In My Own Words

Powerful electric storms rip through an arid landscape. Salt water crocodiles occupy territories where tourists camped just weeks earlier. Cyclones devastate whole cities. Roads turn to rivers, ponds to lakes. The tropical monsoon season in the Kakadu region of Australia unleashes dynamic changes on the animals and the environment. For the first time on film, follow the natural rhythms of wet and dry, fire and rain, growth and decline in... THE BIG WET.

takayna / Tarkine in northwestern Tasmania is home to one of the last undisturbed tracts of Gondwanan rainforest in the world, and one of the highest concentrations of Aboriginal archaeology in the hemisphere. Yet this place, which remains largely as it was when dinosaurs roamed the planet, is currently at the mercy of destructive extraction industries, including logging and mining. Weaving together the conflicting narratives of activists, locals and Aboriginal communities, and told through the experiences of a trail running doctor and a relentless environmentalist, this documentary, presented by Patagonia Films, unpacks the complexities of modern conservation and challenges us to consider the importance of our last truly wild places.

A short film on Republican efforts to improve education standards during the Spanish Civil War.

The real story of wellness campaigner Belle Gibson's massive worldwide fraud and the famous interview that brought the con artist down.

For both Aboriginal and non-Aboriginal Australians, Captain James Cook is a figure of great historical significance.

A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.

An hour-long documentary on the life and career of actor David Gulpilil.

A short film / documentary that depicts the daily grind of first-generation immigrants in Australia.

In the estuaries and lagoons of the Northern Territory, freshwater and saltwater crocodile are hunted for their hides by both Indigenous and non-Indigenous hunters. This film shows Aboriginal people using age-old hunting techniques to land crocs either for food or for skins. The methods employed by the professional hunters, who earn as much as 3000 pounds during the season, are also depicted, followed by a brief look at how the hides are skinned and prepared before being transported to the leather factories of Sydney and Melbourne.

‘Bring Out a Briton’ was a short appeal for Australians to help the Immigration Department in its plan to form and assist a ‘Bring Out a Briton’ Committee in each district. It featured popular Australian actor Chips Rafferty as the spokesman for the campaign. Aimed at the Australian public rather than the prospective immigrants it was designed to allay a perceived anxiety amongst the public about non-British European migration.

In Australia, sharks have recently been recorded with unusual prey-including other sharks. In order to figure out what has caused this shift in diet, Dr. Charlie Huvaneers and team head to shark infested waters to find out what's in the stomach of a great white - and why.

Documentary that chronicles the career of the legendary Australian punk band Radio Birdman.

The epic David vs Goliath battle for justice waged by the families of three Aboriginal children murdered in a small rural town 30 years ago, the system that failed them, and what it reveals about racism in Australia today.

Follows Mas and Saha, two young Iranian asylum seeker musicians, navigating a frightening new world of immigration detention - where they discover the power of music.

Something in the Water explores the rock phenomenon that is music in WA. How can the most isolated city in the world have exploded with so many successful bands over the years? Across decades and genres, Something in the Water asks "what is responsible for the sparkling talent pool?"

A joyful celebration of the life and loss of Archibald award-winning artist Craig Ruddy, told through the eyes of his loving partner of twenty years. This moving documentary goes behind the scenes of his life with his partner Roberto Meza Mont, in their home and studio in the Northern Rivers, to capture the spirit of the man and artist. Directed by Molly Reynolds (My Name is Gulpilil), utilising footage captured by Roberto throughout the decades, we see Craig Ruddy in all aspects of his life – preparing for exhibitions, painting his most famous portraits and dancing his way through life. An incredible portrait of a creative powerhouse and an exuberant celebration of love.

Australia: Land Beyond Time takes viewers on a breathtaking journey back in time to witness the birth and evolution of a mysterious land that harbors remnants of Earth's earliest life and many of it's strangest creatures that exist nowhere else on the planet.

Quiet towns across rural Australia are in the grip of an Ice epidemic. Major international drug cartels are working with local outlawed motorcycle gangs to push crystal meth to a captive market of children.

Eight men escape from the most isolated prison on earth. Only one man survives and the story he recounts shocks the British establishment to the core. This story is the last confession of Alexander Pearce.

In 1954, recently crowned Queen Elizabeth II and HRH the Duke of Edinburgh embarked on a two month tour of Australia. It involved some 10,000 miles of travel by air and 4,000 miles by land and sea. The couple visited every state in the nation, and turned up at all sorts of events, from tennis at Kooyong to steel mills in Newcastle to woodchopping at Wagga to the Flying Doctor Service Service at Broken Hill. The film production arm of the federal government - the Film Division of the News and Information Bureau of the Department of the Interior - decided to cover the tour in 35mm colour film, sending the footage to England for processing and editing. Six weeks after the tour ended, the film was finished and became the first feature-length Australian film shot and financed by Australians in colour to be given a theatrical release.