Die sichere Geburt

The real Great Escape didn't feature Steve McQueen racing through the Third Reich on a motorcycle like in the 1963 movie, but the big breakout was still thrilling in every way. This program sheds new light on the audacious escape of 76 Allied airmen from a Nazi POW camp during World War II.

A documentary of the German national soccer team’s 2006 World Cup experience that changed the face of modern Germany.

The film tells the story of the Rote Zora, a militant women’s group in the FRG, which in the 1970s and 1980s carried out actions against various facets of patriarchal power relations. Narrations by various contemporary witnesses, interviews with a historian and former Zoras bring the history of the Rote Zora and the women’s movement of the time back to life. The film shows that many of the Rote Zora’s themes are highly topical and offers exciting material for discussion on how to deal with this history today.

Documentary film about the painter and sculptor Jörg Immendorff who ranks among the most important German artists. The filmmakers accompanied Immendorff over a period of two years – until his death in May 2007. The artist had been living for nine years knowing that he was terminally ill with ALS. The film shows how Immendorff continued to work with unabated energy and how he tried not to let himself be restrained by his deteriorating health.

Documentary about filmmakers of the New German Cinema who were members of the legendary Filmverlag für Autoren (Film Publishing House for Authors). Among them are Werner Herzog, Rainer Werner Fassbinder, and Wim Wenders.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

The army of the GDR, called NVA had not survived the reunification of Germany, it was completely absorbed by the Bundeswehr and scrapped subsequently. But what apparently went on so smoothly as a peaceful unification of hostile brothers quietly left deep scars in the East German landscape.

In World War II. African-American GIs liberate Germany from Nazi rule while racism prevailed in their own army and home country. Returning home they continue fighting for their own rights in the civil rights movement.

The film does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie covers the two-month time period during 1977 when a businessman was kidnapped and later murdered by the left-wing terrorists known as the RAF-Rote Armee Fraktion (Red Army Fraction). The businessman had been kidnapped in an effort to secure the release of the original leaders of the RAF, also known as the Baader-Meinhof gang. When the kidnapping effort and a plane hijacking effort failed, the three most prominent leaders of the RAF, Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe, all committed suicide in prison. It has become an article of faith within the left-wing community that these three were actually murdered by the state.

A documentation about the reconstruction and destruction of german cities after the 2nd World War.

The film focuses on three male and one female soldier. They represent the challenges that the German army is currently facing: the Bundeswehr has too few personnel, too little equipment and for many years was not prepared for the type of war that it must now prepare for in the future. The film reflects the dramatic change from the perspective of those who have to shoulder the task of "national and alliance defense" in a very concrete and personal way in their everyday lives, at their location, in their unit.

Documentary on the German luxury liner St. Louis that sailed from Hamburg to Cuba in 1939 carrying 937 German Jews. For 30 excruciating days the ship wandered the seas and was refused haven by every country in the Americas.

An experimental look at the origin of the death myth of the Chinookan people in the Pacific Northwest, following two people as they navigate their own relationships to the spirit world and a place in between life and death.

The order comes in the summer of 1941 from propaganda minister Joseph Goebbels himself: The best animators are summoned to Berlin. Their task: Producing feature-length cartoons in ‘Disney-Quality’ with the newly founded ‘Deutsche Zeichenfilm GmbH’. To get trained, the Disney movie “Snow White” is re-traced frame by frame. After the final victory, one new feature-length production of quality shall be released every year from 1947 onwards. – that is the plan. Only in 1943, the first production is completed: “Armer Hansi” a 17-minute-long colour movie, realized with the effortful Multiplane-technology. The second film by the ‘Deutsche Zeichenfilm’ is only completed in 1946 – by DEFA. In the territories occupied by Germany, cartoons are produced as well, sometimes harmless ones, sometimes propagandistic ones. With excerpts from animated movies, life-action film documents, and witness reports by contemporaries, this documentary draws a picture of the cartoon production in the third Reich.

Mit Vollgas in den Tod

Professor Niall Ferguson argues that Britain's decision to enter the First World War was a catastrophic error that unleashed an era of totalitarianism and genocide.

Max S. reveals how he built a drug empire from his childhood bedroom in this story that inspired the series "How to Sell Drugs Online."

With aerial shots filmed from helicopters and drones, moments of life and encounters, this abundant geographical narrative offers a unique perspective on today's Germany, providing an overview of a territory undergoing profound change. Committed to an unprecedented energy transition, Germany has been working for several years to reconcile economic development with respect for nature. This challenge is profoundly transforming its urban and rural landscapes, even though they still bear the traces of a partition that the reunification of a little over a quarter of a century ago has not completely erased.

How could a German Wehrmacht soldier become a celebrated soccer idol of the Britons in the post-war period? The documentary by Radio Bremen shows the moving life story of the soccer star of the 1950s in a torn Europe and how an enemy became a friend. With his legendary appearance in the English Cup Final 1956, in which he played until the end despite a broken neck, Bert Trautmann set up a memorial for himself in the history of sport. Already in the same year, he is chosen as England’s footballer of the year, and by his club Manchester City even as best player of all times. Bernhard “Bert” Trautmann is one of the most popular and best-known soccer players in England.

During the Nazi regime, there was widespread persecution of homosexual men, which started in 1871 with the Paragraph 175 of the German Penal Code. Thousands were murdered in concentration camps. This powerful and disturbing documentary, narrated by Rupert Everett, presents for the first time the largely untold testimonies of some of those who survived.