A Corner in Wheat

Munted is an unusual, multi-award winning, short film about an accusation of pedophilia and its terrible consequences. Set in 1961 in a remote rural community, it tells the story of a ten-year old girl and her friendship with a brain damaged artist. Told through erosions between film and drawing the film is a lyrical and brutal account of the cost of rumour and prejudice.

The story of the legendary steel-driving folk hero born with a hammer in his hands, who pitted his strength against a mighty railroad-building machine.

A talented gymnast makes a life-changing discovery as she prepares for an important tournament, which is her last chance to reach the top.

Summer 79, holidays, Ocean. Jean, about 10 years old, realizes that his mother and father don't love each other anymore. Suddenly, the family is confronted with death. Jean discovers the ambivalence of life, its violence, human weakness, something like the end of childhood...

Director Allan Dwan’s excellent use of New York locations enlivens a rags-to-riches tale that fully exploits star George O’Brien’s championship boxing prowess.

A young doctor gets stuck on a ship after treating an injured first mate. Later, he rescues a woman from plane wreckage, and with the help of the cook, he hides her away from the rowdy and dangerous crew.

Despite her short skirt and bobbed hair, Myrtle’s no flapper—she’s a career girl with her eye on the prize. But over the course of an evening in the company of Jack, a bootlegger, she’s forced to ask herself what she really wants: a legitimate career, or success at any cost.

A reserved young man meets an impulsive stranger on a secluded beach. Their brief friendship leaves each subtly changed.

The engineer Karl Hartmann invents a new, gigantic brown coal excavator. He discovers that there are large deposits below his home country and decides to use the excavator there.

Deval shot “Héraclite l’obscur” in Tunisia in 1967, with his then-girlfriend and editor Jackie Raynal, in 35 mm and in color. He was the first Zanzibar member to shoot a film not only outside of Paris but also in an exotic location. “Héraclite l’obscur” is described by its author as a “philosophical peplum”. – spectacle theater

To realize its story of the little man up against the bureaucracy of the world, The Overcoat draws its asthetic inspiration from silent film era classics such as Chaplin's Modern Times and Fritz Lang's Metropolis. The Overcoat was inspired by a concept developed by co-creators Morris Panych and Wendy Gorling to create a play that could be told without spoken dialogue.

A couple is lost in a town where everyone speaks some strange language, and they can't find their way out.

Fender is a lowly clerk in the warehouse of clothing manufacturers Ranting and Co. His one ambition is to have an overcoat of his own. Refused one by the cold hearted Ranting he asks a tailor friend, Morry, to make him one instead, but dies of cold before he can take delivery of it. Unwilling to give up his only desire even in death, he returns as a ghost to persuade Morry to steal him the overcoat he so coveted in life.

Soap-opera about a social-climbing Jewish man and his old-world parents who are heartbroken by his rejection of them. Young Morris Goldfish follows his immigrant father into business. His ruthless business practices cause him to become a big success, and he moves the family to Park Avenue. They go, but were happier back on the East Side. Morris is ashamed of this parents and his humble origins, but learns in the end that there is more to life than money.

Marion, 14 years old, spends her holidays in Normandy. She meets a man. They see each other again in Paris. Marion makes love, for the first time, with him.

Insecure thirteen year-old Esther Weary is on the brink of puberty and must come to terms with the realities of becoming a woman with her well-meaning grandpa and his pet pug.

A white child is adopted and raised by a Chinese citizen and brought to San Francisco, where no one surmises that she is actually not Chinese.

A young man on a bicycle is turning a corner in front of an apparently abandoned building when he begins to hear the ringing of a cell phone. (A prequel to the first version of Ju-on, 2000.)

Two schoolgirls, Hisayo Yoshida and Kanna Murakami, who are tasked with caring for their school's pet rabbits, are sweeping the cages and feeding the animals when Kanna cuts her hand, so Hisayo leaves her alone to go get bandages. (A prequel to the first version of Ju-on, 2000.)

Considered to be lost.