take them on a holiday to Paradise Camp, they think they're off to a nudist colony—but they couldn't be more wrong, and meet up with the weirdest bunch of campers you can imagine.

When Momo leaves his small home town to go to university, he is full of enthusiasm and confidence, but slowly the pressures of study and campus living begin to grind him down. Half way through his course he finds himself at a crossroads with both his relationship and studies.

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Bernstein provides two distinct meanings of the term ambiguity. The first is "doubtful or uncertain" and the second, "capable of being understood in two or more possible senses"

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Phonology is the linguistic study of sounds, or phonemes. Bernstein's application of this term to music results in what he calls "musical phonology".

After the death of his mother, a man tries to discover a meaning to his life, to the universe and to rebuild a relationship with the only family he has left: his gay brother.

After squandering his grant money, despondent and recently widowed anthropologist James Krippendorf must produce hard evidence of the existence of a heretofore undiscovered New Guinea tribe. Grass skirts, makeup, and staged rituals transform his three troubled children into the Shelmikedmu, a primitive culture whose habits enthrall scholars. But when a spiteful rival threatens to blow the whistle on Krippendorf's ruse, he gets into the act as well.

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Lecture 5 picks up at the early twentieth century with an oncoming crisis in Western Music. As these lectures have traced the gradual increase and oversaturation of ambiguity, Bernstein now designates a point in history that took ambiguity too far.

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: This lecture takes its name from a line in John Keats' poem, "On the Grasshopper and Cricket". Bernstein does not discuss Keats' poem directly in this chapter, but he provides his own definition of the poetry of earth, which is tonality. Tonality is the poetry of earth because of the phonological universals discussed in lecture 1. This lecture discusses predominantly Stravinsky, whom Bernstein considers the poet of earth.

A middle-class couple go camping in Dorset, but peace and quiet elude them.

A South Korean art house film director is first invited to serve on the panel of a film festival, then to guest lecture at a film school.

Udo is invisible - no one ever seems to notice him. He makes the most of it, working as a department store detective and living off other people's lives as they never notice him tagging along. Until he meets the one woman who sees him.

The staff of an American magazine based in France puts out its last issue, with stories featuring an artist sentenced to life imprisonment, student riots, and a kidnapping resolved by a chef.