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Australian filmmaker Sophia Turkiewicz investigates why her Polish mother abandoned her and uncovers the truth behind her mother's wartime escape from a Siberian gulag, leaving Sophia to confront her own capacity for forgiveness.

Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".

For almost half of his life, Kenneth Viken has been in prison, and he does not know how many times he has been released, only to soon return . In January 2016 he is released again.

My Kieslowski

Poignant stories of homelessness on the West Coast of the US frame this cinematic portrait of a surging humanitarian crisis.

Would you fall in love with a homeless person? Six years after Occupy Wall Street, Jehan is 42 years old and homeless on the streets of New York City. As she works to save money, get an apartment and return to a "normal" life, she decides that she would also like to get married. Would someone willing to put a dollar in her begging bag also be willing to fall in love with her? Can she find true love with a "normal" person?

Since 24 February 2022, when the Russian invasion of Ukraine began, several million refugees have already been taken in by Poles. In the Lublin region, near the Bug River, which marks the border with Ukraine and Belarus, farmers, shopkeepers, a photographer, and a teacher tell how their daily lives have been transformed by the outbreak of this war.

Danusia and her daughter Basia live far away from the modern world, in tune with the rhythm and laws of nature, among animals and the spirits of the dead. The peace and sense of security offered by their enclave come at a price - the women increasingly long for contact with other people. Bucolic is an affectionate observation of people who live in a different way. It evokes a curiosity about their world and a desire to take a closer look.

Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.

Warsaw is becoming a meeting place for people from different corners of the world, of different ages, with different life stories. What they have in common is a feeling of being lost and a dire need to run away from their solitude. The film shows an image of a contemporary city from couchsurfers’ perspective.

The youngest protagonist of the documentary is Wartburg, an automobile over 50 years of age. The car is still on the road, driven by Bogdan, a 70-year-old who is taking his mother to visit the German factory where she was forced to work during WWII. In this road movie which takes place between Majdanpek and Germany, the trip becomes a journey into the past, retracing memories from the war and revealing a unique relationship between an old son and his elderly mother.

Jon Sistiaga takes an immersive trip to Poland, a country divided into two zones: on the one hand, the urban and pro-European, and on the other, the rural and ultra-Catholic, still anchored in the traumas of the war and the post-war period. Is Poland a homophobic country or does it have a homophobic government? How does the European Union allow this situation?

Polsko

When ten-year-old Elliott asks his 90-year-old great-grandfather, Jack, about the number tattooed on his arm, he sparks an intimate conversation about Jack’s life that spans happy memories of childhood in Poland, the loss of his family, surviving Auschwitz and finding a new life in America.

One who doesn't have roots won't be able to grow wings-a documentary project about a man tracking his origins to the Middle East and establishing a connection with his father, whom he have never met before.

The whole family is helping with preparations for Danuta and Maciej’s golden wedding anniversary party. Danuta knows exactly what she wants and delegates her wishes to those around her. Her German niece Alexandra, the maker of this film, has travelled to Warsaw to take part. Barely has she sat down at the kitchen table when a heated discussion ensues. Be it abortion or migration, it soon dawns on Alexandra that her view of the world could not be more different from that of her right-wing conservative relatives in Poland. Alone in her ‘liberal’ view Alexandra is mocked as a victim of western propaganda… Filmmaker Alexandra Wesolowski uses a family gathering as an opportunity to portray her own family and allows us intimate insight into Polish society and the populist national-conservative Europe of today.

A homeless musician finds meaning in his life when he starts a friendship with dozens of parrots.

Stop-motion animation on the arranging of marriages in 1950/60s set in the Eastern-Polish borderland. The script is based on a part of Mikołaj Smyk's diary, the director's grandfather. The biographical objects used in the animation, such as an authentic headscarf, Polish and Russian books, the copy of Mikołaj Smyk's diary and photographs help situate the story in its original environment.

This mountain region that reaches across several countries in Eastern Europe is the home to gold diggers, wizards, cow herders and old Hassids.

1994 at the Ambassador Hotel, 55 Mason Street in the Tenderloin district of San Francisco, California. From 1978 to 1996, the hotel was managed by Hank Wilson, a San Francisco LGBT activist who made the hotel a model for harm reduction housing. 134 run-down and exhausted rooms populated by homeless men and women, sometimes even children. All of them in urgent need of care, compassion and humanity. Nobly provided by voluntarily working professional health care and social workers staff, various benefactors, volunteers, neighbors, and community contributions.