Can This Be Dixie?

Film version of Shakespeare's comedy of a young woman who disguises herself as a man to win the attention of the one she loves.

While vacationing without her busy British diplomat husband, a married woman falls for another man.

The career of the once successful classical portraitist, Kingdom Swann, has hit bad times. When a leading gallery rejects his work, he seems at the point of giving up. It is only the support of his housekeeper, Violet Askey, that keeps him going and it is she who encourages him to switch to photography. Soon Swann has developed a healthy (and respectable) business with portraits of naked women in classical and exotic settings. However, the nature of Swann's new work is open to misinterpretation and he finds himself at the centre of a scandal involving the misuse of his pictures by a SOHO pornographer, and the focus of a campaign by suffragettes against the expoitation of women. At the same time, he loses the support of the loyal Violet, who leaps to the wrong conclusion about Swann's relationship with one of his models. When Violet then becomes involved in the suffragette and amti-pornography movements, it seems all may be lost for Swann - both professionally...and personally.

An illiterate stooge in a traveling medicine show wanders into a strange town and is picked up on a vagrancy charge. The town's corrupt officials mistake him for the inspector general whom they think is traveling in disguise. Fearing he will discover they've been pocketing tax money, they make several bungled attempts to kill him.

A theatrical producer puts aside his own success to boost the career of a talented singer.

Gwen's family is rich, but her parents ignore her and most of the servants push her around, so she is lonely and unhappy. Her father is concerned only with making money, and her mother cares only about her social position. But one day a servant's irresponsibility creates a crisis that causes everyone to rethink what is important to them.

Walter and Vivian live in the country and have a difficult time keeping servants. Walter then hires a private detective who has been fired for arresting the District Attorney. They only way that Walter can get Jerry to work for him is to tell Jerry that his life is in danger; the neighbor is trying to take his wife; and that Nazi spies are everywhere. Jerry needs a cook for his 'cover' so he gets his fiancée Susan to work with him. To keep Jerry working, Walter sends the threatening letters to himself and hires actors to play the spies but when a real group of spies disguised as a troupe of radio actors appears on the scene, events quickly spiral out of control.

After her sister and brother-in-law's tragic deaths, an American woman who is the guardian for her young niece and nephew is invited to a royal European castle for Christmas by her late brother-in-law's father, the Duke of Castlebury. Feeling out of place as a commoner, she is determined to give her family a merry Christmas and surprises herself when she falls for a handsome prince.

Two domestic robots fall in love and run off together.

A solicitor's secretary goes to a creepy mansion to hand an inheritance to the deceased's niece. The house's service is trying to terrify the girl out of the house, where they know a treasure is hidden.

A pair of lovers are secreting away to Paris for a quick divorce and marriage when they find themselves trapped in a "hotel" where they are forced to get to know each other better and reconsider their plans. They learn a lot about each other, and themselves.

A young writer, John Hale, inherits a fortune and moves into an alleged-haunted castle with his servant "Rusty." He discovers the 'hauntee' to be Countess von Baden, hiding in a secret chamber with her son, whom the court has awarded to her divorced husband.

Society matron Emily Kilbourne has a habit of hiring ex-cons and hobos as servants. Her latest find is a handsome tramp who shows up at her doorstep and ends up in a chauffeur's uniform. He also catches the eye of Geraldine.

A modest country doctor in the antebellum South has to contend with his daughter's upcoming marriage and an affectionate medicine show elephant.

Too bad for presidential hopes of banker T.K. Blair; his party feels he has too little flair for savoir faire. But at a medicine show, the party bosses find Blair's double: huckster Doc Varney. Of course, they scheme to make Varney T.K.'s public spokesman; at first, he even fools Blair's girlfriend Felicia, providing a romantic complication. As election eve approaches, the conspirators face the problem of what to do with Varney...who has difficult decisions of his own to make.

The son and daughter of an abusive shopkeeper turn to a medicine show salesman for help.

Dangerous Nan McGrew is the sharp-shooting expert of a traveling medicine show that is stranded in the Canadian northwest at the snowbound hunting lodge of wealthy Mrs. Benson. Nan is invited to put on a show for the benefit of Mrs. Benson's Christmas-Eve guests. While performing her boop-a-doop songs, Eustace Macy, the saxophone-tooting nephew of Mrs. Benson falls in love with Nan. And, then, the villain, the bank-robbing Doc Foster, makes his entrance. Can Dawes of the Royal Mounted be seen slushing in pursuit behind the gangster? Could Be.

A medicine show man tries to con people into believing he's a legitimate stage actor.

On marrying the boss's daughter, Richard takes his father-in-law's advice to hire a live-in domestic. He soon finds good help is hard to come by. Run-ins follow with dipsomaniacs, bank robbers, a Welsh lass who takes one look at London and runs, and an Italian charmer who turns the place into a bawdy house. Then when Ingrid arrives from Sweden things actually start to get complicated.

The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.