God Save the King

Walt is a lonely convenience store clerk who has fallen in love with a Mexican migrant worker named Johnny. Though Walt has little in common with the object of his affections — including a shared language — his desire to possess Johnny prompts a sexual awakening that results in a tangled love triangle.

A young police woman is faced with the difficulties between her responsibilities at work and her personal responsibilities.

Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.

Documentary on the shock rock group "The Mentors".

Razing the Bar documents the development and eventual demolition of a well-loved fringe punk rock Seattle venue through interviews of employees, friends, and a multitude of local musicians.

Germany 1982: The country is divided into two parts. Nele, coming from West-Germany, travels to East-Germany where she meets Captain, singer of a band. They fall in love with each other, but the regime "takes care" of their relationship, meaning: They can not see each other again. Germany 1990: The country is reunited. Nele starts searching their lost love...

Andy is a new teacher at an inner city high school that is unlike any he has seen before. There are metal detectors at the front door and the place is basically run by a tough kid named Peter Stegman. Soon, Andy and Stegman become enemies and Stegman will stop at nothing to protect his turf and drug dealing business.

Hull

Robot Johnny 5 moves to the city to help his friend Ben Jahrvi with his toy manufacturing enterprise, only to be manipulated by criminals who want to use him for their own nefarious purposes.

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

Corrine Burns retreats far into plans for her band, The Fabulous Stains, after her mother's death.

Featuring songs from their debut album DANZIG: "Twist of Cain" and the controversial uncut versions of "Am I Demon", "She Rides" and "Mother". Plus interviews and behind-the-scenes footage. Highlights include: Glenn revealing his songwriting process, reading Wolverine comics, discussing his book collection, chugging a box of Milk Duds before an encore, and Eerie Von being a badass.

Only three days before their high school festival, guitarist Kei, drummer Kyoko, and bassist Nozomi are forced to recruit a new lead vocalist for their band. They choose Korean exchange student Son, though her comprehension of Japanese is a bit rough! It's a race against time as the group struggles to learn three songs for the festival's rock concert—including a classic '80s song by the Japanese punk rock band The Blue Hearts called "Linda Linda".

Architect/vigilante Paul Kersey arrives back in New York City and is forcibly recruited by a crooked police chief to fight street crime caused by a large gang terrorizing the neighborhoods.

During the first week of September 1981, Twin/Tone took the mobile recording unit and rented a bunch of video gear and recorded 15 bands live (five nights) at the 7th Street Entry in Minneapolis... These movies are from the show on September 5th. The band had released "Sorry Ma..." earlier in the year and were already working on future projects. These clips are presented as they were recorded live... in set order and very much with the tuning that troubled the night. The Replacements were the middle band of three (Husker Du closed the show) and played two 25 minute sets.

With the help of her father's greatest creation, a holographic computer named Synergy, Jerrica Benton and her sisters team up to create the band Jem and the Holograms. Together, they will go head-to-head with their rivals, the Misfits and their greedy road manager Eric Raymond, in a battle of the bands for control of Mr. Benton's music company, Starlight Music.

Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes too aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains, "I always say the law was meant to be interpreted in a lenient manner."

A rebellious teen uses his talent for pranks to outwit the security consultant who has taken the students at his prestigious private school hostage.

Leelee Sobieski is brash, abrasive and vulnerable as a teenage child of divorce who hides her pain behind a mask of hard-edged gothic rebellion. Albert Brooks plays a man who is her total opposite, a precise and well-ordered menswear store owner of forty-nine who manages limited expectations and protects lonely secrets with pleasant ritual and quiet, ironic reserve. These two total opposites collide in conflict then come together in a surprising alliance, changing each other's lives forever.

The Offpsring at Cidade do Rock, Rio de Janeiro, Brazil on September 14, 2013. Setlist: 01. All I Want / 02. Bad Habit / 03. Come Out and Play / 04. Days Go By / 05. Original Prankster / 06. You're Gonna Go Far, Kid / 07. Staring at the Sun / 08. Kristy, Are You Doing Okay? / 09. Want You Bad / 10. Hit That / 11. Why Don't You Get a Job? / 12. Americana / 13. (Can't Get My) Head Around You / 14. Pretty Fly (For a White Guy) / 15. The Kids Aren't Alright / 16. California Sun (Joe Jones cover) (with Marky Ramone) / 17. R.A.M.O.N.E.S. (Motörhead cover) (with Marky Ramone) / 18. Self Esteem