Salaam Kashmir revolves around two men - Tomy Eeppan Devassy and Sreekumar. Jayaram plays Sreekumar, a character who does all the domestic work expected from a wife in normal course. Into this peaceful world enters Tomy (Suresh Gopi) disrupting the domestic bliss and bringing out an unexpected twist.
Purushan, a student on his way to Delhi, becomes obsessed with the tragic suicide of a young drummer. He collects many people to go with him to tell the boy’s mother.
An anthology of three stories which portray various shades and motives of violence through different characters that are dissimilar in nature.
A forest smuggle, lives in the jungle and smuggles sandalwood. He is also involved with other anti-social behaviour and forest controlling activities like robberies, dacoity, murders and drug pedalling. He consequently kidnaps an electrician Rahul and takes him to the jungle, forcing him to teach him how to make explosives. Rahul refuses to help create bombs and is subsequently falsely accused of murder. The rest of the story is about how Rahul proves his innocence to police investigators
Sunny, a priest, comes to know that Vavachan is running an old age home with vile intentions. He wants the corpses of the inmates for the medical college run by his son. Sunny decides to expose this.
Pakida tells the story of Aadi who meets a mysterious and concealing traveler George Koshy Anthrapper and travels with him from Kochi to Madurai. On their way, they come across two other characters Sunny and Kani who change their lives.
Nadan is the story of a popular drama troupe owned by Devadas Sargavedi (Jayaram), which was previously possessed by his father and grandfather in the past, and speaks about the problems faced by the owner and his survival. The revival of this mighty art through the sustained effort of the talented theatre artists forms the crux of the narrative.
A wayward youth of a rich father, Jomon is a carefree youngster who doesn’t care about ‘being responsible enough’ for his age. When the family lands in a financial soup out of the blue, a different side of the youngster surprisingly emerges.
A washed-up wrestler's life changes when he brings a passionate female wrestler from Punjab to his conservative Kerala village, sparking a comedic yet inspiring revolution in the local wrestling pits.
It is a hundred years since Charlie Chaplin,artist nonpareil,appeared on the silver screen mesmerizing audiences across the globe.His signature mustache and derby hat have left their indelible imprint on the annals of film history.Buddha and Chaplin smile is a film that pays homage to Chaplin at the centennial commemoration of his acting career.The film portrays an Indian comedian Indraguptan,who idolized Chaplin.He believes his life resembles Chaplin and nurtures the desire to depict his hero on the big screen.However,he rules out a blind imitation of the late legend.The narrative revolves around his comic wisdom and quest for true love.The dilemma that ensues is the crux of the story.
A stranger who may be the trickster magician Kummatty comes to a village in Malabar, India.
Shadiya Akbar IPS, a renowned police officer, addresses a group of trainees by narrating a memorable instance from her career. The episode and the characters of the case offer her a valuable lesson in a current case, that extends beyond the litigation.
The film interprets a story from the Uttara Kanda of the epic poem Ramayana, where Rama sends his wife, Sita, to the jungle to satisfy his subjects. Sita is never actually seen in the film, but her virtual presence is compellingly evoked in the moods of the forest and the elements. The film retells the epic from a womens' liberationist perspective, and is about the tragedy of power and the sacrifices that adherence to dharma demands, including abandoning a chaste wife.
Shikha Samuel and Jayakrishnan have eloped and made Uganda their home with the help of Advocate Firoz , who is practising law there. The couple is leading a happy life with a girl child of their own. Jayakrishnan is employed as a manager in a coffee shop and Shikha runs a designer boutique of her own. The tranquillity of their life is shattered when Shikha is arrested on the charges of committing two murders, one of the victim is the daughter of the local Mayor, who has pledged to keep her in jail for the rest of her life.
Karutthamma, the daughter of a Hindu fisherman, falls in love with a Muslim fish trader. However, social prejudices seem to ruin their love life and invite the wrath of their communities.
The student politics in a government college has for long revolved around the students' organisation KSQ. Subhash and Paul attempts to change the political scenario by launching a new movement called SFY based on their ideologies.
Newspaper Boy is a Malayalam–language Indian film released in 1955. It is the first neo realistic movie in the language. The film, a drama of stark realism, narrates the life of the common man on the street. The film is noteworthy in that the entire production programme from script-writing to direction was controlled and executed by students.
An emotionally childish man who never outgrows his childish fascination for flying, dreams of making his own aircraft which is considered foolish by his family and friends.
Chinna Dada is a Malayalam movie. The movie is directed by Raju Champakara and featured Riyaz Khan, Jayan Cherthala and Ganga T. Krishnan as lead characters. Other popular actors who were roped in for Chinna Dada are Kalabhavan Shajon, Jinu Aanikkad, N. Gopalakrishnan and Nazeer Samkranthi.
Even though crime branch officer David Abraham is on suspension, he engages himself in the investigation of a case on Christmas night which is not yet recorded in the crime records.