To celebrate the 40th anniversary of Villa becoming champions of Europe, BT Sport Films created Super Villans to tell the unlikely story of how the club rose to become European champions, shocking the football world by toppling Bayern Munich. The film, a light-hearted and exuberant journey through the late Seventies and early Eighties featuring music, animations and archive reminiscent of the era, is narrated by Mark Williams, the well-known Villa fan who grew up during the glory days of the club.
KOMO Anchor Eric Johnson takes an in-depth look at the impact the drug and homelessness problem is having on our city and possible solutions in "Seattle is Dying," a news documentary that aired on KOMO-TV in March, 2019.
Fulano de Tal
Tomasz Biernacki’s thought-provoking documentary about the homeless crisis in Seattle. Deftly interweaving in-depth stories of community members who are living the crisis on the streets with interviews of political leaders and community advocates, vivid images of the current state of affairs and a poignant examination of the roots of homelessness in the region, Biernacki paints a picture of a city struggling to come to grips with an unprecedented emergency, and finds a few glimmers of hope.
1994 at the Ambassador Hotel, 55 Mason Street in the Tenderloin district of San Francisco, California. From 1978 to 1996, the hotel was managed by Hank Wilson, a San Francisco LGBT activist who made the hotel a model for harm reduction housing. 134 run-down and exhausted rooms populated by homeless men and women, sometimes even children. All of them in urgent need of care, compassion and humanity. Nobly provided by voluntarily working professional health care and social workers staff, various benefactors, volunteers, neighbors, and community contributions.
This documentary about teenagers living on the streets in Seattle began as a magazine article. The film follows nine teenagers who discuss how they live by panhandling, prostitution, and petty theft.
Super Perna dos Copinhas-Transmissão Oficial
In operation to this day, the mansion known as Madame Satan began its activities in 1983, and in the 1980s was the main hub of avant-garde artists of the city, from which came out disparate and essential names for music, performing arts, visual arts, journalism, photo and video of Sao Paulo, as well as mythical characters of the night of São Paulo who made history with their absurd and impactful performances.
Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".
Some people seem to have come into the world to confuse, annoy, swim against the current, like the guys from Gangrena Gasosa, the first and only Sarava Metal band of the universe. "Desagradável" covers all the 23 years of the band. A special reunion of people that stirred the underground scene of 90's until today. All the legends detailed in a film that will show the most shameful chapters in history of Brazilian Rock. Jello Biafra, Jão and João Gordo, BNegão, Marcelo D2, Anjo Caldas, Dado Villa-Lobos, Rafael Ramos, Fabio from Garage, Marcos Bragatto, Tom Leão, Pedro Só, Adilson Pereira, Larry Antha and the former members (more than 15!) recalls the regrettable moments that Sarava Metal happened in their lives. Archive images, photos and videos to prove, once for all, that "Home Saint makes miracles too".
It's a sensitive, moving doc chronicling the life of Tétrault's brother Philip , a Montreal poet, musician and diagnosed paranoid schizophrenic. A promising athlete as a child, Philip began experiencing mood swings in his early 20s. His extended family, including his daughter, share their conflicted feelings love, guilt, shame, anger with the camera. They want to make sure he's safe, but how much can they take?
Documentary about the preparation of a popular celebration of "Dia do Preto Velho", one of the most important rituals from the Umbanda in Brazil.
A poetic and personal cinematic meditation on displacement and loss, SKIN OF GLASS follows filmmaker Denise Zmekhol’s journey after discovering that her late father's most celebrated work as an architect, a modernist glass skyscraper in the heart of São Paulo, Brazil, has become occupied by hundreds of homeless families.
Mira-futuro
A child who just loved to skate from the age of eight, Poppy Starr Olsen became the number one female bowl skater in Australia at 14 and went on to take out bronze at the XGames at 17 - the ultimate competition in the world of skateboarding. The same year, skateboarding was announced as an official additional sport category at the Tokyo 2020 Olympics. Now faced with the opportunity to represent Australia on the world stage Poppy grapples with the transition from skater to athlete and the pressure of competition mounts in a way it has never done before.
Doces Relatos
Valery Liashkevich is a homeless artist who lives at a railway station and for over twenty years has painted pictures in the streets of the town of Gomel in Belarus. For the natives he is no more than a local attraction. For art critics he is a phenomenon worth close attention.
The narrative unfolds from the point-of-view of a single character named Roach. As part of the filmmaking process, he's been given a camera to document his world. The footage he gets is urgent, because there's a war against squeegee kids. This documentary is from the point of view of the kids themselves, in order to provide alternative voices. Roach's camera is positioned behind "enemy" lines: living in derelict buildings, squeegeeing for money, being hunted by police.
Poignant stories of homelessness on the West Coast of the US frame this cinematic portrait of a surging humanitarian crisis.
In January 2011 Paul Crane discovered a tent city in downtown St. Louis, along the Mississippi River. He was curious as to who these people were, how they ended up there, and what life was like for them each day. He initially thought he would simply go down during the day and capture footage when possible, but he quickly realized that if he wanted to truly capture how these people lived and the full reality of their collective and individual existence, he would have to be there full time and become a part of the place, so he moved in with them.