SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.
Documentary about British author and actor Alan Bennett. Recorded over the course of a year, the film features a number of intimate encounters with Bennett, including a trip to New York to receive an award from the city's public library, a national radio appearance and a visit to his local community-run library in Primrose Hill, London. Reflecting on key periods of his life as well as providing observations on current events.
Film by Robert Todd
The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.
The film weaves together the filmmaker's introspections with survivor's collective memories. Amid deciphering a diary, the filmmaker reflects on personal encounters.
Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.
Personal diary-style documentary of German Gay rights activist Von Praunheim's sojourn in the US.
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.
In January 1996 filming began on a new episode of Doctor Who set in San Francisco, but shot in Vancouver, Canada. Sylvester McCoy flew out to join the production team to re-create his role as the Seventh Doctor and to hand over to Paul McGann. In this behind-the-scenes video diary, Sylvester gives us a personal account of his final days as the famous Timelord. Reminiscing about the "old days" and drawing comparisons with the experience of working on this latest adventure, he talks to Paul McGann, Daphne Ashbrook (Dr Grace Holloway) from the new production and Anneke Wills (Polly) from the show's past. All shot on Hi-8 camcorder.
A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.
Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.
Film loops with overlapping chromatic density and textures achieved with photochemical development experiments.
This documentary recounts the difficult choice actress Mary Astor had to make after learning her personal, very intimate, diaries had been stolen. The film tells the story of Astor's 1936 child custody case.
This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."
An experimental ethnographic documentary that criticizes the colonizer view of anthropology.
In making this piece, Bourque literally distorted the personal home movie images appearing on the film plane through various manipulations in the process of doing her own low-tech contact printing. The point of contact in printing is continuously shifted so that the film plane appears warped and the images fluctuate, creating a distorted space of fleeting apparitions, like resurfacing memories.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
A collage of newsreels, trailers, clips and other visionary and unseen fragments of sight and sound regarding the late plastic artist Helio Oititica.
A film about friendship and the occasional loneliness.