Priory: The Only Home I've Got

A documentary from 1987 featuring the life of early Chinese immigrants to the island of Newfoundland.

On July 1st, 1916, the Newfoundland Regiment took part in a massive First World War offensive on the Somme, led by the British. At Beaumont Hamel the regiment was nearly wiped out, as only 110 of 780 soldiers survived the day. To commemorate its 100th anniversary, Brian McKenna’s documentary film tells the story of this epic tragedy. Using a technique that brings new meaning to reenactment, McKenna recruits descendants of soldiers who fought this battle, offering them a unique opportunity to relive the experience of their ancestors in trenches built specifically for the film.

This short documentary includes three vignettes about life off the coast of Newfoundland. In Island of Birds, we visit Green Island, a sea bird sanctuary where puffins frolic. In Caplin Harvest, little silvery fish called caplin spawn by washing ashore along the waves, making an easy catch for fishermen. In Outports on the Move, off-shore houses are pried loose from their foundation and floated to the Newfoundland mainland, where schools, hospitals, stores and services are available to the community.

Combining archival photos with new and found footage, this short film presents a personal, impressionistic rendering of what it's like growing up Mi'kmaq in Newfoundland, while living in a culture of denial. Vistas is a series of 13 short films on nationhood from 13 Indigenous filmmakers from Halifax to Vancouver. It was a collaborative project between the NFB and APTN to bring Indigenous perspectives and stories to an international audience.

This short film depicts Newfoundland’s “old times” as seen by Julie O’Brien, an 11-year-old living in Tors Cove. Told in the first person with cutaway shots to the girl’s many activities, the film illustrates the way traditions are maintained, remembered and evolved. This film is part of the Children of Canada series.

A portrait of Newfoundland that records a way of life that has all but disappeared.

A film on the "SAPPHIRE", the oldest identified wreck in Canadian waters. Parks Canada's underwater archaeology team is responsible for the excavation of the three-hundred-year-old frigate.

William Wells defends the viability of Fogo Island and expresses his apprehension about the exodus of young people.

This documentary records the journey undertaken by Jacques Cousteau, his 24-member team, and an NFB film crew to explore the Grand Banks of Newfoundland, one of the world's richest fishing areas. They discover shipwrecks, film icebergs and observe beluga whales, humpback whales and harp seals. The film also includes a fascinating sequence showing Calypso divers freeing a calf whale entrapped in a fishing net.

With simple ceremony on Parliament Hill, Ottawa, Newfoundlanders are welcomed as fellow-Canadians. Prime Minister St. Laurent starting off the carving of Newfoundland's coat of arms in the tenth and formerly blank shield over the entrance to the Parliament Buildings, writing in stone another chapter of Confederation. So begins this survey of Canada's tenth province, Newfoundland, its resources and how its people live. The film takes us to St. John's, Corner Brook, Bell Island, and includes a visit to Labrador where we see the giant airport at Gander.

This feature-length documentary paints a lively portrait of Father of Confederation and first premier of Newfoundland Joseph Roberts Smallwood, or "Joey," as he is known to most Canadians. Following one of Canada’s most colourful political figures during a two-and-a-half-month period that included a stormy Liberal leadership convention, the film reveals a man misunderstood even by his close associates.

Short doc/essay film exploring Newfoundland's relationship to film before and after confederation.

Shot during three seasons, Kenuajuak's documentary tenderly portrays village life and the elements that forge the character of his people: their history, the great open spaces and their unflagging humour. Though Kenuajuak appreciates the amenities of southern civilization that have made their way north, he remains attached to the traditional way of life and the land: its vast tundra, the sea teeming with Arctic char, the sky full of Canada geese. My Village in Nunavik is an unsentimental film by a young Inuk who is open to the outside world but clearly loves his village. With subtitles.

This short documentary looks at the government relocation of the Labrador Inuit and the effects on their culture and social structures.

In rocky Newfoundland, renowned French artist Jean Claude Roy gathers his paints and sets off to face the day. Whether it be freezing snow, violent wind, or pouring rain, he commits vibrant colors to canvas and conquers the day by weaving crooked beauty out of difficulties.

Two women discuss the roles and problems of women, education, and shopping on Fogo Island.

It was a way of life. It was the backbone of a society. And then the cod fishery off the east coast of Newfoundland collapsed. Taking Stock traces the history leading up to the crisis and the calling for a moratorium of the northwest Atlantic cod fishery. It presents the key players in this complex and tragic story, focusing on those who are now trying to come to grips with an uncertain future. How did the calamity happen? What signals did we ignore? Did we chose the right model in setting up an industry? Ultimately, Taking Stock holds a message for the Canadian as well as the global community: In trying to attain economic success, we must recognize that there are limits to how far we can exploit nature's delicate ecosystems.

Documentation of the legendary all ages hardcore punk show held at a Jack Astor's Sports Bar & Grill during operating business hours in St. John's, Newfoundland. Featuring performances from local hardcore heavyweights Carnage, GlitterGlue, Buck 50'd, and the debut performance of Life Jolt.

In 1938 an airfield was built at the northeastern-most end of America, the descent went slowly but incessantly through the Cold War. This is the story of how its inhabitants gradually moved away from the great world stage and had to reinvent themselves as well as their home town.

Amidst a mostly Catholic community, a small tiny Anglican church offers more to the community of Placentia than people may think, and holds many connections and history to the rest of the world.