Documentary about the Szymon Wiesenthal Center and the obstacles, often set by governments not interested in providing any help for the Center's project, it encounters.
A B'nai B'rith delegation visits the town of Oberammergau to meet with its mayor and the monk who is responsible for the passion play which is presented every ten years. The group discusses their efforts to eliminate the antisemitic tone of the play.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Narciarze
Follows Haida artist Bill Reid, from British Columbia. A jeweller and wood carver, he works on a traditional Haida totem pole. We watch the gradual transformation of a bare cedar trunk into a richly carved pole to stand on the shores of the town of Skidegate, in the Queen Charlotte Islands of B.C.
It is a documentary story about five legends of russian cinema: Nonna Mordyukova, Tatyana Okunevskaya, Tatyana Samoylova, Lidiya Smirnova and Vera Vasileva. These wonderful women tell about their lifes and careers in hour interview.
The film presents how the human body recognizes and becomes aware of its surroundings. The various information pathways to the brain such as sight, sound, smell, taste and touch are explored in a accurate but simple manner via human impression and cartoon characters!
This BAFTA nominated documentary tells the story of some of the brightest mathematical brains of a generation. Each year, exceptionally gifted teenagers from over 90 countries compete for medals at the International Mathematical Olympiad. The film follows a group of brilliant teenagers as they battle it out to become the chosen six selected to represent the UK.
Documentary on the making of Hammer's adaptation of "The Hound of the Baskervilles".
Several key words emerge from Hugo Pratt's work, inseparable from his life: travel, adventure, erudition, esotericism, mystery, poetry, melancholy... and of course, Corto Maltese, his hero and alter ego, who established him as one of the greatest names in comic books. Born in Italy in 1927 and dying in Switzerland sixty-eight years later, Hugo Pratt, born without an H and with only one T, grew up in the shadow of a fascist father who took him at a very young age to Ethiopia, which was occupied by Mussolini's forces. The teenager developed a fascination for the wide-open spaces of Africa, soon followed by an irresistible attraction to the Indian world. This was the starting point for a life of travel, success, conquests, rare failures, and marked by his veneration for the American cartoonist Milton Caniff, his absolute master.
The real story about the camel ride around Mallorca, that journalist Miguel Vidal and painter Gustavo Peñalver did in 1964. Sometimes truth is stranger than fiction. This is one of them.
A film in three parts after Oskar Schlemmer's Triadische Ballett (Triadic Ballet).
On a visit home to Idaho, Matt documents family dynamics and recalls scattered memories from childhood. “Here We Have Idaho,” is a witty self-portrait about small-scale resentments and feeling undervalued amongst loved ones. He leaves his “high-octane, balls-to-the-wall” life as a New York City alt comic to spend some time with the fam. But soon he learns there’s no room for him to stay in the house — he’s been demoted to sleeping in a trailer in the driveway, a fact that he stews on for days.
Sarajevo in the twentieth month of its besiegement. The situation is critical, but the city chooses to organise an international film festival. Dutch filmmakers Johan van der Keuken and Frank Vellenga present Van der Keuken's documentaries Face Value and Brass Unbound there, and one of the festival organisers asks a festival visitor: "What is the significance of film in war?" In Sarajevo Film Festival Film, a reflection on film, war and daily life, fictional images are juxtaposed in a disconcerting way with the gruesome reality of the life of a festival visitor.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Megacities is a documentary about the slums of five different metropolitan cities.
Coded tells the story of illustrator J.C. Leyendecker, whose legacy laid the foundation for today's out-and-proud LGBTQ advertisements.
The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.
When Gordon Gund went blind in 1970 at age 30 due to retinitis pigmentosa, he resolved to find a cure for the disease and created the Foundation Fighting Blindness. After decades of scientific research, a major breakthrough emerged, and this short film showcases the inspirational story of a 17-year-old Belgian boy who is a beneficiary of this work.