Social Dances for the New Millennium 1

Chronicles the rise of Collab Crib, one of the first mainstream Black creator mansion, exclusively documenting their whirlwind drive to achieve social media stardom in 90 days.

In 1960, American dancer and actor Gene Kelly created for the Paris Opera Ballet an original choreography that was highly acclaimed at the time, yet rarely performed thereafter; a genius work that the Scottish Ballet, accompanied by the stirring and evocative score by composer and pianist George Gershwin, epitome of orchestral jazz, brings back to life sixty years later.

Eight Early Era dancers inspect the systems by which we abide, and the sameness required of average people to operate within those systems. To the rhythms of Austin-based hip-hop duo Magna Carda, the artists must decide whether to stay within the boxes that confine them or break free. A unique visual experience featuring ingenious and playful imagery of dancers in their different spaces.

How do we bring our physical bodies with us into our inevitably digitally-bound futures? Collaboratively conceived by director Brian J. Johnson and Vancouver’s acclaimed Company 605, Future Futures is a collection of five short dance films that explore the digital destiny of humankind through a unique merging of camera and visual effects with a specific choreographic vision. Embracing the absurdity of centering dance inside a sci-fi narrative, the experimental series collapses time to portray human culture at an unprecedented moment: the emergence of a new, autonomous, and intelligent being—the digital reflection and culmination of ourselves. Through its otherworldly imagery, choreography, and driving electronic sound score, Future Futures evolves into a strange, highly visual exploration of what we are if we are no longer tied to our physical bodies, and how we will define humanity when faced with a fading IRL existence.

Christine attends her first and last prom accompanied by Martin Fredericksen

The ballet tells the story of a peasant girl named Giselle whose ghost, after her premature death, protects her lover from the vengeance of a group of evil female spirits called Wilis

Timothy is bullied by homophobic classmates at his all boys high school. While studying A Midsummer Night's Dream, he imagines a world where he isn't so different. With the help of Midsummer, his quirky teacher, a spectacular musical dream and tons of glitter, he creates a way to fit in.

At The Ballet is the rise and fall of a Prima ballerina.

Aurélie Dupont, l'espace d'un instant

Seven minutes in length, the film features two black male hikers — one ascending a mountain, another descending — who encounter each other as their paths cross. Their balletic movements are at once lithe and halting, athletic and awkward, challenging stereotypical notions of the forever rhythmic elegance of the black body in space.

Eva, an indecisive dancer, is going to an audition for a famous dance school in a week. What Eva wants to dance is not the same as what her teacher, Dania, thinks is right. What does Eva do?

Canadas contemporary dance group La La La Human Steps performs Édouard Lock's "Human Sex" .

This intimate, uncannily moving documentary profiles Norma Canner, a pioneer in dance movement therapy, who found in dance a way to help people who had been discarded by society. The film traces the evolution of Norma's career from Broadway actress in the '40s, through her ground-breaking work in creative movement with disabled and mentally retarded children in the '60s, to her present work as a dance therapist with adults. Utilizing drawing, music, theater, and dance in the context of other modes of therapy, her work has proved extraordinarily beneficial for handicapped individuals, as well as providing cathartic healing experiences for those with deep emotional scars; And her work with children who were blind, deaf, or autistic has became a model.

The story of Ohad Naharin, renowned choreographer and artistic director of the Batsheva Dance Company, an artistic genius who redefined the language of modern dance.

Piel dolor (Skin Pain) explains how power is structurally sustained in violence. Its nature and the relationships it establishes in society are based more on the imposition and use of force than on building consensus, dialogue, and respect for diversity. In that sense, power is a behavior that seeks dominance through force and man as a gender, becomes an instrument of violence that is exercised against the weakest. Extinguishing the socially constructed violence means eliminating the current power and its historical sustenance, questioning the source of origin, religion, ideology, the system and its values. Is that utopia possible?

Stepping is a dance form that can be found across the country at virtually every college with a substantial African American enrollment. Stepping is performed informally during parties as well as more formally during organized step shows. This film explores this tradition, its historical roots as well as its contemporary forms, styles and uses, to understand how students construct various levels of identity through this dance form…African American identity, fraternity or sorority identity, gendered identity and personal identity. The film goes behind the scenes with the Alpha Phi Alphas as they prepare for a step show that is only a few hours away. Cutting between this show and interviews with current and past steppers as well as footage from previous shows, the film provides a broad picture of this vibrant and dynamic dance form.

A Portrait of Giselle is a documentary film featuring Patricia McBride and Anton Dolin along with famous ballerinas who danced the role of Giselle in the past.

Glace, crevasse et dérive

Documentary about the dancer Sol Picó. From the dancer under the spotlight to her reality behind the scenes, the documentary approaches Sol Pico’s daily life at a crucial moment in her career after winning the National Dance Award. Also it goes across Sol Picó’s artistic career, from the beginning of her performance, to the street theatre and, finally, her artistic consolidation and the creation of her own company. Her work is characterized by showing a strong and brave woman but who is not afraid of showing her weaknesses without taboos. The project also brings the artist’s more personal side closer: the difficulties of growing up as a dancer, the difficulties of creation and how to face her career after turning 50.

A love letter to Mar del Plata made of images, times and a road trip. "The Happy Ones" is an experimental short documentary composed of past and present family footage. It portrays a place in the summer, the city of Mar del Plata, with a span of 20 years between past and present images (January 2000 and 2020). Despite the time that passed by, it's beaches, essence and people remain, always willing to keep dancing.