Daten her! Was Du im Netz wert bist ...

Alexis Conran explores the claims that smartphones and tech companies might be listening in on users and collecting a vast amount of personal data. How do our phones seem to know everything?

Qui a tué l'industrie française ?

The wonders of the universe have long propelled our insatiable desire to learn more about who we are and where we came from. With the advancing age of science and technology, we're able to explore our world and the cosmos like never before. We are exploring the unknown at the farthest reaches in space unlocking new wonders and mysteries that are both shocking and amazing. From colling planets, to disappearing comets, to unexplained activity on the surface of planets in our solar system, the next evolution of mankind is well underway.

fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.

Three men seeking asylum in Ireland find themselves on the streets, caught between restrictive migration policies and an increasingly aggressive far-right movement. Dennis Harvey captures an explosive sequence of events on the streets of Dublin.

Nine fictitious documentaries and films reflect the mood of late 1970s Germany, particularly the two-month period in 1977 when a businessman was kidnapped by the RAF (Red Army Faction). The kidnap had been made to orchestrate the release of the original leaders of the RAF, aka the Baader-Meinhof.

On June 11th, 1997, Philippe Kahn created the first camera phone solution to share pictures instantly on public networks. The impetus for this invention was the birth of Kahn's daughter, when he jerry-rigged a mobile phone with a digital camera and sent photos in real time. In 2016 Time Magazine included Kahn's first camera phone photo in their list of the 100 most influential photos of all time.

Pouvoir Oublier is a political documentary first constructed from the words of the speakers whose lives changed on the tragic day of May 10, 1972 in Sept-Îles. Their word will be juxtaposed with archival material from the events, some of which are unpublished, which will reflect the collective euphoria in which Sept-Îles and all of Quebec were then bathed.

Between playing, colouring in and singing, children in a Paris primary school learn about the impact of political decisions on their everyday lives and their future. The documentary sheds light on the future of the education system.

This documentary is about the Byker Community Centre. This centre was built in 1928. During the great depression, it helped a lot for the local people. In modern days, we have plenty of other problems, such as food waste, poverty, and isolation. This centre fights with all of that. Also, it invites all people, despite their disabilities, social groups, age, and gender and provides help and activities. This place is magical and hospitable.

Familiar radio voice Ben Grauer leads the viewer on a behind the scenes tour of the National Broadcasting Company studios -- both radio and television -- in Rockefeller Center and Hollywood. The original 25-minute film previewed by network execs and affiliates in the fall of 1948 was cut down to 20 minutes before its first broadcast, reportedly to excise high-profile stars and programs such as Amos 'n' Andy, Jack Benny, and Edgar Bergen that had since left NBC for other networks.

Tuer la mort ?

In a few years, technology will merge with our bodies in ways that today seem unimaginable, and will redefine the limits of what is a human being. There are already people who, driven by the desire to experiment, have crossed the biological limits by introducing electronic devices that provide them with capabilities that go beyond what is "normal." They are the first hybrids, and they face the reaction of society, which goes from malignancy to enthusiasm. Today they are only a small minority, and many people consider them as disrupted experimenters, but in the near future we may recognize them as pioneers.

The film explores the potential for automation in every sector of employment and questions the integrity of our methods of resource distribution going into the future.

Disobedience tells the David vs. Goliath tale of front line leaders battling for a livable world. Filmed in the Philippines, Turkey, Germany, Canada, Cambodia and the United States, it weaves together these riveting stories with insights from the most renowned voices on social justice and climate. Disobedience is personal, passionate and powerful - the stakes could not be higher, nor the mission more critical.

Approximately, because so-called "ethnic" statistics are prohibited, there are an estimated 3.3 million black French citizens. Distant descendants of slaves from the Caribbean or "indigenous" peoples from the French colonial empire in Africa, they constitute a minority that is often discriminated against. Isabelle Boni-Claverie, a mixed-race woman raised in the affluent neighborhoods of Paris, daughter of an Ivorian politician and granddaughter of Alphonse Boni, a Black man who became a magistrate of the French Republic in the 1930s, examines what is blocking the social advancement of Black French people and the full recognition of their citizenship.

Quel numéro ? - What number ? ou le travail automatisé

Airbus : la techno des géants du ciel

Fifty years after Martin Luther King delivered his “I Have a Dream” speech, a collective of African American filmmakers, artists, and intellectuals reflect on the goals and ambitions of the civil rights movement and where things stand today.

THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world. Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity. The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.