In the Lion's Cage

A german film released in 1917 starring Pola Negri.

Operette-like oriental fantasy about a forbidden love between en english boy and a chinese girl.

The second of Thomas Meighan's three 1927 vehicles, We're All Gamblers was also the first of two collaborations between Meighan and director James Cruze. Based on Lucky Sam McCarver, a play by Sidney Howard, the story concerns a refugee of the Lower East Side who rises to the uppermost rungs of the nightclub world, all for the sake of a "dame." Boxer Sam McCarver (Meighan) falls in love with society girl Carlotta Asche (Mariette Mische).

A fisherman and a rising lawyer who grew up together as brothers fall in love with the same woman.

A teenage tragedy, shot at Munich's most famous places.

Based on the David Belasco stage production of the Max Marcin play in which heavyweight-champion Jack Dempsey played the role of the fighter, Tiger: This "behind-the-scenes look of a heavyweight-championship fight" looks much like all of the other boxing films in which the Champ gets involved in a frame-up and is asked to take a dive.

Old Man Hathaway was a trapper and lived with his only daughter in the mountains. Pretty Claudine often went forth to visit the traps with him and one day, when no bound, they saw a youth kiss a maiden affectionately. Seeing a chance for an object lesson, the old trapper sagely shook his head, saying, "My child, such kisses are poison. Guard against them."

Walsingham Van Dorn has a fancy name but no money until he inherits 40 million dollars from a pair of wealthy, but wicked, uncles.

Henry and Marion have a lover's quarrel and part in anger. They do not reconcile, and ten years pass without contact. Marion becomes a society girl and spends her time at parties with her friends. Henry has become very ill and wishes to see Marion one more time. He writes asking her to visit. When she recieves the note, she laughs and tosses it on the floor, but, later, on a whim, decides to take all her drunken friends with her to visit him. When they arrive, Marion finds Henry dead, clutching her portrait in his hand. She sends her friends away and falls to her knees in remorse. Mary Pickford's debut!

A royal princess gives her time to the Red Cross, and works alongside a young American doctor.

Darta, a man from an impoverished family, is rejected by the wealthy parents of the woman he loves. Desperate, he strikes a bargain with the Monkey King, performing a dark ritual to gain wealth. However, in doing so, he accidentally curses his wife and child to a life of suffering. Rooted in Indonesian mysticism, this universal narrative explores the insatiable hunger to become something one is not and the boundaries one is willing to cross to achieve it.

A short silent movie based on the tale Little Red Riding Hood.

The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.

In this realistic, unsentimental portrait of Germany’s dire economic situation, a middle-aged payroll clerk loses his job due to technological advances and, unable to find another, descends into despair. The film’s director, Marie Harder, was one of only a few women directors of the time and was also the head of the German Social Democratic Film Office. She made only two known films before her accidental death in exile in Mexico in 1936.

Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.

The Closed Chain (German: Die geschlossene Kette) is a 1920 German silent film directed by Paul L. Stein and starring Pola Negri, Aud Egede-Nissen, and Carl Ebert.

Third part of the "Verlorene Töchter" series

France in the first half of the 17th century, at the time of the Duke and all-powerful Cardinal Richelieu. The courtesan Marion Delorme falls in love with the nobleman Didier de Lassigny, although she is still with another nobleman at the time, the Marquis de Saverny. Marion then leaves the Marquis. This leads to a duel between the two aristocratic gentlemen, although duels were strictly forbidden in these circles by Richelieu. When this becomes known, Didier is put in chains and sentenced to death. Marion sacrifices herself for the sake of her new love, but the sacrifice is in vain. Didier, who refused to flee, is finally beheaded by order of the "red executioner" Richelieu.

Gambler "On-the Level" Leigh (William S. Hart) is forced to leave his high rolling lifestyle to move his ailing sister Alice (Mildred Harris) to the healing climate the mountains. Financial strain compels him to resume his favored vocation. Unfortunately for Level, the dance hall girl Coralie (Alma Rubens) doesn't take rejection well and convinces the dealer to clean him out with a "cold deck". A desperate robbery ensues, leading to Level wanted for murder!

The heroine had little time for romancing newspaper reporter Walter Jameson, what with Doctor X, alias Marcus Del Mar, threatening American democracy in general and master detective Craig Kennedy's designs for a new torpedo in particular. Whenever Doctor X has Elaine or Jameson in his grasp, they are inevitably saved in the nick of time by a mystery figure garbed in black.