Because Urbanus does all kinds of pranks, he has to go to an improvement institution. There, Dr. Schrikmerg uses him as a guinea pig for his new invention: he makes a sort of robot from Urbanus.
Rayen Panday: Fenomeen
Registration of the sixth comedy special by the Dutch comedian Eric van Sauers.
Eric van Sauers: Smulpapen
The second show of Dutch comedian Hans Teeuwen: sex, violence and foul language in a string of songs, abrupt transitions and evocative characterizations.
Caribbean Combo: Tijd voor Caribbean Combo
Wim Helsen Heden Soup! HOMELESS, KINGS, SAINTS AND COLD WATER FISHING: They all eat soup. Also mistresses love soup. They eat them with spoons, some dip bread in it or slurp on the edge of their soup bowl. One can of doing anything. Tomatoes, leeks, pumpkins, chicken. But loving thoughts, secret messages and mushrooms are allowed. And say nothing of balls. In mysterious faraway places there that make soup from nettles. Dogs bark for soup. One gets it warm from the inside (in his body).
Registration of the fourth solo program by the Dutch comedian Hans Sibbel, in which the comedian takes a look at the evolution.
Armed with many hilarious anecdotes, he immediately gets right to the point. With a sharp insight into his brown roots and the milky white roots of this society, he knows how to entertain the audience in his own unique way. The beautiful song "Ik mis je zo" (I miss you so much) and the antics of his ghetto cousin "Ongie" make this DVD complete.
Marian and Ido are married and have a 16-year-old daughter, Pinkie. Marian and Ido's marriage has become boring. Ido is a conservative and neat furniture manufacturer, but secretly starts a relationship with the beautiful Emma, his secretary. When Marian discovers this, she offers him a choice: stay with her or move on with Emma. Ido cannot make this choice, so Marian throws him out. Ido moves in with Ida, but continues to interfere intensively with Pinkie, who to his horror becomes friends with Wim, one of his Turkish workers.
The critically acclaimed Dutch theatre show filmed live on stage. This fabulous and hilarious modern revue tackles themes such as pornography, dating apps, homosexuality and ponycamps in a uniquely musical way.
Dutch comedian Yora Rienstra talks and sings about her life. After reaching the age of 37, Yora Rienstra starts doubting about her purpose. She decides to take a sabbatical to figure things out. Inspired by the book by the Dalai Lama that she got for her birthday, she sets herself the goal of doing things she fears.
The brothers Gé and Arie Temnes return to the home where they used to live as teenagers during WWII. Arie talks about the role that he played in the resistance movement.
Stage registration of the fourth comedy special (2006-2008) by the Dutch comedy troupe De Vliegende Panters (The Flying Panters). This show tells the story about who the Vliegende Panters really are.
Back in 2003, Alex Agnew was the first Belgian to win the prestigious 'Leids Cabaret Festival' in The Netherlands. He was the winner in both categories: Jury and public. Alex is a mixture of an English father, Belgian mother, an overdoses (action) movies, superheroes, comic books and a lot of music. No quiet, sophisticated humour, but proud to be loud! Rock'n'Roll comedy!
In dit tweede solo-programma komt hij nóg harder, nóg scherper en nóg pikanter uit de hoek. Gevoelige toeschouwers weze bij deze gewaarschuwd: geen huisje - heilig of niet -blijft overeind, geen thema onbenut. "Morimos Solamente" bevat geen theatrale structuur (heeft dat ook niet nodig), maar kan je best omschrijven als anderhalf uur fantastisch verbaal geweld. "The World According To Alex Agnew" dus…
The perfect way to get acquainted with Philippe Geubels' infectious humor or to relive a wonderful evening of live stand-up comedy.
Registration of the sixt theatre program by the Dutch comedian Theo Maassen.
Jurk!: Glitterjurk
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).