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A couple send their young daughter to be raised by a pack of wolves.

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The Last Supper, part 6 of Alexandre Promio's Passion Play.

Failed writer Ryan is a man on the edge. Alone and broke, with an estranged wife and mounting debt, he attempts to earn some quick cash by agreeing to pen a short story for a magazine. With the deadline just hours away he heads to a local café and, inspired by the young waitress and the customers around him, cooks up a love story tinged with cynicism.

Short horror mockumentary about a camera crew that follows two serial killers.

A married man on a business trip checks into a hotel. The hotel manager’s daughter falls for him at first sight. Rejected by the man, she embarks on a journey of revenge...

A man falls in a hole on his walk, he sees another person walking on the same path and makes sure he's not the only one to get injured.

An aesthetician does her brother's makeup for his final showcase.

Nulepsy: the pathological need to be nude. An elderly man recounts his life story characterised by the rare, exceptional and inconvenient disease he suffers from.

The 1975 Super-8 short Aquarium is Zulueta’s first available incursion into the psychodrama—in which the filmmaker dramatises a disturbed state of consciousness—in which appear lyrical passages of the kind that will be made by the fictional experimental filmmaker played by Will More in Zulueta’s 1980 feature Arrebato. (Senses of Cinema)

Rolling Stones – Hearts for Prague

Ana, a poor woman, agrees to be locked in an anechoic chamber, the most silent place in the world.

Angel delivers a letter to a US citizen, claiming it's from his father, the King of the East.

Images, voices, and interrupted silences that evoke the intangible losses caused by COVID-19.

An excited Mari Carmen starts her first day at work at the International Sales Office, but not everything will go as she expects. A duck has appeared in the balcony calling everyone’s attention and turning upside down the day that Mari Carmen wanted to have a fresh start.

Once upon a time, a mysterious stranger visits a tavern with his unusual barrel organ and gives a scary musical performance to the beggars within.