Aran Kei

Takarazuka Revue's Phantom based on the play by Maury Yeston and Arthur Kopit.

In 1980, Ayuko is a new transfer student in Okayama from Tokyo. She doesn't have any friends and relies on her boyfriend Hideo who is a college student. Ayuko likes to draw a romance manga of herself and her boyfriend. Ayuko's classmate, Takemi, becomes a huge fan of Ayuko's manga and they become close friends. Due to an incident though, they drift apart. 30 years later, Ayuko is now a manga artist and comes back to Okayama to give a lecture at her former high school. There, Ayuko meets Takemi who is now a teacher.

Takarazuka Revue’s 1992 production of "The Rose of Versailles 2001: Oscar and Andre". This version focuses on the relationship between Oscar and Andre.

This adaptation of the Nutcracker story (by Tchaikovsky and original choreography by Marius Petipa and Lev Ivanov) is updated in this stop-motion animation from the original Japanese release of 1979. The new 3-D rendering is complemented by the art direction of Sebastian Masuda who is responsible for much of Kyary Pamyu Pamyu's style. She also provides music here.

Musical adaptation of The Rose of Versailles, focusing on the Lady Oscar's service in the French Guard during the early days of the revolution, and the relationship between her and her childhood friend Andre.

The show focuses on Mitsuko Aoyama (1874-1941), who was the first Japanese woman to marry a westerner.

Takarazuka Revue 2003 Star Troupe production based on the MGM film Singin' in the Rain

Jamie is 16 and lives on a council estate in Sheffield. Jamie doesn't quite fit in. Jamie is terrified about the future. Jamie is going to be a sensation. Supported by his brilliant loving mum and surrounded by his friends, Jamie overcomes prejudice, beats the bullies and steps out of the darkness, into the spotlight. Sixteen: the edge of possibility. Time to make your dreams come true.

血の婚礼

Takarazuka Star Troupe 2007 performance of the musical Secret Hunter and the revue Sakura, performed at the Takarazuka Grand Theater and Tokyo Takarazuka Theater.

In the realm of the dead, Luigi Lucheni is on trial for the assassination of Empress Elisabeth. The disembodied voice of the judge rings out, demanding to know why Lucheni killed her. Lucheni responds, in his own defense, that he was doing her a favor as Elisabeth and Death were lovers. He calls upon the ghosts of Elisabeth's family and friends to corroborate this statement. Death appears in their midst, a pale, androgynous, eternally youthful man who admits that he was in love with Elisabeth. (1996, Snow)