Chance, History, Art...

This 58 minute DVD video is one of the Dead Kennedy's last ever live concerts, captured on film just months before their breakup in 1984. This 14-song performance at San Francisco's On Broadway catches Jello and company at the height of their punk powers.

A 1-hour Documentary looking at the Manchester post-punk group and its infamous leader Mark E Smith. The Film follows the current band recording their final Session for the John Peel Show (they were his favourite group and recorded more sessions than any other band) as well as chronicling the chaotic history of the band & its numerous line-up changes.

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

A documentary that explores the challenges that a life in music can bring.

Arab-American filmmaker Yumna Al-Arashi embraces the rhythmic rituals that have run alongside Islamic tradition throughout the centuries in this surreal and poetic short film. Piecing together old and new, Al-Rashi's dream-like imagery breathes fresh air to a subject hardly seen in positive light.

"Getting The Knack" chronicles the controversial career of power pop stars, The Knack. Viewers will witness a compelling tale of instant stardom and spectacular failure, a story marked by heroin addiction, alcohol abuse, vicious inner-band feuding and massive critical backlash. "Getting The Knack" explores the group's career via candid interviews with the original band, producers Mike Chapman and Jack Douglas, Sharona Alperin, (the inspiration behind their biggest hit), Steve Jones of The Sex Pistols, Rick Springfield, Elliot Easton of The Cars, Devo's Bob Mothersbaugh, comedian Weird Al Yankovic and many more. Narrated by Cherie Currie of The Runaways, "Getting the Knack" is augmented by scores of rare photos and previously unseen archival footage providing a no-holds barred look at the rise and fall and ultimate resurrection of the group.

Photographic and sound story, through the encounter of characters with their stories of a time without end.

In Swole I continue to document my commitment to an intensive and transformative gym and diet regimen, as well as the communities that form around such activities, sustaining themselves through texting and sharing videos and photos on social media. I learn the vocabulary of my new community.

Southern indie rockers Lucero hit the road in this documentary, which shows the Memphis, Tennessee band on tour and in the studio. In addition to candid interviews with band members Ben Nichols, Roy Berry, John Stubblefield and Brian Venable, the video features footage of the band on tour with The North Mississippi All-Stars, in the studio for the recording of "Tennessee" and performing live at the Memphis in May Music Festival.

Portrait of an Artist

Lucía and Valeria take out three Tarot cards that reveal the first two dishes of a menu that takes them from Embún, Spain to Llanquihue, Chile; the towns of their grandmothers. Among improvised still lifes, maps and video calls, the friends try to discover the meaning of the third card through a ritual that connects both continents.

"All Inclusive" tells the story of seven women who are going on holidays to Morocco, getting out of the hotel and confronting women from Morocco. They will look for their own way of life in the desert, confront their world, looking at the reality that surrounds them.

Embarks on a journey that traces the life and work of Antonio Martorell, a prolific plastic and multi-disciplinary artist in Puerto Rico. This film is a dance between the director (Paloma Suau) and the portraitist while portraying each other. More than a documentary, this film is an experiment of a director trying to reconnect with her creative voice.

SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

In 2004 a group of friends took the stage at a small coffee house in Dekalb Illinois with the sole purpose of pissing off everyone. Surprisingly, enough people liked what the band was doing that they continued to play music under the name Weekend Nachos. This documentary simply tells the story of Weekend Nachos.

Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.

Believe it or not, esoteric film sages, i.e., Phil Solomon, are open to the possibilities of working with video — and even video games. This is a film that takes images from the notorious wanton car-jacking shoot-em-up Grand Theft Auto video game.

Autumn, photographed during the last months of the drought year, 2015, is a stately, but intimate, seasonal tome, a celebration of the poignancy and mystery of our later years. – Nathaniel Dorsky

This year our mid-summer’s night was adorned with a glorious full moon. The weeks and days preceding the solstice were magically alive with crisp, cool breezes, bright, warm sunlight, and a general sense of heartbreaking clarity. The Dreamer is born out of this most poignant San Francisco spring.

"…elegant yet rustic in its simplicity of execution; tugged gently toward different sides of the set by hints of color and motion interactions, positive and negative spaces, etc., and the unyielding delivery on one of the great apotheoses of poetic cinema at fade-out time." – Tony Conrad