The End of Time

In 1978, just after Le fond de l'Air Est Rouge, which mercilessly analyzed the previous ten years of the revolutionary left's momentum until its collapse, Chris Marker made this complementary piece entitled Quand le Siècle a Pris Forme (Guerre et Révolution).

A program that explores the strange but true medical mysteries housed in this one-of-a-kind museum in Philadelphia, Pennsylvania.

This documentary serves as a beginner’s guide to world of Soviet animation, which covers the entire history of the USSR.

Premiering exclusively on Amazon Live and Amazon Music, this short film features an intimate conversation between Paul McCartney and Paul Mescal, exploring the memories, relationships, events and stories that inform McCartney’s forthcoming album of the same name.

Follows Iwao Ichikawa, a second-generation Japanese Mexican, navigating racial segregation in Mexicali, Baja California during WWII, offering a poignant exploration of identity and belonging amidst adversity.

sononda is the first part of the short film series future past perfect and was originally recorded in 2006. the series whose single fragments are supposed to be parts of a larger scale film project is designed as a row of conceptually independent movies that document nicolai's focus of interest of the respective year of origin and also builds up on the results of the movie(s) before. despite sononda's visual quality seems artificial at times, it was shot in a natural environment. the focus is directed on the sculptural quality of light. the correspondence of both music - with its low frequency modulations and merging soundscapes - and light play on the curved surfaces of the sculptural stone formations create an ever-changing atmosphere of concrete and abstract appearances.

In Swole I continue to document my commitment to an intensive and transformative gym and diet regimen, as well as the communities that form around such activities, sustaining themselves through texting and sharing videos and photos on social media. I learn the vocabulary of my new community.

MARKS/MARKS examines the relationship between the mark making of optical lens technologies (writing with light) and the mark making of painting within the context of digital technology and mass data. The film maps the movement of painter Dr Harrison Waed See in the studio painting to generate the tempo and trigger audio and visual effects. Similarly digital image sonification and digital data sonifcation of still and moving images of Dr See were used to generate further noise and visual effects. Alongside this, the soundtrack also includes amplifcations of the sound of his movements and paint brush.

El Arte De Morir

If there's anything to know about snowboarding, it's that a) it's insanely fun and b) Nitro Snowboards have one of the best teams in the game. Follow along as the crew shred across the globe.

A collage of Derek Jarman's super 8 footage spanning over 20 years.

“Since airplanes did not exist, people moved around using prayers; they went from one land to another and returned early, before dawn. In old audio recordings, the voices of pastors speak of the mythical existence of witches and their travels. In the daily life of a woman, the magic of her tales begins to materialize as night falls. Night is the time when travel is possible.”—Samuel Delgado & Helena Girón

De papier et de plomb

In the quest for true love, a young man makes reality his own film.

After repeated attempts to obtain service from the public transportation authorities, these suburban Ottawa residents finally decided to do it themselves.

The Vietnam War during the JFK years and beyond. Made in 1972 in the filmmaker's apartment, without documentary footage of the war, metaphors are created through the animation of images and objects, and through guerrilla skits. By rejecting the authority of traditional documentary footage, the anarchist spirit of individual responsibility is established. This is history from one person's point of view, rather than a definitive proclamation.

A documentary about actress Edith Massey in which she talks about her life and her career in film.

An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.

Grand Opera marks a stock-taking of Benning's work and his life, presenting a personal and artistic autobiography woven together with a series of events dealing with the historical development of the number pi, Benning's travels, and homages to Michael Snow, Hollis Frampton, George Landow (Owen Land), and Yvonne Rainer.

At a morgue, forensic pathologists conduct autopsies of the corpses assigned. "S. Brakhage, entering, WITH HIS CAMERA, one of the forbidden, terrific locations of our culture, the autopsy room. It is a place wherein, inversely, life is cherished, for it exists to affirm that no one of us may die without our knowing exactly why. All of us, in the person of the coroner, must see that, for ourselves, with our own eyes. It is a room full of appalling particular intimacies, the last ditch of individuation. Here our vague nightmare of mortality acquires the names and faces of OTHERS. This last is a process that requires a WITNESS; and what 'idea' may finally have inserted itself into the sensible world we can still scarcely guess, for the CAMERA would seem the perfect Eidetic Witness, staring with perfect compassion where we can scarcely bear to glance." – Hollis Frampton