Oru Cinemakkaran

Tom, a young auto mechanic falls in love with Diya whom he sees one day from the bus. The love got blossomed and at one point a psychopath named Edger came in to the life of this couple after an unfortunate accident. The incident lead to a scenario where Edger got humiliated and the movie is basically about the rivalry between Tom and Edger.

In an urban Indian city, A struggling actor battles for his career, but his friend who loses money in a scam deal commits an action that puts both of their lives in danger. The three last days before the incident follows the struggling actor, an ambitious filmmaker, a wannabe hustler, an opportunist, a lover and two cinephile thugs, through an inter-twining vignette of their lives.

A porn addict is threatened by a hacker, who orders the guy to witness him commit suicide online.

Sam Alex, an ex-police officer, resorts to alcohol to ease the pain of his family loss. His life turns around when he is called to investigate a series of murders executed in a similar fashion.

In the backdrop of a receding summer, with the aid of some brilliant chess moves, the life of a woman and the different men in her lives take centre stage. The film's screenplay is written by noted author and filmmaker P. Padmarajan's son Anantha Padmanabhan and is based on his own novelette titled Venalinte Kalaneekkangal.

An aspiring animation creator's dreams start coming true when she is met with a charismatic young boy. Jo and the Boy is not exactly a children's movie, but more of a Hollywood-style inspirational film set in the backdrop of an unspecified cold hill town and centered on a child enamored by cartoon characters. In fact, the only connect with Indian reality is that the characters speak Malayalam.

Amoeba is the second directorial of Manoj Kana after his critically acclaimed Chayilyam.The film starred Anumol, Indrans and Anoop Chandran in the lead. From wikipedia

Two police officers trapped in a web of deception and lies from everyone they trust after they take up a case involving a mysterious man who is arrested for a double homicide.

The story proceeds in flashbacks as the protagonist, Dr. Gopi, who has had a nervous breakdown, relives his past under psychiatric probing.

Neelakantan, heir to his father's fortunes, is an apparent menace to society. He once belittles a dancer but later they fall in love. Shekharan, an arch enemy, kidnaps his lover due to an old enmity.

Envisaging a luxurious life, Prameela, a theatre artist, marries a director. But all her dreams are shattered when fate makes her the sole breadwinner of her family.

Based on the novel Marthandavarma, the film recounts the adventures of the crown Prince, Marthandavarma on how he eliminates his arch-rivals one by one, to ascend to the throne of the Kingdom of Travancore.

Dr. Rohini Pranab (Shobana), a doctor who runs an NGO and a shelter home for destitute girls, is targeted by human-traffickers. Her shelter home is attacked and all the children are taken. Naveen (Dhyan Sreenivasan) finds her sister kidnapped right in front of his eyes by the same gang.

Garment exporter Gopakumar, with the help of his fashion designer Kamala and broker Immanuel, brings together three couples who are on the verge of separation.

Karthikeyan, a liquor baron, sets out to take back his ancestral house which was usurped by Shekharan. To seek revenge, Karthikeyan abducts Shekharan's daughter and ends up falling in love with her.

Chacko master, a school headmaster, is never happy with his son, Thomas, and always degrades him. However, having had enough of him, Thomas runs away from home only to return as a gangster after long.

Jacob, a successful businessman, is settled in Dubai with his family. He is forced to flee to another country when he ends up with a huge debt as his friend betrays him.

The film revolves around an eight-year old called Ryan Philip and his adventures with a magical pen called the Monkey Pen.

Prasannan, a recently released mental asylum inmate, claims to be an avatar of God and assumes the identity of Poornananda Swami.

Ayaal is a story on intense human relations. It’s a story of a man who effortlessly floated along the estuaries of time, the back waters of Vembanad. If love is the flowering of one’s own heart, can it have a direction? Is it Scalar (direction less). This is an uncomfortable question raised by him, the protagonist, Guru Dasan. The film problemetises the conventional fabric of human relations, its rules and its sanctity.