Encontro das Águas

Fernando is an actor and theater teacher who, at the age of 74, is impelled to be the protagonist of himself in an experience that blurs the boundaries between the documentary and the fictional. Faced with a delicate problem in his heart, he follows a life full of love for art, where education emerges as a powerful transforming element of reality.

Using home videos recorded by her voice coach, Diana takes us through the story of her life.

A personal documentary about gay marriage in Brazil that focuses on the filmmaker Fábia Sartori Fuzeti, who opens the film by proposing to her partner Gabriela Torrezani. The movie follows their footsteps from that moment until their big day. At the same time, it explores the lives various gay and lesbian couples that got tied the knot since the Brazilian Supreme Court legalised gay marriage in June 2011.

Stop-motion animation on the arranging of marriages in 1950/60s set in the Eastern-Polish borderland. The script is based on a part of Mikołaj Smyk's diary, the director's grandfather. The biographical objects used in the animation, such as an authentic headscarf, Polish and Russian books, the copy of Mikołaj Smyk's diary and photographs help situate the story in its original environment.

Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.

Under the neon lights in a gay-friendly neighborhood of New York City, four young African-American lesbians are violently and sexually threatened by a man on the street. They defend themselves against him and are charged and convicted in the courts and in the media as a 'Gang of Killer Lesbians'.

When a feature film is made about them seven years after their break-up, Benjie Nycum visits his ex-boyfriend Michael Glatze and finally tries to get answers about his bewildering shift from gay activist to ex-gay evangelical.

Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.

With moving stories from a range of characters from her Kahnawake Reserve, Mohawk filmmaker, Tracey Deer, reveals the divisive legacy of more than a hundred years of discriminatory and sexist government policy to expose the lingering "blood quantum" ideals, snobby attitudes and outright racism that threaten to destroy the fabric of her community.

His opponents accused him of being homosexual. The male favorites he gathered around him during his short life gave those malevolent enemies solid arguments to do so. He would not have failed if he had proved himself to be an energetic king. But Edward II of England (1284-1327) never was a king like Edward I Longshanks, his father, or Edward III, his son, were. And his end is shrouded in myth and mystery.

Documentary on living as a lesbian in Hungary during state socialism (1949 - 1989). Eleven Hungarian women talk about their secret years: how they discovered their identities and tried to define themselves. Finding love, community and friendship, evolving into the first gay liberation and feminist movements in the country.

What makes a voice “gay”? A breakup with his boyfriend sets journalist David Thorpe on a quest to unravel a linguistic mystery.

They are police officers, they are homosexuals. How to assume one's sexual orientation within an institution little known for its tolerance? Through a series of portraits of men and women, the film collects answers and follows in the footsteps of FLAG !, the association that a few have founded to fight internal discrimination. More visible than elsewhere, the difficulties these police officers face speak of a society that is changing or that must change.

Kua and Teriki will soon get married. They live on the distant Tureia island in the French Polynesia, Pacific Ocean and have just been told that something is wrong with their son Maokis heart. It is a consequence of living only 100 km away from the island of Moruroa, where France has tested 193 atom bombs for 30 years. Several of their family members are sick and Moruroa can soon collapse, which can lead to a tsunami likely to drown all of them. Vive La France is a personal and intimate story about harvesting the consequences of the French atomic program.

An exploration of the intersection between religion and homosexuality in the U.S. and how the religious right has used its interpretation of the Bible to stigmatize the gay community.

A documentary directed by Winding Refn's wife, Liv Corfixen, and it follows the Danish-born filmmaker during the making of his 2013 film Only God Forgives.

Following a year in Cadance and Amanda's gender transition, this intimate documentary charts not only their personal transformation but the building of a life and community together in regional New South Wales.

A documentary that follows three women who perform via webcam to paying customers.

A short documentary exploring the ways LGBT couples show affection, and how small interactions like holding hands in public can carry, not only huge personal significance, but also the power to create social change.