Unconfessions

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

"GENERAL IDEA: Art, AIDS and the fin de siècle is a humorous, informative and ultimately poignant documentary about General Idea. Formed in 1969, they produced art that targeted and mimicked media, consumerism and celebrity, creating a revolutionary new spirit of art making. Interviews with AA Bronson, the sole survivor of the trio, lends personal relevancy to this story of art and sexual politics. GENERAL IDEA: Art, AIDS and the fin de siècle is a tale of love, fame, overwhelming loss and, ultimately, renewal." -AGO.net

Two teenagers seek the fullness of their identities with time on top and normality against it. First hand testimony of transgender kids and the support of their family.

The importance of timing in athletics

February 14, 2004, Radès Olympic Stadium, Tunis. The whole nation stands behind The Eagles of Carthage in the Africa Cup Final against Morocco. After many defeats they are just one step away from glory. Fifteen years after the match, Tunisians still recall the emotion of a day that deeply affected the History of the country.

After several farmyard analogies featuring chicks and calves, the well-spoken narrator and director of the film, Winifred Holmes, considers the subject of girls and how they reach adulthood and readiness for the 'important job of motherhood.

A documentary about the making of Wallace & Gromit’s Cracking Contraptions.

Short documentary about diamond cutting in the Antwerp Diamond district.

A queer oddball seeks approval from Black peers despite a serious lack of Hip-Hop credentials. This short animated documentary takes you on a quest for belonging.

We Should Have Coffee Sometime is a four-minute animated documentary exploring a loss of faith. The film begins with a meditation on the end of a relationship. About one minute later it is revealed that the relationship is not between friends or romantic partners but between co-director Maile Martinez and God. To complement and clarify the narration, the project employs a variety of animation styles.

In the world's first media interview, shot in Paris in August 1886, the great photographer Nadar interviews the famous scientist and sceptic Chevreul on his 100th birthday. In their own words - originally recorded in shorthand - they discuss photography, colour theory, Moliere, the scientific method, the crazy ideas of balloonists, and - of course - how to live for 100 years. These two legends of the 19th century have a lively and interesting conversation. One was born before the French revolution; the other was destined to see the marvels of the aeroplane and the movies.

Nannies combines autobiographical elements with a reflection on the presence of nannies in Brazil. With a subjective narration, the film incorporates photographs, domestic footage and newspaper adds from the 20th century, as well as contemporary images of nannies and children, building a personal narrative about the presence of nannies in the daily lives of many Brazilian families. A situation where the affection is genuine, but does not dissolve violence and racism.

This half-hour documentary by acclaimed director Jonathan Demme ("The Silence of the Lambs") captures singer-songwriter Neil Young and his hard-rocking backing band Crazy Horse "live" in the studio playing a set of four songs. These sessions took place at the Complex Recording Studios in Los Angeles on October 3, 1994, just one day after Young's critically-lauded Bridge School Benefit concert. Earlier that year, Young and his band had recorded the studio album "Sleeps with Angels" at the Complex studios and came back to film a series of music videos. Jonathan Demme was there to document the recording session, which began at 6:30 pm on a Monday evening and concluded at 4:30 am the next day. "The Complex Sessions" is the result of these sessions. Set List: 1. My Heart (3:08), 2. Prime of Life (4:44), 3. Change Your Mind (14:56), 4. Piece of Crap (3:08).

Jean-Luc Godard visits NYU in order to discuss his latest feature "La chinoise" with graduate students on filmmaking and politics.

Three young people circulate in different mobility categories. The newly emancipated city goes through its everyday experiences.

Kenedi is in a huge debt after building a house for his family. He finds himself searching for any kind of work to support himself, for as little as 10 EUR per day, a scarce amount to help him relief his debt. Ultimately, Kenedi decides to look for money in sex business. Initially offering his services to older ladies and widows, he expands his 'business' to offer sex to wealthy men. When he finds out about new liberal European laws on gay marriages, Kenedi sees prospects in looking for a "marriage material", to renew his search for a legal status in EU. The opportunity arises during EXIT Music Festival, when he meets Max, a guy from Munich. But will their promising relationship bring the solution to Kenedi's problems?

Interviews with naval and military cadets in Russia explores such topics as male-bonding, hazing, patriotism, brotherhood and alcohol abuse.

This extraordinary film interweaves the stories of three close lesbian friends: Joyce Fulton, who died over the course of two years from a brain tumor; Mary Bell Wilson, who, with indefatigable courage, faces up to her own losing battle with lymphoma; and Nan Golub, a black-leather-jacketed, platinum-dyed New York city artist, very much alive. Liberty demystifies death, dispels misinformation about age and sexual orientation and reminds us that life is worth living, even worth celebrating.

Experimental short made by Olivier Assayas for Fondation of Contemporary Art and starring Maggie Cheung.

The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.