At the intersection of a provincial track and an international road a Gypsy community of a small Romanian town begin and end their day. It is the point of the geographical crossing that divides them from the rest of the world and keeps them within the traditional lifestyle, where in generations survive families, elderly, men and women, children and teenagers.
Every month, hundreds of unemployed nurses travel from the south to the north of Italy in search of work. Two of them organise the trips by overnight buses; a long journey of hope that often leads to nothing at all. Shot as a road movie, the two filmmakers paint a pitiless portrait of modern Italy before, during and after the health crisis.
In Pasolini's vision, Euripides' Medea becomes an emblem of the Third World deceived and exploited by the pragmatic rationality of the West (Jason). The sequences of human sacrifice, shot in Turkey, are among the highest and cruelest in Pasolini's cinema. Maria Callas in her only film role, is a lunar goddess of revenge.
Adam Ondra is the best. Born in 1993, the Czech climber has broken a series of records and is widely recognised as the most accomplished in his discipline. No mountain or wall can resist him. But who is this young man who knows no fear and never seems to encounter failure? Jan Šimanek and Petr Záruba deliver an intimate portrait, beyond the usual sensationalism of sports headlines.
At the death of her mother, Aga decides to leave her life in Germany with her partner Maja to look after her younger brother in Poland. To do this, she has to hide her love for another woman from the authorities. Closely following its protagonists, Silent Love delicately narrates their discreet struggle against a prying and viscerally homophobic society.
Jerusalem can rightfully be called the hat capital of the world. Whereas the rest of the world has allowed its hats to gather dust in the closet since the 1950s, Jerusalem still teems with hats and caps. From soldier to monk, everyone is identifiable by his hat. Director Nati Adler, who is neither religious nor a hat-wearer, explored the how and the why of the hats of Jerusalem. His colourful and personal trip takes us along the diverse headdresses of the three religions populating the city. What begins as an innocent exercise by a curious documentary filmmaker develops as it were into a Pandora's box full of stories and history lessons. Every answer evokes new questions. Why do people in Jerusalem wear so many hats, what is a shtreimel, why don't Armenian Christians use their Turkish hats in their ceremonies, and why do women actually have to cover their heads?
Swedish punk documentary from 1985 about Anti Cimex, more specifically Sixten Andersson. Shows the edgier side of Swedish music in the 80s, the anarchist ideals of the members and friends of the band and an overall discontent with the 'promising' future of the "Svensson life".
In this essay film, the narrator describes how his fixation on a gay pornographic model from a phone sex advertisement leads to a new project, an elegy for a complex, troubled man named Alain Lebeau.
Irritated by Catholicism, Linda, an American-based, Blonde Caucasian, falls in love with Qater-based Ali Al-Saigel, adopts the Islamic faith, and gets married. She follows her new faith to the letter, and subsequently gives birth to seven children (four daughters and three sons), brings them up according to true Islamic dictum's, and reflects on her 20-year married life, her children, as well as her reaction when her husband indicates that he wants to re-marry.
The Coup of 1979 was the "straw that broke the camel's back". The most influential sectors in the country, both from the Left and the Right, radicalized and decided to rebel against a power they considered unjust and unbearable. From this decision to rebel emerged three Revolutionary Juntas made up by civilians and the military.
The story of Pink Floyd told by deejay Tommy Vance and actor Graham McTavish with the four members talking about the past, including about Syd Barrett.
30+ interviews in 10 U.S. states with authors, collectors, journalists, professors, bloggers, students, artists, inventors and repairmen (and women) who meet up for ‘Type-In’ gatherings to both celebrate and use their decidedly lo-tech typewriters in a plugged-in world.
Narrated by Tina Sinatra, this TV compilation brings together memorable moments from Frank Sinatra’s career on television, in the studio and in concert through the fifties, sixties, seventies and eighties. Many of his best loved songs are featured including Fly Me To The Moon, Witchcraft, I’ve Got You Under My Skin, My Way, Strangers In The Night, That’s Life, The Lady Is A Tramp and many more.
Immigration resembles a postponed Lacan "mirror stage": a traumatic moment of distancing from your ideal "self", from an imaginary mother's uterus. It is an insight of a negative kind that brings me knowledge that I will never lose. This film is a farewell to my old home, a mosaic of my childhood memories and a weeping psalm to the identity which I left behind.
Ever-present schemes involving abuses of authority and kickbacks are still very much alive, and show no desire or intent to leave the Ukrainian capital Kyiv. This short tells the story of an illegal development in the city, local activists’ struggle against armed the unidentified security groups at the construction site, and the local officials who ignore the problem.
Between the walls of a prison, a man takes his time: cleaning the floor, drinking tea and telling his story. He remembers his childhood in his homeland and the sea where he grew up. Salah El Amri offers a disturbing perspective on the deprivation of freedom, through a man’s words recorded with striking temporality and chiaroscuro.
Triggered by a dream, and through the use of photos, 3D animation and refined sound design, this moving first-person work evokes the relationship between Argentinian state policy—in the wake of the wave of privatization in the 1990s—and the death of a young father, a worker dismissed from the state-owned gas company.
In an extended panoramic view—an "audioscopy" of Algiers—the camera’s eye scrutinizes various buildings and city-center neighborhoods with an intimate approach. "I want to show Algerian society’s openness to the world and to modern means... as well as its contradictions regarding tradition." One might think that filming is merely about capturing images; yet for Hassen Ferhani, filming is first and foremost about welcoming presences—allowing the world to emerge with all its density, fragility, and silences. He does not frame to confine, but to liberate; he frames to offer a space where people, gestures, and voices can find their true rhythm. This kind of cinema dictates nothing: it stands back—attentive and open—allowing itself to be surprised by the most unpredictable aspects of reality, and it is in this act of letting go that beauty is born.
Bry, a reckless party animal, decides to rip his retired parents from their all-American lives and throw them into the adventure of a lifetime. As Bry and his folks enjoy the Dionysian side of life, they will all learn a bit about themselves & each other.
The military dictatorships, which held power in El Salvador, instituted a way of governing the country that became unsustainable. Electoral frauds were evident, and despite all this, the military continued to perpetuate themselves in power. Little by little, the gap between social classes began to widen, aggravating differences, while inequality grew disproportionally. Due to the lack of opportunity to improve the quality of life of Salvadorans via a political path, guerrilla organizations as well as an armed conflict emerged.