Audience of One

In 1985, Chris Marker traveled to Japan to attend the filming of Ran, directed by Akira Kurosawa. Marker analyzes the progress of filming; the infinite patience of a team under the orders of a meticulous director down to the smallest detail; the antithetical mixture of the modern with the traditional; of the real with the fictitious; of life with cinema… and literature.

This documentary revisits the making of Gone with the Wind via archival footage, screen tests, insightful interviews and rare film footage.

Memory - les origines d'Alien

What makes European cinema so special? Find out in Paul Joyce’s feature-length documentary, Pictures of Europe, which examines the differences between American independent and Hollywood movies and films from European directors. Featuring luminary iconoclasts from European cinema such as Agnes Varda, Bernardo Bertolucci and Pedro Almodovar, as well as American counterpoints from Paul Schrader, and those who have crossed back and forth, such as Paul Verhoeven

An investigative look and analysis of gender disparity in Hollywood, featuring accounts from well-known actors, executives and artists in the Industry.

This documentary talks to women training with machine guns, to undergraduates taking courses in How to Stay Alive, to retired generals who run schools for mercenary killers, and to self-appointed clergy who say their native America has "gone soft on the Devil and the Reds" and has become a "Disneyland for Dummies".

Nigeria's film industry, Nollywood, is the third-largest in the world--an unstoppable economic and cultural force that has taken the continent by storm and is now bursting beyond the borders of Africa. "Nollywood Babylon" is a feature documentary detailing the industry's phenomenal success. Propelled by a booming 1970s soundtrack of African underground music, the movie presents an electric vision of a modern African metropolis and a revealing look at the powerhouse that is Nigerian cinema.

The amazing story of stunts, men and women who risk their lives every day on set to get the perfect action scene.

The story of the making and subsequent success of The Day of the Beast, the Spanish cult film directed by Álex de la Iglesia and released in 1995.

Lights, camera... chickens! Go behind the scenes with the Aardman team and director Sam Fell during the making of this finely crafted stop-motion sequel.

At the peak of her immense popularity in the 1920s, evangelist Aimee Semple McPherson was drawing larger crowds to her revivals than those of P.T. Barnum or Harry Houdini. This chapter of "American Experience" paints a vivid portrait of the controversial and charismatic religious figure. Credited with mainstreaming religion in American culture, Sister Aimee created one of the country's first Christian radio stations, among other accomplishments.

DARIO ARGENTO - The Exhibit

An in-depth look at the creative process behind "Society of the Snow," featuring cast, crew, director J.A. Bayona and even real-life survivors.

Skutečnost Noci svatojánské

France, le plus beau décor de cinéma

Chronicles the last great American showman, filmmaker William Castle, a master of ballyhoo who became a brand name in movie horror with his outrageous audience participation gimmicks.

Alongside a passionate cast and crew, follow Walker Scobell, Leah Sava Jeffries and Aryan Simhadri as they step into worlds fit for gods, battle unforgettable creatures, and perform legendary stunts.

Documentary film about the making of The Hunger Games: Mockingjay Part 1. An impressively in depth assortment of seven featurettes that look at a variety of subjects, from casting to visual effects. - Hope and Rebellion: Continuing the Saga - Designing Dystopia: Visual Aesthetic - Rebels and Warriors: The Cast - Fusing Form and Function: Costume, Make-Up and Hair - Fighting the System: Shooting on Location - D13: Rebellion Tactics: Stunts and Special Effects - Perfecting Panem: The Post-Production Process

In this short documentary, a former Pentecostal preacher starts a secular congregation in the heart of the Bible Belt.

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”