Ian Dury Sex Drugs Rock & Roll & Other Assorted Glimpses

A documentary film about Don Bernstine from Hard Rock Cafe visiting musicians to try to get memorabilia from them.

It is difficult to characterize Slobodan Tišma. He is unique and versatile. He wanders with joy throughout the artistic landscape, drawing it with his words since the early sixties. He started as a poet, he was a conceptualist, an "invisible artist" and a rock musician ("Luna"/"La Strada"- former Yugoslav New Wave bands). Currently, he is a prose writer, and sometimes he engages in minimalistic performances. Wearing different masks he moved from one artistic space to another breaking the stereotypes and creating an aesthetic phenomenon out of his own existence. His mainstay is margin. Through trees and ocean he communicates with the universe. He loves the game of seeking, and hiding again. He is a persistent walker. With his silent steps he pops up daily in the corners of Novi Sad, searching for his own pleasure. Similar to his writings, this film has no formal completeness and comprehensiveness. It wonders who Slobodan Tišma is.

The worlds of a former neo-Nazi and the gay victim of his senseless hate crime attack collide by chance 25 years after the incident that dramatically shaped both of their lives. They proceed to embark on a journey of forgiveness that challenges both to grapple with their beliefs and fears, eventually leading to an improbable collaboration...and friendship.

THE GET LOST LOSERS follows the most cantankerous rock band in Hollywood as it prepares for a super-clutch industry showcase and one last shot at fame. Official Selection: Montauk Film Festival & Culver City Film Festival. Winner at FOTA, The Canadian Cinematography Awards and The Studio City Film Festival.

A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."

Critical review of the English punk rock band's 1979 album, 'London Calling'. The program features input from industry experts, including film director and DJ Don Letts, rare performance footage and clips from songs such as 'Should I Stay Or Should I Go', 'White Riot' and 'London Calling'.

Pig heads, intestines, megaphones: all these and more have been thrown into crowds of loyal fans following the influential punk band THE STALIN or any of number of Michiro Endo's other bands since 1980. Taking a step in front of the camera, however, Endo offers a very different kind of encounter in this inspiring self-portrait. "Mother, I've Pretty Much Forgotten Your Face" follows the artist, a native of Nihonmatsu, Fukushima, on the 2011 nationwide solo tour celebrating his 60th birthday, which was interrupted by the Great East Japan Earthquake. Traveling, performing and talking with fellow musicians and activists, Endo reflects on the past and future of Fukushima, the legacy of Hiroshima, his upbringing and his feelings about his mother, communicated in the song from which the documentary is named.

On tour promoting his 2006 studio album 'Continuum', American pop rock singer-songwriter and guitarist John Mayer performs, consecutively, an intimate acoustic set, a John Mayer Trio blues show, and a full-band concert at the Nokia Theatre in Los Angeles, California on December 8, 2007.

Made for Italian national television, Ellis Donda’s Il Corpo Rubato (The Stolen Body) is an experimental documentary on psychoanalisis in 70s/80s Italy, its analytical practices and forms of suggestion.

A famed criminologist reexamines the evidence in this powerful interview with murderer Bert Spencer, suspected in the killing a paperboy in 1978.

The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.

Documents the true story of the final weeks of rehearsal for the Young at Heart Chorus in Northampton, MA, and many of whom must overcome health adversities to participate. Their music goes against the stereotype of their age group. Although they have toured Europe and sang for royalty, this account focuses on preparing new songs for a concert in their hometown.

Born in New York in 1949, Elliott Murphy becomes one of the new Dylans in the '70s; most critics from the era praise his albums; still, he makes a bigger connection with European audiences, becoming a worshipped artist in countries overseas.

A documentary exploring the sporadic connections between baseball and punk rock.

For over 25 years, the legendary band Stevie Stiletto were punk rock stalwarts, yet never got the national recognition they deserved. After dozens of releases, thousands of shows, hundreds of brushes with the law, countless line-up changes and one terminally ill diagnosis, the band finally gets their due with this two-hour, in-depth documentary. Featuring interviews with members of the band (past and present), road crew, producers, family, friends and fans, My Life is Great covers the entirety of their storied career. Complete with live footage from the last three decades, this film is a document of a band that never got a break, never gave a damn, and never sold out.

Three chords, three countries, one revolution...PUNK IN AFRICA is the story of the multiracial punk movement within the recent political and social upheavals experienced in three Southern African countries: South Africa, Mozambique and Zimbabwe.

From producer/director Mike Lastra comes the story of punk done right. Featuring live concert performances. Including lots of rare photos, interviews with many band members.

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

Nasi was always a controversial guy. Since his times with Ira! in the early 1980s, his name was among the most talented and also the most troublesome artists on the Brazilian scene.

A savage journey into the heart of underground Tokyo rock and roll, a look at the people who make it thrive, and stories of their dedication to keeping DIY culture alive.