Fear of Fear

A pregnant Colombian teenager becomes a drug mule to make some desperately needed money for her family.

Sissi is now the empress of Austria and attempts to learn etiquette. While she is busy being empress she also has to deal with her difficult new mother-in-law, while the arch-duchess Sophie is trying to tell the emperor how to rule and also Sissi how to be a mother.

When astronaut Spencer Armacost returns to Earth after a mission that nearly cost him his life, he decides to take a desk job in order to see his beautiful wife, Jillian, more often. Gradually, Jillian notices that Spencer's personality seems to have changed, but her concerns fade when she discovers that she's pregnant. As Jillian grows closer to becoming a mother, her suspicions about Spencer return. Why does it seem as if he's a different person?

A teenager struggles with his identity after an unresolved family relationship.

A satiric tragi-comedy about two women and their lover Robert who is an emigrant that keeps coming back. This film shows chaotic post-communist Europe after the fall of totalitarianism. Two opposite characters, women, meet during the Velvet Revolution in November 1989. Intellectual dissident Nona and a Communist secret police boss’ mistress Ester. They meet at an anti-regime demonstration and become friends. They don’t want anything to do with politics, both want to get married and have kids, but also get rich. Crazy plans and risky attempts to realize their shared dreams land them in many sticky situations in the post-revolution chaos. Too much money gets in the way of the power of friendship.

The familiar story of Lieutenant Bligh, whose cruelty leads to a mutiny on his ship. This version follows both the efforts of Fletcher Christian to get his men beyond the reach of British retribution, and the epic voyage of Lieutenant Bligh to get his loyalists safely to East Timor in a tiny lifeboat.

Best friends Deco and Naldinho co-own a cargo boat in Brazil's Salvador da Bahia. They give a ride to a sultry prostitute named Karinna, and soon both men fall prey to her considerable sexual charms, pushing the bounds of their friendship to the limit.

Three sailors are talked into trying LSD and marijuana--which, this film implies, are basically the same thing--and the effects of the drugs endanger the lives of their fellow sailors aboard ship.

In a fragile relationship, a husband wants to impress upon his pregnant wife his seriousness in being a good father, so he whisks her away on a babymoon travel holiday to the most exotic, beautiful, Instagram -able, country imaginable, which unbeknownst to him is experiencing a political revolution!

Leni takes Rafi to meet her family in Madrid. Leni's family is Jewish - mother, father, older sister and daughter, brother, and grandfather. Rafi is Palestinian, in Spain since age 12. Before her father returns from work, Leni reveals Rafi's origins. He accidentally drops a block of frozen soup out the flat window, probably killing a passerby. Leni initiates a cover-up and Rafi figures out the body is probably Leni's father. The body disappears and without telling the rest of the family what they know, Leni and Rafi organize a search for dad. Mom is sure he's having an affair. Leni's belly-dancing sister kisses Rafi. Her brother grabs a rifle to shoot the Arab. Can anything be put right?

A hedonistic bachelor - he is his rich family's black sheep - falls for a suicidal mental patient.

Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.

Claire is a midwife and has devoted her life to others. At a moment when she is preoccupied by the imminent closure of the maternity clinic where she works, her life is further turned upside down when Béatrice, her father's former mistress, turns up on the scene. Béatrice is a capricious and selfish woman, Claire's exact opposite.

Ken Park focuses on several teenagers and their tormented home lives. Shawn seems to be the most conventional. Tate is brimming with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother. Peaches looks after her devoutly religious father, but yearns for freedom. They're all rather tight, or so they claim.

Faced with an unplanned pregnancy, sixteen year old high-schooler, Juno MacGuff, makes an unusual decision regarding her unborn child.

In the 1970s, a young transgender woman called “Kitten” leaves her small Irish town for London in search of love, acceptance, and her long-lost mother.

On the way to meet with an independent artist in the South, newlywed art dealer Madeleine is convinced by her husband, George, that they should stop to meet his family in North Carolina. Madeleine's affluent lifestyle clashes with the family, but she befriends George's wide-eyed and pregnant sister-in-law, Ashley, who is nearing her due date. Through the family, Madeleine gains greater insight into George's character.

Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.

Homer is an orphan who was never adopted, becoming the favorite of orphanage director Dr. Larch. Dr. Larch imparts his full medical knowledge on Homer, who becomes a skilled, albeit unlicensed, physician. But Homer yearns for a self-chosen life outside the orphanage. What will Homer learn about life and love in the cider house? What of the destiny that Dr. Larch has planned for him?

After a one night stand with Alex, Isabel realizes that she is pregnant and they decide to get married. However, along with the marriage comes compromise of one's own cultural traditions.