John Carradine

New York City, New York, USA

Biography

John Carradine (born Richmond Reed Carradine; February 5, 1906 – November 27, 1988) was an American actor, considered one of the greatest character actors in American cinema. He was a member of Cecil B. DeMille's stock company and later John Ford's company, best known for his roles in horror films, Westerns, and Shakespearean theatre. In the later decades of his career, he starred mostly in low-budget B-movies, but continued to also appear in higher-profile fare. In total, he holds 351 film and television credits, making him one of the most prolific English-speaking actors of all time. Carradine was married four times, had five children, and was the patriarch of the Carradine family, including four sons and four grandchildren who are or were also actors. Description above from the Wikipedia article John Carradine, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Movies

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

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Matinee Theater
1955