Abortion: Beyond the Backstreet

The film twice states that it doesn't intend a moral injunction, but it clearly does with comments such as "our society... regards sexual intercourse outside marriage as irresponsible and possibly disastrous" and "you can use your knowledge with responsibility and real love or you can use it wantonly and with mere animal appetite". This is clearly marriage education not sex education.

Filmmaker Maxine Trump turns the camera on herself and her close circle of family and friends as she confronts the idea of not having kids. While exploring the cultural pressures and harsh criticism child-free women regularly experience, as well as the personal impact this decision may have on her own relationship, Maxine meets other women reckoning with their choice: Megan, who struggles to get medical permission to undergo elective sterilization, and Victoria, who lives with the backlash of publicly acknowledging that she made a mistake when she had a child.

The Dobbs U.S. Supreme Court decision sparked a national Jewish response. Inspired by the lived experiences of Jewish women, lawsuits are currently being launched by rabbis, Jewish organizations, and interfaith leaders to challenge the overturning of Roe v. Wade.

Motherhood: a subject so deeply ingrained in our society, we take it for granted as part of the natural order. It's assumed all women want children, that motherhood is not only a biological imperative but the defining measure of womanhood. Titled after one of the myths it challenges, this film draws upon a heady mix of culture, science, and history–revealing the rich and diverse lives of people who said no to children, and the forces that have marginalized them in society.

Women have always sought ways to terminate unwanted pregnancies, despite powerful patriarchal structures and systems working against them. This film provides a historical overview of how church, state and the medical establishment have determined policies concerning abortion. From this cross-cultural survey--filmed in Ireland, Japan, Thailand, Peru, Colombia, and Canada--emerges one reality: only a small percentage of the world's women has access to safe, legal operations.

In an America where more and more women and trans people are losing legal bodily autonomy, the history of Bill Baird’s long fight for women’s right to abortion is as relevant as ever. Oscar-nominated filmmaker Rebecca Cammisa doesn’t just give us a portrait of Baird, but also creates a historical register of allyship and activism that those fighting to uphold freedom and choice can access, and perhaps emulate.

Sind wir bald zu viele?

Filmmaker Judith Helfand turns the camera on herself to document her battle with cancer caused by DES, a drug prescribed to her mother during pregnancy. Refusing to confine the tears, rage, laughter and hope to dinner table conversations, Helfand invites us to witness her personal journey from radical hysterectomy patient to vocal opponent of toxic exposure. From her suburban home to the halls of Congress, the intensely private becomes widely public, and an American family is transformed and strengthened.

With a single abortion clinic remaining in the state of Mississippi, the city of Jackson has become ground zero in the nation's battle over reproductive health-care. Jackson is an intimate portrait of the interwoven lives of three women in this town. Wrought with the racial and religious undertones of the Deep South, the lives of two women are deeply affected by the director of the local pro-life crisis pregnancy center and the movement she represents.

This fascinating political look at a little-known chapter in women's history tells the story of "Jane", the Chicago-based women's health group who performed nearly 12,000 safe illegal abortions between 1969 and 1973 with no formal medical training. As Jane members describe finding feminism and clients describe finding Jane, archival footage and recreations mingle to depict how the repression of the early sixties and social movements of the late sixties influenced this unique group. Both vital knowledge and meditation on the process of empowerment, Jane: An Abortion Service showcases the importance of preserving women's knowledge in the face of revisionist history. JANE: AN ABORTION SERVICE was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.

Women are being jailed, physically violated and at risk of dying as a radical movement tightens its grip across America.

An exploration of the early public debate surrounding birth control, the media's involvement, and the unstoppable Margaret Sanger, in a style mimicking the films of the period.

50 years ago, assemblyman George Michaels cast a single vote on New York's abortion bill that changed the course of American history but destroyed his political career in the process.

A young mother from Arkansas is forced to travel across state lines in search of an urgent and necessary abortion.

Frankie was recently diagnosed with HPV. After getting a follow-up cervical cancer screening, she tries to find connection as she goes about her day. It turns out not to be so easy.

A teenage girl undergoes the uncomfortable and intrusive process of acquiring a birth control prescription.

Timo Novotny labels his new project an experimental music documentary film, in a remix of the celebrated film Megacities (1997), a visually refined essay on the hidden faces of several world "megacities" by leading Austrian documentarist Michael Glawogger. Novotny complements 30 % of material taken straight from the film (and re-edited) with 70 % as yet unseen footage in which he blends original shots unused by Glawogger with his own sequences (shot by Megacities cameraman Wolfgang Thaler) from Tokyo. Alongside the Japanese metropolis, Life in Loops takes us right into the atmosphere of Mexico City, New York, Moscow and Bombay. This electrifying combination of fascinating film images and an equally compelling soundtrack from Sofa Surfers sets us off on a stunning audiovisual adventure across the continents. The film also makes an original contribution to the discussion on new trends in documentary filmmaking. Written by KARLOVY VARY IFF 2006

There are limits to jokes? What is the politically incorrect humor? A joke has the power to offend? It is these issues that 'Laughter of Others' discusses interviewing personalities such as comedians Danilo Gentili and Rafinha Bastos, cartoonist Laerte and Congressman Jean Wyllys, among others. The documentary delves into the world of Stand Up Comedy to discuss the fine line between comedy and offense, between legal and what creates endless lawsuits.

The Man Who Saved the World is a feature documentary film about Stanislav Petrov, a former lieutenant colonel of the Soviet Air Defence Forces.

The tobacco industry's conspiratorial efforts to market their products in the face of public health facts and public opposition.