The movie ‘John Honai’ derives its title from the character John Honai played by Rizabava in the super hit movie ‘In Harihar Nagar’. In ‘John Honai’, John and Honai are two different characters. The movie revolves around the life of John (‘Karmayodha’ fame Arjun). John tries hard to free himself from the heavy debts left behind by his father. John is helped by his friends Jaffer and Janardhanan through thick and thin. At this juncture when they are in desperate need for money, unexpectedly they get a huge amount of money. The resulting issues in their life form the plot of ‘John Honai’. ‘John Honai’ is the debut directorial venture of Thoufeeq. The movie is produced by Madhu Thillankary. The movie is scripted by Fazal. The lines of Santhosh Varma are tuned by Alex Paul. Rizabava does the role of Honai. Mukesh, Jagadish, Siddique, Asokan, Sreeram, Kalabhavan Navas, Jaffer, Malavika Menon, Kottayam Nazeer, Saju, and Sinoj include the cast.
Punyalan Agarbattis is the story of Joy Thakkolkaran, a young entrepreuner from Thrissur. His new business venture 'Punyalan Agarbattis' involves manufacturing agarbattis from elephant dung. Fragrance and quality of his incense sticks aside, its mosquito repellant capabilities too have pleased those who tried the samples. However, Joy suddenly has a new set of people and problems as 'Punyalan Agarbattis' comes to a halt.
The story revolves around the college graduate class of 1992. In 2006, working in different corners of the world, the friends get together for a class reunion to revive the joy and laughter of their student days. Shockingly, on the night of the reunion, one of the classmates is almost murdered and goes into a coma.
The story is set in the 1990s in a village and discusses the entry of globalization in there in a satirical manner. Vinayan is a young man, who works as an operator in Sreedevi Talkies, an old 'C' class cinema theatre. The owner of the theatre is Madhavan Nair, who is also the godfather of Vinayan. The effects of globalisation start reflecting in the functioning of the theatre.
The life of a father and son and their life experience when son tries to breakup with his lover.
The film revolves around a guy and three others earn their living by stealing bicycles and selling them.
The film, in Malayalam and made by the Indian film maker K P Kumaran, AkashaGopuram is set among the Indian immigrant community in London and tells the story of Albert Samson (Mohanlal), a middle-aged architect who has clawed his way to prominence.
The story follows Dawood, who wishes to don the cop uniform right from his childhood. He grows up to be a straight-laced, passionate policeman, who is sent off to a sleepy border suburb Kollanahalli for his first posting. An unexpected turn of events presents him an opportunity to prove himself.
After living 23 years in France, psychiatrist Dr. Roy is called back to his village by Fr Francis, the man who raised him during his childhood. He has no idea why he was asked back, but when he returns he meets his childhood friend Dr Meera Menon who has become a pediatrician, but meeting her again brings him memories of their being in love years earlier.
Oru Indian Pranayakatha is about the life of a young political leader and his association with a woman who comes unexpectedly into his life.
Priyadarshan (Tini Tom) is a dubbing artist for TV serials and Ad-Films. He got married to Anjana (Aditi Roy) for 4 years and his family life was peaceful without any Issues. Only worry they had was about not having a child. To overcome that, they started engaging themselves in socializing and mixing with their friends without realizing where to control and restrict their friends in their personal family space. Priyadarshan and Anjana are such couple who openly speaks their issues each other and resolve the same.
Ezhu Sundara Rathrikal narrates the sequence of events that follow the protagonist's bachelor party.
The village of Kanakkodu is free of politics and political parties. Pala Thankachen spread the seeds of politics in the calm atmosphere prevalent there. Consequently, the villagers divide themselves into different political groups.
Two scheming thieves Vivekanandan and Najeeb Kecheri plan to rob Harinarayanan and his wife Devika's house, but in a quirk of fate, becomes a part of their life. Meanwhile, when moneylender Edamuttam Pappachen asks them to do something special for him, the story takes another turn.
Mannar Mathai Speaking 2 is malayalam comedy thriller film, directed by Mamas. It is a sequel to the 1995 cult comedy classic, Mannar Mathai Speaking and the third installment in the celebrated Ramji Rao franchise. Actors Mukesh, Saikumar, Innocent, Janardhanan reprise their roles; while Aparna Gopinath, Shammi Thilakan and a few others are also included in the cast
When Guptan, a college lecturer, gets killed, the police suspect Gabriel to be the murderer. A girl takes help from her brothers, who are famous lawyers, in proving his innocence.
It narrates the story of two grandmothers in the backdrop of their children, families, and an old age home.
Karthi and Riya elope one early morning to Ooty, fearing that the elders in the family will not accept their inter-religious relationship. They return to their respective homes after a couple of days after having a fight. They convince their loved ones that they hate each other and vow never to see each other again. The film would then trace the eventual course of their lives.
Kadhaveedu' is a dedication to Malayalam being accorded the Shresthabhaasha (Malayalam has been declared a Classical language in 2013) status and presents, as a single entity, three different stories penned by the doyens of Malayalam literature - Vaikkom Muhammed Basheer, M T Vasudevan Nair and Madhavikutty. The film is an anthology with adaptations of stories written by renowned Malayalam fiction writers Basheer, M. T. Vasudevan Nair and Madhavikutty (Kamala Surayya).. The stories have been tweaked to fit in a modern setting and the script has been conceived by the director himself.
Ghost-busting is both scary and hilarious in this tale of bhoots on the ground.