After 30 years of conspiracy theories and myth making, this film uncovers the story of the CIA's most extensive clandestine operation in the history of modern warfare: The Secret War in Laos, which was conducted alongside the Vietnam War from 1964 -1973. While the world's attention was caught by the conflict in Vietnam, the CIA built the busiest military airport in the world in neighboring and neutral Laos and recruited humanitarian aid personnel, Special Forces agents and civilian pilots to undertake what would become the most effective operation of counterinsurgency warfare. As the conflict in Vietnam grew, the objective in Laos changed from a cost effective low-key involvement to save the country from becoming communist into an all-out air war to cut the Ho Chi Minh Trail and bomb Laos back into the Stone Age that it had never really left in the first place. Conventional bombs equivalent to the destructive power of 20 Hiroshima-type weapons fell on Laos each year - 2 million tons
Born with cystic fibrosis, 28 year old Ethan Rice faces his demise with a dark sense of humour and more concern about what his passing will mean to those he leaves behind than for himself.
Following the tradition of military service in her family, Alene Duerk enlisted as a Navy nurse in 1943. During her eventful 32 year career, she served in WWII on a hospital ship in the Sea of Japan, and trained others in the Korean War. She became the Director of the Navy Nursing Corps during the Vietnam War before finally attaining the rank of Admiral in the U.S. Navy. Despite having no other women as mentors (or peers), Admiral Duerk always looked for challenging opportunities that women had not previously held. Her consistently high level of performance led to her ultimate rise to become the first woman Admiral.
In the gathering dusk of 18 August 1966, 108 young, inexperienced Australian and NZ soldiers are separated and surrounded, fighting for their lives, holding off an overwhelming force of 2,500 battle-hardened Viet Cong and North Vietnamese soldiers. And, in the pouring rain, amid the mud and shattered trees of a rubber plantation called Long Tan, with their ammunition running out and another Vietnamese battalion massing for the final assault, the digger's situation seemed hopeless. Long Tan is the true story of ordinary boys who became extraordinary men.
During the Vietnam War, the main threat to the strike packages was the V-750 (S-75) Dvina, the first effective Soviet surface-to-air missile (SAM). Better known by the NATO designation SA-2 Guideline To suppress and destroy this threat, the U.S. Air Force countered with the courage and skill of the Wild Weasels, who not only flew some of the most dangerous missions in Southeast Asia but also became pioneers in Suppression of Enemy Air Defenses (SEAD) operations. This documentary tells the story of the Wild Weasel program.
During the chaotic final weeks of the Vietnam War, the North Vietnamese Army closes in on Saigon as the panicked South Vietnamese people desperately attempt to escape. On the ground, American soldiers and diplomats confront a moral quandary: whether to obey White House orders to evacuate only U.S. citizens.
Mondo-style docudrama about a war correspondent who comes back home and has a spiritual crisis about his own mortality. Surreal fantasy sequences are mixed with graphic real autopsy footage.
Archival footage, animation and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.
"The Jock: a Montford Point Marine" unveils the harrowing yet inspiring journey of an American Marine from the segregated boot camp of Montford Point, North Carolina. Raised on the tough streets of Philadelphia, Dave Culmer is drawn to the Marines, enchanted by the impeccable attire and imposing stature of a local Marine. After being dismissed from high school, he finds his path leading him not to the widely known Parris Island boot camp, but to the lesser-known Montford Point. His path to becoming a Marine is fraught with discrimination and grueling trials that push him to his physical and mental limits. Amid the struggle, he learns resilience, embodying the relentless spirit of Montford Point that drove these men to exceed expectations set by a society that predicted their failure.
Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.
A variety of locals react to a napalm plant and an ensuing protest in Redwood City CA during the Vietnam War.
For three days in 1971, former US soldiers who were in Vietnam testify in Detroit about their war experiences. Nearly 30 speak, describing atrocities personally committed or witnessed, telling of inaccurate body counts, and recounting the process of destroying a village.
Sir! No Sir! is a documentary film about the anti-war movement within the ranks of the United States Military during the Vietnam War. It consists in part of interviews with Vietnam veterans explaining the reasons they protested the war or even defected. The film tells the story of how, from the very start of the war, there was resentment within the ranks over the difference between the conflict in Vietnam and the "good wars" that their fathers had fought. Over time, it became apparent that so many were opposed to the war that they could speak of a movement.
Many times during his presidency, Lyndon B. Johnson said that ultimate victory in the Vietnam War depended upon the U.S. military winning the "hearts and minds" of the Vietnamese people. Filmmaker Peter Davis uses Johnson's phrase in an ironic context in this anti-war documentary, filmed and released while the Vietnam War was still under way, juxtaposing interviews with military figures like U.S. Army Chief of Staff William C. Westmoreland with shocking scenes of violence and brutality.
Jacqueline Lundquist's father, Donald C. Lundquist, served in Vietnam in 1967-68. While there, he wrote hundreds of letters and recorded many hours of audio tapes that he sent to his wife and daughter. A mere months after returned from the war, he died. Jacqueline was barely 5 years old. Her mother gave her the letters and audio tapes in her teens, but she didn't read them until the summer of 1997 when she was 7 months pregnant with her son, Sam. She was 34. That set her on a journey of getting to know her dad and retracing his footsteps in Vietnam. She ultimately befriended a North Vietnamese soldier who had fought opposite her father. His family had also kept all the letters he had written back to his wife and daughter. This is their contrasting yet similar story.
VIETNAM: AMERICAN HOLOCAUST exposes one of the worst cases of sustained mass slaughter in history, carefully planned and executed by presidents of both parties. Our dedicated generals and foot soldiers, knowingly or unknowingly, killed nearly 5 million people, on an almost unimaginable scale, mostly using incendiary bombs. Vietnam has never left our national consciousness, and now, in this time, it has more relevance than ever. Claiborne documents the Whitehouse fabrication of the Gulf of Tonkin Incident, and further, raises the question of whether JFK was assassinated to promote the Vietnam War. Martin Sheen, who played the leading role in Apocalypse Now almost 30 years ago, has generously lent his powerful voice to this actual history of the War in Vietnam.
In 1968, five girls from Tuscany who dreamt of seeing the world were offered to tour the Far East as an all-girl band, finding themselves in the middle of the Vietnam War. Fifty years later, they tell the story of Le Stars' adventure amongst American soldiers, remote jungle bases and soul music.
Spring 1970: Godard and Gorin, on the road, visiting colleges, speaking with Andrew Sarris, and explaining, through illustrated notebooks, their newest Dziga Vertov Group project, a film on Palestine.
A documentary about militant student political activity at the University of California, Berkeley in the 1960s.
This High Definition, PBS miniseries uses letters, diaries, speeches, journalistic accounts, historical text and military records to document and acknowledge the sacrifices and accomplishments of African-American service men and women since the earliest days of the republic.