Kagerô 3

An assassin is shot by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance.

Slevin is mistakenly put in the middle of a personal war between the city’s biggest criminal bosses. Under constant watch, Slevin must try not to get killed by an infamous assassin and come up with an idea of how to get out of his current dilemma.

A bunch of young, angry and penniless misfits are full of great vitality. They aren’t quite up to joining the yakuza and execute a variety of petty scams. After being approached by a yakuza and asked to become a spy for them, they are now planning to take 10 million yen from the yakuza.

In 1947, in Kobe, Japan, a local street gang fights for their survival when its turf is overrun by United States occupation forces and international gangs.

The second film in the "Suruga yukyoden" series, in which Shintaro Katsu plays Jirocho Shimizu. The film features Omasa, Komasa, Ocho, who will become Jirocho's wife, as well as other members of his future family. There is a particularly great swordfight near the end where Katsu and cronies attack the rival villainous yakuza clan to rescue their ailing, elderly boss. The action choreography, cinematography and editing of this sequence is quite brilliant, treading a difficult tightrope act between genuinely goofy antics and exhilirating, bloody violence.

Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.

Yakuza drama with Meiko Kaji directed by Masahiro Makino

Around Ginza there is a night-city of bars and cabarets, hostesses, customers. Assisting to keep order here is Kagari (Akira Kobayashi) who specializes in the women, their problems and troubles. He has saved many a girl from blandishments of pimps, makes customers pay up and women play straight. So he is called 'the woman's police-man' and he takes his job seriously. One day, Chiyoko (Yukiyo Toake), a former hostess, comes to him. Her husband has been murdered and she wants help. The man had been a college classmate and Kagari decides to do what he can. In his investigation he overturns a whole nest of intrigue. Men he had thought irreproachable turn out to be corrupt; solid citizens are seen as the worst kind of scoundrels. Until now, Kagari has specialized in women and their problems. But, realizing the real state of affairs, he rolls up his sleeves for a good cleaning- up-at the same time discovering the murderer of his friend.

A Japanese Yakuza gangster's deadly existence in his homeland gets him exiled to Los Angeles, where he is taken in by his little brother and his brother's gang.

Tanaka is a yakuza who collects 'protection money' from establishments. He has just been released from jail, where he had spent eight years, and finds out that his boss wants to get rid of him. Tanaka is not an archetypal yakuza; he travels by public transport. But he does have two mistresses: Ayumi, who runs a nightclub, and Yoshie, a brothel-keeper. When Tanaka's boss ends up in hospital, second man Kurauchi exerts increasing pressure on Tanaka. Tanaka deliberately has himself wounded by a fighter to dodge several of Kurauchi's demands.

A real all-star cast turns out for this modern yakuza yarn.

Starting in 1970s Hokkaido, the film charts the moral descent of Detective Moroboshi over three decades, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza.

The film tells about Masayoshi, a noble Yakuza who lives by the laws of honor and humanity, and who is bound by an oath to his brother in a conflict between the Gamblers' family and the Tekiya family.

End of the Taisho period. In the city of Kiryu, where the wind is constantly blowing, the heads of the yakuza families of Kanhasshu (eight Kanto provinces) were to raise funds for the construction of the Chuji Kunisada monument. Responsible for the fundraiser was Jokichi from the Asami family, but Matsugoro from the Kuromatsu family, who wanted to become the greatest boss of the Kanhasshu yakuza, is trying to take over the textile market that Jokichi controls and intercept the fundraiser.

Roman Porno from 1972.

Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. However, in Japan he manages to escape, and as they try to track him down, they get deeper and deeper into the Japanese Mafia scene and they have to learn that they can only win by playing the game—the Japanese way.

The wealthy president of a company has built up an unpayable debt to a local crime lord, and to escape punishment he sells his famous dancer wife to the lecherous old man figuring a 90 year old can’t do too much bad with her. Perhaps not, but others can while he watches. She’s put on stage in an underground BDSM sex show and begins a spiraling decent from strongly independent woman to submissive sex slave

In the third film of the Lone Wolf and Cub series, Ogami Itto volunteers to be tortured by Yakuza to save a prostitute and is hired by their leader to kill an evil chamberlain.

The bustling Ikebukuro area was under the control of the Hanamura Kogyo yakuza gang, and there was no end to the violence. The tramp Satoshi Tsuzuki returns to his hometown after being released from Abashiri prison, and he is noticed when he saves a student from gangsters from the Hanamura gang. But this was only the beginning of a bloody struggle...

Third and last movie in the Yakuza Hijoshi trilogy.