Lino Tagliapietra, considered by most as the greatest glassblower in history, is a mentor, motivator, and visionary. Bridging the divide between Italian and American glassblowing, Lino's career has transcended continents and inspired a new generation of glassblowers. Now 85, Lino continues to push the boundaries of the medium, testing the limits to see what both the material and the man can do.
A travelogue celebrating the 1939 Golden Gate Exposition and highlighting its exhibition of classical paintings and stunning lighting effects.
In 1917, French artist Marcel Duchamp declared everyday objects as art. A provocative act that sparked a heated, still topical discussion around the question: what is art? Since then, that question has been asked time and time again. To the artist and to the viewer. If everything is possible and everything is allowed, how do you remember what art is? Director Ditteke Mensink spent two years at De Ateliers: the breeding ground for top talent in the visual arts. Her stay ended in a harsh confrontation with herself, the young artists and modern visual arts.
Home movie from Man Ray with a view of his home/gallery
Home movie from Man Ray while on vacation with Pablo Picasso, Paul, Nusch and Cecile Eluard, Emily Davies, Valerie and Roland Penrose. The friends have fun with themselves and performing for the camera.
Very brief view of Man Ray and his friend Ady Fidelin while at a seaside resort
A late period home movie with Man Ray and his lovely friend Juliet Browner lounging together in the US. Man Ray had returned to America when the Germans occupied France.
A documentary exploring the birth, death and resurrection of illustrated movie poster art. Through interviews with a number of key art personalities from the 70s and 80s, as well as many modern, alternative poster artists, “Twenty-Four by Thirty-Six” aims to answer the question: What happened to the illustrated movie poster? Where did it disappear to, and why? In the mid 2000s, filling the void left behind by Hollywood’s abandonment of illustrated movie posters, independent artists and galleries began selling limited edition, screenprinted posters — a movement that has quickly exploded into a booming industry with prints selling out online in seconds, inspiring Hollywood studios to take notice of illustration in movie posters once more.
This documentary describes Bonnard’s relationship with contemporary artists such as Gauguin, Matisse, Cezanne, Seurat and Renoir, his personal relationship with his models and his personal vision expressed through his paintings and sketchbooks. A life dedicated to ‘colour, form and reason’ over content and feeling.
Maurizio is a young university student living in Zürich, with a passion for diseases. Unlike many others, he can see an inherent beauty in them. Afterall, what difference can exist between a flower and an infection, if they are both a gift of nature?
This flipbook-style animation demonstrates the emotions of people who hear voices
Betliarsky park a kaštieľ
Kaštieľ v Strážkach
Katolícka moderna
Krásna Hôrka
To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.
Artist Chris Berens finds his inspiration in his own magical inner world. The animals and creatures that play a major role in his imagination also populate the landscapes he creates with his special painting technique. It results in scenes that are both enchanting and ominous.
Tell Them We Were Here is an inspirational feature-length documentary about eight artists who show us why art is vital to a healthy society and reminds us that we are stronger together.
Mark McCloud is the world's leading collector Of LSD art. His 'Institute of Illegal Images' has over 30,000 framed hits of acid and traces the history of the drug's cultural influence through the unique art form used in its distribution - blotter art. After enduring and defeating aggressive prosecutions by law enforcement seeking to put him behind bars for life, Mark now appears to be more of a visionary than an outlaw and his museum has become a place of pilgrimage for believers in LSD's spiritual power.
Narrator Steve Martin explains Vermeer's fall into obscurity and rebound into worldwide sensation, all while examining themes in his paintings, comparisons to Renaissance masters, and relevant history of Europe's politics and art market.