It Gets Better

Agathe, a 22-year-old woman with gender dysphoria, undergoes a chest masculinization operation after almost two years of waiting in a public hospital.

Stories of 12 gay and lesbian survivors of Nazism and the Holocaust.

Originally broadcast on ABC's True Stories in 1993, Feed Them to the Cannibals tells the story of Sydney's Gay and Lesbian Mardi Gras. It was the first time cameras were allowed at Sleaze Ball and the Mardi Gras Party.

The original documentary on the Wigstock festival, back in the day when it was a much smaller affair in Thompkins Square Park. A full day of peace, love, and wigs…

LESBIANS IN BOYSTOWN reveals the forgotten history of lesbians and queer women in West Hollywood, the first “gay city” in the US. The documentary honors lesbians and queer women through the history of Dyke Marches, the AIDS crisis, lesbian bars and cafes, and lesbian activism from the 1980s to the present day. However, since the late 1990s, lesbian businesses and social gathering places like cafes, bars, and bookstores have been disappearing across the US. Despite our culture’s predilection towards lesbian and queer women’s invisibility, the documentary proves that our world-building continues. The documentary ensures that lesbians and queer women will be visible for future generations while also showing that they are still making a difference today.

María, an activist and drag queen, stands strong against a society that invalidates her. Through her discourse and performance, she confronts the insecurities that once brought her down, transforming her identity into a tool for resistance.

A Boy Named Sue chronicles the transformation of a transsexual named Theo from a woman to a man over the course of six years. Following Theo's physiological and psychological changes during the process, as well as their effects on his lesbian lover and community of close friends, A Boy Named Sue tells a story about gender identity, relationships, and how even things that seem permanent can change.

The LA Sisters are outrageous, controversial, always fabulously dressed men and women who feel they are called to minster to the community as 21st century nuns.

Filmed in Zimbabwe, the film depicts the romantic relationship between two women, and the aftermath of the discovery of their relationship

Personal diary-style documentary of German Gay rights activist Von Praunheim's sojourn in the US.

Documentary on the growth of Toronto's gay community including positive developments as well as the infamous "Operation Soap" where the Toronto Police raided gay bath houses, and the subsequent protests.

As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.

La Esmeralda, historia de una vida

I'm a Porn Star follows the lives of guys in the neighborhood who are likely a lot more famous than you - at least on the Internet. There are an estimated 370 million pornographic websites on-line. Porn is now a thirteen BILLION dollar business. So who's doing all this moonlighting? Turns out -- probably some people you know.

Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.

Homophobia didn’t just happen. Orchestrated campaigns by cultural institutions and public figures have systemically instilled anti-LGBTQ prejudice into American culture by shaping public opinion.

Record-breaking gamer Narcissa Wright grapples with her toxic obsession for attention and her space in the streaming community after coming out as transgender, all while attempting to set a new world record for The Legend of Zelda: Breath of the Wild.

Letter Beyond the Walls reconstructs the trajectory of HIV and AIDS with a focus on Brazil, through interviews with doctors, activists, patients and other actors, in addition to extensive archival material. From the initial panic to awareness campaigns, passing through the stigma imposed on people living with HIV, the documentary shows how society faced this epidemic in its deadliest phase over more than two decades. With this historical approach as its base, the film looks at the way HIV is viewed in today's society, revealing a picture of persistent misinformation and prejudice, which especially affects Brazil’s most historically vulnerable populations.

In the form of a documentary, this Final Year Coursework chronicles the career of Selma Light, a transgender woman, drag queen, and activist, a prominent voice in the LGBTQIA+ movement in Florianópolis, Santa Catarina. The construction of the biographical narrative revisits key moments in Selma's career, such as when she traveled with theater companies, her first time as a drag queen, and her debut as a performance artist. Her personal life is also explored, from her childhood in the countryside of Rio Grande do Sul to her acceptance of her gender identity. Her current work adds a new challenge to the struggle of the LGBTQIA+ community in the capital of Santa Catarina: she holds a public office, never before held by a trans person. She has the decision-making power to advance the struggle of the LGBTQIA+ community in the capital of Santa Catarina.

Three teenagers — Amelio, Blake and Kira — each begin their gender transition, supported in different ways by their families. This deeply sensitive documentary follows them between ages 15 and 17 as they navigate the emotional and physical challenges of being transgender. For them, puberty brings intense distress, as their developing bodies do not align with their true gender identity. The film explores the difficult questions faced by parents and doctors: whether to medically delay puberty, start hormonal treatment, or wait and risk worsening the teens’ suffering. Through moments of doubt, upheaval and hope, the documentary offers an intimate look at three young people who want only one thing — for the outside world to see them as they know themselves to be.