Why do human beings get married in almost every society in the world? Why do we cheat? Why is monogamy so important to a relationship and why does infidelity cause so much grief? These are some of the questions acclaimed documentary filmmaker Dhruv Dhawan confronts in his next feature length documentary which explores why human beings evolved cultures of marriage and monogamy that are rife with infidelity. As he attends various lavish weddings occurring within his family, Dhruv is pestered to follow suit but is haunted by his family’s history of infidelity, as well as his own and embarks on a personal quest to discover the origins of marriage, the reasons for monogamy and the pain of infidelity as he tries to mediate an open relationship with the woman he loves. Dhruv’s search takes us on a journey into the biology of sex, the history of patriarchy and the politics of monogamy told through the lives of scientists, swingers, adulterers and Dhruv’s own family.
Challenging the Western view that Islam inherently represses women’s rights, journalist Samira Ahmed travels across the world examining Islamic customs as they relate to women. In this two-part series, Ahmed explores whether current Islamic customs such as polygamy, honor killings, and requiring women to wear the hijāb (veil) are actually rooted in the Quran.
On April 19, 1993, in Waco, Texas, after several attempts at talks and negotiations, the American authorities stormed Mount Carmel, the religious campus of the prophet David Koresh at the head of the Davidian sect.
Dukas Dilemma
David and Judith MacDougall are exploring the marriage rituals and roles of Turkana women in this ethnographic documentary. The film's biggest part is taken up by talks between the Turkana people. As one of the first ethnographic documentaries "A Wife Among Wives" subtitles these talks so that the viewer can get a better and probably more personal understanding of the life of the Turkana.
Filmmaker Amy Berg sheds light on the sexual, financial and spiritual abuses heaped upon members of the Fundamentalist Church of Jesus Christ of Latter-day Saints by their former leader, Warren Jeffs.
A feature documentary film set in Hollywood, examining a radical experiment in '70s utopian living. The Source Family were the darlings of the Sunset Strip until their communal living, outsider ideals and spiritual leader Father Yod's 13 wives became an issue with local authorities. They fled to Hawaii, leading to their dramatic demise.
Recovering from a heartbreaking divorce, independent filmmaker and son-of-an-Italian-Prince Tao Ruspoli takes to the road to talk to his relatives, advice columnists, psychologists, historians, anthropologists, artists, philosophers, sex workers, sex therapists, and ordinary couples about love, sex & monogamy in our culture. What he discovers about his very unconventional family, and about the history and psychology of love and marriage leads him to question the ideal of monogamy, and the traditional family values that go with it.
The film tells the story of two POC teenagers from a traditional polygamous family, daughters of a father and different mothers from the same homestead: interior views from a distant everyday life. Two young women, their hopes, fears and dreams of having children, love and polygamy. Bibi is 17 and already has a baby, 15-year-old Riki is determined to become a private detective in Paris - but she is determined to take the fireplace from her homestead in Africa with her overseas.
Sister wives living on a secluded ranch decide to plot revenge against their abusive husband.
In 1920s China, nineteen-year-old Songlian becomes a concubine of a powerful lord and is forced to compete with his three wives for the privileges gained.
Filli and the cavemen from "When Women Had Tails" are living a carefree life inside a dinosaur skeleton. But when conman Ham introduces them to the concept of currency and economics, their lives fall apart. On top of that, Filli starts to fall in love with Ham.
Young Scottish doctor, Nicholas Garrigan decides it's time for an adventure after he finishes his formal education, so he decides to try his luck in Uganda, and arrives during the downfall of President Obote. General Idi Amin comes to power and asks Garrigan to become his personal doctor.
A family gets lost on the road and stumbles upon a hidden, underground, devil-worshiping cult led by the fearsome Master and his servant Torgo.
Widowed Welsh mother Anna Loenowens becomes a governess and English tutor to the wives and many children of the stubborn King Mongkut of Siam. Anna and the King have a clash of personalities as she works to teach the royal family about the English language, customs and etiquette, and rushes to prepare a party for a group of European diplomats who must change their opinions about the King.
Three women from three different social, economic, and ethnic groups discuss their lives in polygamous household.
An Islamic faithfull returns from his holy pilgrimage to Mecca with the venerated title “el hadji”. On his return he falls in love with his daughter’s friend Santou, who is already engaged to be married to Garba. El Hadji however already has two wives and his second wife, Gaika, cannot stand the idea of another younger wife entering her house. She plots to kill Santou.
The film is about an unemployed banker, Henri Verdoux, and his sociopathic methods of attaining income. While being both loyal and competent in his work, Verdoux has been laid-off. To make money for his wife and child, he marries wealthy widows and then murders them. His crime spree eventually works against him when two particular widows break his normal routine.
This fictional feature follows a twenty-something man who is struggling to define his position in the world in early adulthood. He has left their parents' home but still has not made an home of his own. Our protagonist’s alienation is palpable; for him life is a game, not because he chooses to make it so, but because he is unable to make anything more of it. But for those who befriend him and eventually turn him loose again, his game is not enough.
This silent melodrama is set against the 1840s westward migration of the Mormons. Dora, a young woman, and her family are saved from an Indian attack by a Mormon community traveling to Utah. They join the wagon train. Dora is pursued by two men, one a recent convert, the other a scheming elder with a stable of wives. The Mormon elder wants her in his harem. When the mother kills herself from revulsion toward polygamy, the daughter must consider her own future and the man she loves. One of Mae Murray's few surviving films, this was intended by Robert Leonard to be a thoughtful drama about the goods and evils of Mormonism, but today it is generally considered pure anti-Mormon propaganda.