Così venne ucciso Pasolini

Stories of serious traffic accidents caused by texting and driving are told by the perpetrators and surviving victims.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

A look back at the most outrageous antics by the rich and famous.

Boys play a rough game of leap frog.

Puños de barrio fino

David Attenborough and scientist Johan Rockström examine Earth's biodiversity collapse and how this crisis can still be averted.

Between punches and jumps, the fighters of the team "Flecha Dourada" return to the ring after 50 years to relive the glorious era of wrestling in Santa Catarina, South of Brazil.

The film depicts one working day in the lives of travelling workers in different parts of Croatia: Baranja, Slavonia, Zagorje, Kvarner and Banovina. Through interviews and by employing the so-called friendly-camera method, the director portrays these exhausted, sleepy people and their dreary daily grind. Their lives are particularly well reflected in the early morning scenes of salesmen asleep in the most peculiar places and in the most curious ways: leaning against a fence or a wall, sitting on the railway tracks.

Narrated in the Nahuatl language, it portrays the journey of a child looking for his parents, who will face a world full of prejudices to rediscover his identity.

Students in Lyon.

A fist-person story of the director of the documentary, who talks about the loneliness that entails living with an eating disorder and her vision now thar she is entering into adulthood.

A 60th anniversary retrospective documentary on the influence and context of the 1962 film, To Kill a Mockingbird.

Ricardo Castro narrates the adventures of his eccentric childhood and the utopian dream that his family of 17 lived in a forest transformed into their home, in the outskirts of Mexico City. After years of building the perfect microcosm, a tragedy shatters their utopia, leaving a void in the family that seems irreparable. Ricardo flees to a secluded cabin near a dam, where he griefs in a turbulent and also magical way.

Chanting saved Domitila from a deadly fever. From that moment on, she started using her voice as a spiritual bridge to pray for the souls of the dead in her native town: San Miguel Pocitos, Puebla.

Dimitra Koutsiabassakos is 88 years old and lives alone in the village of Armatoliko in the Pindos mountain range, on the banks of the ancient river Acheloos, named after the mythical river god who fought Heracles for the favors of a woman and who could take on many forms. Dimitra’s home is located near the place where a great dam is being built and lies right in the middle of the area destined to become a lake after construction is completed. By a strange quirk of fate, the materials used in the construction of the dam are a product of a cement company named “Heracles”, so that it seems that the age-old contest between Acheloos and Heracles continues to the present day! Dimitris, Costas and Petros decide to pay their grandmother a visit and make a documentary.

A group of four women band together to make rock climbing more accessible in Banff. Every run is a puzzle waiting to be solved, and if the Crush Collective has anything to do with it, gender norms will not be part of the equation.

This short documentary focuses on the children of alcoholics. In the relaxed environment of a mountain campsite, a group of young people discuss their anger and frustration, and talk about their struggle to cope with the problems created by their parents' drinking. By sharing their experiences, they open a door for others like them. Aimed primarily at an audience of elementary school children and older, this film provides an excellent vehicle for generating discussion about alcohol abuse and the family.

This short documentary examines the complex range of issues affecting urban transport in developing countries. After examining cost and available technology, as well as the different needs of the industrialized middle class and the urban poor, the film proposes some surprising solutions.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.