In 1931, a young soldier deserts from the army and falls into a country farm, where he is welcomed by the owner due to his political ideas. Manolo has four daughters, Fernando likes all of them and they like him, so he has to decide which one to love.
Black marketeers Marko and Blacky manufacture and sell weapons to the Communist resistance in WWII Belgrade, living the good life along the way. Marko's surreal duplicity propels him up the ranks of the Communist Party, and he eventually abandons Blacky and steals his girlfriend. After a lengthy stay in a below-ground shelter, the couple reemerges during the Yugoslavian Civil War of the 1990s as Marko sees the opportunity to exploit the situation.
On Saturday, 5 April 1941, one day before the Invasion of Yugoslavia of the Kingdom of Yugoslavia, a colourful group of random passengers on a country road deep in the heart of Serbia board a dilapidated bus, headed for the capital Belgrade. The group includes two gypsy musicians, a World War I veteran, a Germanophile, a budding singer, a sickly looking man, and a hunter with a shotgun. The bus is owned by Krstic senior, and driven by his impressionable and dim-witted son Misko.
John J. is a seasoned hit man sent on a job to Argentina. When the General he's sent to kill delays his return to the country, John passes the time with Manuela, a beautiful dancer who becomes his teacher and guide into Argentina's sensual world of the tango.
The wealthy president of a company has built up an unpayable debt to a local crime lord, and to escape punishment he sells his famous dancer wife to the lecherous old man figuring a 90 year old can’t do too much bad with her. Perhaps not, but others can while he watches. She’s put on stage in an underground BDSM sex show and begins a spiraling decent from strongly independent woman to submissive sex slave
Belgrade, Yugoslavia, 1979; a mysterious "Phantom" occupies the attention and hearts of Belgrade. Every night, he exhibits spectacular driving maneuvers using a stolen white Porsche car through the city streets.
¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.
Two faces of an upper-class, urban family, centered around young married couple.
A flat broke aging boxer, living on the verge of existence, teams up with the equally desperate people in the city's suburbia to steal, cheat, and even kill for the money.
Set in the years before and during World War I, this epic tale tells the story of a rich Argentine family, one of its two descending branches being half of French heritage, the other being half German. Following the death of the family patriarch, the man's two daughters and their families resettle to France and Germany, respectively. In time the Great War breaks out, putting members of the family on opposing sides.
An ultraconservative police officer suffers a debilitating stroke and is assigned to a rehabilitative program that includes singing lessons - with the drag queen next door.
A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by
While studying at a Catholic boarding school, the young Luisa meets a boy, Julio, who talks to her from the street and through the gate. However, the girl's arrogant older brother removes her from the establishment and takes her to live in her family house. The beginning of love between Luisa and Julio is made even more difficult by what seems to be the beginning of a disease in her.
Charlie Simms is a student at a private preparatory school who comes from a poor family. To earn the money for his flight home to Gresham, Oregon for Christmas, Charlie takes a job over Thanksgiving looking after retired U.S. Army officer Lieutenant Colonel Frank Slade, a cantankerous middle-aged man who lives with his niece and her family.
The life, hardships, love affairs, triumphs and failures of the world-renowned tango singer Carlos Gardel.
Jean-Claude Delsart, a 50 years-old bailiff, with his worn-out smile and heart, abandoned a long time ago the idea that life could give him pleasures. Until the day, he dares to push the doors of a tango lesson...
A frustrated and unemployed architect experiences flashbacks of his youth and 1968 protests while the life passes by. Unable to adapt and to accept the reality, he’s constantly getting into conflicts with the people around him.
Alex is a passionate musician. He travels from one gig to the next with his tango band. He can't make a living from his music, but he doesn't really care. This changes when he and his bandmates steal a rocker band's tour bus and there is an accident. Alex's friend Tommy dies and the tango band is finished. Suddenly Alex finds himself without an apartment, a pile of debts and with the grim rockers breathing down his neck. There's only one thing to do: go into hiding.
Middle-aged cinephile and film projectionist Pera still lives with his mother - and best friend - Mara, in Belgrade. It's 1999 and when NATO bombs start raining down on Serbia, the two of them become refugees. After a surreal journey, they end up in New York, where Pera realizes that he can no longer do the old job he loved so much. While he and Mara were struggling to survive, the new age of digital projection was born. Then Pera stumbles upon some discarded projectors and his new mission in life becomes clear: he will travel around and show people the magic of Real Cinema - the magic that can only be created by celluoid, mechanical projectors, the silver screen and flickering light.
Belgrade in 1963. In a yard surrounded by buildings, a group of young people of different backgrounds and social status, but of similar views about love and self-affirmation, spend their time together. Their friendship is dyed with various events typical for socialism, such as working actions or Youth Day's parade. All what happens within this yard may become an allegory of one generation's destiny.