Gente de mesón

A short film commemorating the 1927 doll exchange between the US and Japan organized by the Committee on World Friendship Among Children

On the 11th of August at 11 minutes past 11am, almost total darkness fell across Southern England and an eerie silence descended as the population gazed skyward at what was the last total solar eclipse of this millennium. A total solar eclipse is a breathtaking event and this documentary programme conveys that awesome feeling by exploring how and why eclipses happen. A mixture of computer-generated views from outer space, footage of eclipses throughout the 20th century (some taken as early as 1927) and original footage taken of this year's total solar eclipse (shot in Cornwall) make this programme a celebration of eclipse mania.

Robert, an ex-shipyard welder from Govan in Glasgow, reflects on how his experiences have influenced his compulsion to write.

His new adventure takes Zanardi to one of the most famous endurance races in the world: The 24 Hours of Spa-Francorchamps. He shares the cockpit of the BMW GT race car with two of the fastest men in the sport: Ex-Formula 1 driver Timo Glock and touring-car champ Bruno Spengler. They form nothing less than an all-star team of race-track pioneers, going beyond limits and limitations. Never before has a handicapped driver competed in a 24 hour race on this level with able-bodied drivers. The documentary covers the whole story: From their first get-together at BMW headquarters in Munich until the lights turn green in Belgium and the Iron Man with plastic legs limps into his racing car, changing seat and steering wheel with his teammate. But for Alex Zanardi, even after the marathon race, his mission is not over. Only four days later, he is eager to defend his white jersey at the Handcycle World Championship in Switzerland - an outrageous challenge, even for the man with no limits.

A fictional documentary that portrays the city of Dakar, Senegal, as we hear the conversation between a Senegalese man (the director, Djibril Diop Mambéty) and a French woman, Inge Hirschnitz. As we travel through the city in a picturesque horse drawn wagon, we chaotically rush into this and that popular neighborhood of the capital, discovering contrast after contrast: A small African community waiting at the Church's door, Muslims praying on the sidewalk, the Rococo architecture of the Government buildings, the modest stores of the craftsmen near the main market.

The idea for this film comes from the encounter with two African boys who live in Rome, and is based on their music. Tunisian Afif and Senegalese Aliou tell their different stories, talk about friendship, immigration, freedom and, above all, about the fundamental value of making music together.

Pereda returns with a small, mysterious and moving tribute to Chantal Akerman, conceived as a series of joyful impossible letters addressed to the great disappeared from the cinema, to answer her fictional question about renting her bright apartment in Coyoacán.

Sous le ciel bleu d'Arvida

A camera crew follows Helmut Newton, the fashion and ad photographer whose images of tall, blond, big-breasted women are part of the iconography of twentieth-century erotic fantasy. He's on the go from L.A., to Paris, to Monte-Carlo, to Berlin, where he was a youth until he escaped from the Nazis in 1936. We see him on shoots, interviewing models, and discussing his work.

The collar awarded to the winners of the Meilleur Ouvrier de France (Best Craftsman in France) is more than the ultimate recognition for every pastry chef - it is a dream and an obsession. The 3-day competition includes everything from delicate chocolates to precarious six foot sugar sculptures and requires that the chefs have extraordinary skill, nerves of steel and luck. The film follows Jacquy Pfeiffer, founder of The French Pastry School in Chicago, as he returns to France to compete against 15 of France's leading pastry chefs. The filmmakers were given first time/exclusive access to this high-stakes drama of passion, sacrifice, disappointment and joy in the quest to have President Sarkozy declare them one of the best in France.

A film that will not only delight and entertain the aviation enthusiast but also educate and inspired renewed interest in aviation by the traveling public.

The Japanese attack on Midway in June 1942, filmed as it happened. Preserved by the Academy Film Archive in 2006.

Intended as an account of Minogue's return to the stage following her recovery from cancer, the film features on-stage and back-stage footage and interviews with several of Minogue's tour crew, including the director, William Baker. Kylie's sister Dannii and U2 lead singer Bono are also featured.

Part cartoon and part documentary, this film offers a humorous look at birds and the ways people perceive them.

A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.

In conurbations where hundreds of thousands live alongside one another, in the era of a highly technological society, in which communication has never played such a significant role, man has become lonely. Disappointed by his fellow human beings, he turns to animals. Dogs and other domestic animals serve him as companions, life partners, cuddly objects and bedfellows.

A chronicle of the long career of American filmmaker Roger Corman, the most tenacious and ingenious low-budget producer and director in the US film industry, a pioneer of independent filmmaking and discoverer of new talent.

This project follows various individuals as they train for and prepare to compete in the World Series of Beer Pong.

The story of a 50-year-old dwarf who stopped growing at 1 meter 40 and plays the piano.

No Measure of Health profiles Kyle Magee, an anti-advertising activist from Melbourne, Australia, who for the past 10 years has been going out into public spaces and covering over for-profit advertising in various ways. The film is a snapshot of his latest approach, which is to black-out advertising panels in protest of the way the media system, which is funded by advertising, is dominated by for-profit interests that have taken over public spaces and discourse. Kyle’s view is that real democracy requires a democratic media system, not one funded and controlled by the rich. As this film follows Kyle on a regular day of action, he reflects on fatherhood, democracy, what drives the protest, and his struggle with depression, as we learn that “it is no measure of health to be well adjusted to a profoundly sick society.”