Fora da Caridade Não Há Salvação

Light Upon Light: A Documentary on Hijab is an intimate and deeply personal exploration of the diverse, raw, and untold stories of hijabi women. Through open and vulnerable conversations with 7 women, the film dismantles stereotypes, highlights the challenges imposed by society, and celebrates the profound beauty of the hijab beyond a mere clothing choice. It captures the individuality of each woman’s story—how they came to wear the hijab, the struggles they’ve faced, and the strength they’ve found in it. More than just fabric, the hijab is a journey, often misunderstood, and influenced by the way the world perceives it. By amplifying voices that are often unheard, the documentary creates a space for empathy, challenges misconceptions, and invites a deeper understanding of what it truly means to wear the hijab; inspiring everyone to see hijab in a new light.

Some people seem to have come into the world to confuse, annoy, swim against the current, like the guys from Gangrena Gasosa, the first and only Sarava Metal band of the universe. "Desagradável" covers all the 23 years of the band. A special reunion of people that stirred the underground scene of 90's until today. All the legends detailed in a film that will show the most shameful chapters in history of Brazilian Rock. Jello Biafra, Jão and João Gordo, BNegão, Marcelo D2, Anjo Caldas, Dado Villa-Lobos, Rafael Ramos, Fabio from Garage, Marcos Bragatto, Tom Leão, Pedro Só, Adilson Pereira, Larry Antha and the former members (more than 15!) recalls the regrettable moments that Sarava Metal happened in their lives. Archive images, photos and videos to prove, once for all, that "Home Saint makes miracles too".

To do this documentary, the director Pedro Henrique Fávero featured 42 characters - among MCs, DJs and producers - to make a detailed map of its kind in the country. Without mincing words, they speak openly here about 8 topics proposed by the film and try to understand Hip Hop in Brazil. The result is a collection of stories from a lot of fighting, where there are many eternal start-end-start, overcoming the difficulties of being understood and feeling of belonging to a group and many clichés.

Documentary about terreiro women in Fortaleza who occupy the highest positions in the hierarchy, subverting the patriarchal tradition of religious communities.

Two unhoused men turned community leaders— John and LaMonté —organize their neighbors in the face of displacement, addiction, and a failing social system.

This documentary about teenagers living on the streets in Seattle began as a magazine article. The film follows nine teenagers who discuss how they live by panhandling, prostitution, and petty theft.

Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".

It has been three years since Tom Alandh made the film "Det svåra livet" about homeless drug addict Pia. This film shows what has happened to her since.

A poetic and personal cinematic meditation on displacement and loss, SKIN OF GLASS follows filmmaker Denise Zmekhol’s journey after discovering that her late father's most celebrated work as an architect, a modernist glass skyscraper in the heart of São Paulo, Brazil, has become occupied by hundreds of homeless families.

Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.

The documentary follows Nicolas Vlavianos (1929-2022), a renowned sculptor, in the final years of his life. It captures the moment — when he is around 90 years old — that he returns to an old drawer, tries to pick up his tools, and realizes he no longer has the strength to hold them. That simple gesture becomes the symbolic trigger: the end of his long creative cycle and the beginning of a farewell to his art. From there, the film documents the dismantling of Vlavianos’s studio and workspace, and the gradual process of his withdrawal from physical creation. It’s not just a retrospective of works: it’s a portrait of decline, memory, mortality, and legacy.

Dia de Visita

HOMELESS is a documentary that humanizes unhoused people and explores their backgrounds, dreams and struggles to find the way home. The film aims to raise awareness and funds to end homelessness, which is an ever more urgent global challenge: The United Nations Human Settlements Program estimates that 1.6 billion people live in inadequate housing, and the best available data suggests that more than 100 million people have no housing at all.

From the glitzy sidewalks of Hollywood Boulevard to the urban wasteland of Skid Row, "Forgotten" portrays the cruel reality of being homeless in Los Angeles and how these men and women cope with life on the streets of one of America's largest cities.

An experimental film following a trip made by three friends in which the contrast between the agitated city of São Paulo, Brazil and the calmness of the beach leads the flow. No script. No story. Just vibes.

Forced onto the streets in her 50s, Marie found "home" at a Santa Monica laundromat. Taking shelter there for 20 years, Mimi's passion for pink, and living without looking back, has taken her from homelessness to Hollywood's red carpets.

The story of Ayahuasca, from its emergence in the Amazonian Forest, to its popularity with the Santo Daime religion, and on to its arrival in urban centres. Combining scientific, religious and anthropological perspectives on the use of Ayahuasca in modern society, and in parallel with the director own healing process, for the first time, a holistic, yet balanced view of this controversial subject.

Poignant stories of homelessness on the West Coast of the US frame this cinematic portrait of a surging humanitarian crisis.

Anthopos tells the story of a centenarian character from his birth to his death.

This documentary portrays the front-line street workers who serve the needy under the umbrella of the Salvation Army. Shot in Toronto at Christmastime, the film chronicles the small hopes and tiny victories of life lived below the poverty line and the daily rewards for those who work to serve others.