Dear Antonioni

Karel Reisz, Ten filmový život

Fulton and Pepe's 2000 documentary captures Terry Gilliam's attempt to get The Man Who Killed Don Quixote off the ground. Back injuries, freakish storms, and more zoom in to sabotage the project.

Guillermo del Toro: Un director y su Oscar

The Characters of Star Wars is a Video Documentary included in the 2004 DVD release of the Star Wars Original Trilogy. It explained the Mythos of many of the "Star Wars" Characters.

Story of a director Stanley Donen, king of Hollywood musicals and man behind such classics as "Singin' in the Rain".

A documentary analyzing the furore which so-called "video nasties" caused in Britain during the 1980s.

A look at the roller coaster life of Sam J. Jones since his role as Flash Gordon, his struggles and successes, and the aftermath of when he went up against one of the most powerful producers in Hollywood.

Film journalist and critic Rüdiger Suchsland examines German cinema from 1919, when the Republic of Weimar is born, to 1933, when the Nazis come into power. (Followed by Hitler's Hollywood, 2017.)

If cinema is the art of time, Linklater is one of its most thoughtful and engaged directors. Unlike other filmmakers identified as auteurs, Linklater’s distinction is not found on the surface of his films, in a visual style or signature shot, but rather in their DNA, as ongoing conversations with cinema, which is to say, with time itself. A visual essay produced by Sight and Sound.

A short film in which Isabella Rossellini discusses the life and work of her father, Roberto Rossellini.

A documentary made on the set of "The Learning Tree." Narrated by Gordon Parks Jr., and featuring interviews with Gordon Parks Sr. and members of the cast and crew.

Clint Eastwood : la légende

Documentary film about the successful erotic film producer and author Alois Brummer. Documentary filmmaker Hans Jürgen Syberberg accompanies Brummer for six days in his daily business during the shooting of Brummer's film “Graf Porno und die liebesdurstigen Töchter” (Count Porno and the Love-Thirsty Daughters). In addition to Brummer, his employees and actors also have their say.

From cinema-verite; pioneers Albert Maysles and Joan Churchill to maverick movie makers like Errol Morris, Werner Herzog and Nick Broomfield, the world's best documentarians reflect upon the unique power of their genre. Capturing Reality explores the complex creative process that goes into making non-fiction films. Deftly charting the documentarian's journey, it poses the question: can film capture reality?

Overview of director King Vidor's filmography.

Król: Pierwsza scena

IM Kwon-taek is a Korean film-maker. He was born in 1934 when his country was under Japanese occupation. When Korean War was over his parents became North Korean partisan, and he ran away from home. He’s made 101 films since he made his debut in 1962 with Farewell Doman River. He tasted the glory at Cannes Int’l Film Festival with Chiwhasun. However making the 102nd film seems harder than ever to this 80-year-old director. His 2 projects have been suspended. He still can’t find chance to make his 102nd film, but spends daily routine free from film-making. This is a recording of years that the film-maker spends without making a film.

At 6:00 in the morning on the 1st day of January in 2013 80-year-old film-maker IM Kwon-taek started shooting his 102nd film, after his unintentional 5 years’ break. I visited the shooting scene with my camera and had stayed there until the end of that year. I’ve always wanted to record IM’s shooting scene, as I believed that there we could find his secret manual which reflects the master’s large experience. I’ve been through heavy snow to witness funeral scene. I’ve also been to the west coast to follow funeral cortege in the film. It was an experience to put the life in the frame alongside with the death. When the next spring came, the shooting finally ended.

Filmmaker Ian Taylor examines the impressive legacy of Hong Kong cinema -- specifically, how martial arts crossed borders and become an international phenomenon -- with the help of footage and interviews with the stars who made the genre what it is today. Director Lau Ka Leung (who helmed The 36th Chamber of Shaolin) joins in, sharing his thoughts on how certain cinematic technologies have improved martial arts films and expanded their appeal, on the set of Drunken Monkey (2003).

A look at the life and films of the expressionistic movie and television director John Brahm.