White Riot

Charlie Sloth has been on a road trip to find the hottest rappers up North and try to understand why rap music in the U.K is dominated by the London scene. He's travelled from Newcastle to Liverpool, Manchester to Sheffield, Huddersfield to Leeds; spent time in boxing gyms with aspiring MCs, and met feared battle-rappers working the night-shift in Morrisons. Featuring Shotty Horroh, Bang On, Tez Kidd, Hoodman, The Projekt and Sermstyle.

On August 3rd, 1979, a Vietnamese refugee shoots and kills a white crab fisherman at the town docks in Seadrift, TX. What began as a fishing dispute erupts in violence and ignites a resurgence of the KKK and open hostilities against the Vietnamese along the Gulf Coast. Set during the early days of Vietnamese refugee arrival, “Seadrift” examines the circumstances that led up to the shooting, its tumultuous aftermath, and the unexpected consequences that continue to reverberate today.

160 meters is the distance between the two banks of the estuary of Bilbao. An economic, social and cultural approach at two ways of looking at life.

A small but growing Texas town, filled with strange and musical characters, celebrates its sesquicentennial and converge on a local parade and talent show.

Documentary on the 25 years of the extinct Portuguese Punk Rock band Censurados.

THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest. In The ARYANS Mo questions the completely wrong interpretation of "Aryanism" - a phenomenon of the tall, blond and blue-eyed master race.

‘Get Better – A Film About Frank Turner’ was directed by friend Ben Morse, and follows Frank Turner and his band The Sleeping Souls for a year on the road, but the band swiftly came off the road – and Frank came off the rails before recovery.

The executive producers of High School Musical keep the good times rolling with this upbeat musical comedy set in the one place every American teenager's home away from home - the local shopping mall. Ally (Nina Dobrev) is an optimistic adolescent singer/songwriter whose hard working mother owns the mall music shop frequented by every teen in town. When Ally shares her music with Joey (Rob Mayes), a janitor in the mall who harbors rock star ambitions, she is thrilled to find someone who can truly relate to her songs as well as her heart. Trouble looms on the horizon, however, in the form of the mall owner's spoiled rotten daughter Madison (Autumn Reeser). Madison is the kind of girl who's used to getting whatever she wants, and what she wants now could prove disastrous for both Ally's ambitions, and her mother's popular music store.

A "best of" compilation of live clips of various ASSJACK shows taped live at Alley Katz in Richmond, VA from 2003 - 2006 and clips of 1 show from May 2005 at Bluecats in Knoxville, TN. Special cameos by Dancing Outlaw Jesco White, Randy Blythe from Lamb of God and Chris Arp from Psyopus.

This show was filmed live on October 9, 2005 at Obras Stadium, Buenos Aires, Argentina before a rabid audience of over 25,000 fans. The 90-plus minute film features songs encompassing MEGADETH's career, ranging from their 1986 album Peace Sells…But Who's Buying through 2004's The System Has Failed . “This was one of the greatest nights of my life,” says MEGADETH founder and frontman DAVE MUSTAINE . “I am glad I was able to document it and share it with you. ‘That One Night' is a lesson in metal fanaticism by some of the best participating, most frenzied, and intense concert-goers in the world!

A live recording of Jean Michel Jarre, playing Oxygene on the original instruments with variations throughout.

Live: Right Here, Right Now. is the one and only live album by American hard rock band Van Halen, released in 1993. The album combines songs performed over two nights in May 1992 at the Selland Arena in Fresno, CA. The bulk of the songs on this album were from the first night, such as the solos performed by Eddie Van Halen and Sammy Hagar.

At the heart of the Central Train Station in Tel Aviv stands a grand piano. It watches over the traffic moving to and from the docks, seemingly hearing and seeing everything from its own point of view. For some, the piano is a regular stop on their commute. Others, occasional travelers, encounter it in this unexpected space, inviting them, subject to their will. There, in the most bustling place is a piano that makes people take off their earphones and take part in something magical that requires no words. The piano is unplugged, the people unplug. How many of those who sit and play manage to transcend the external noise, reflecting in a different and challenging way the reality we live in, allowing us to look into ourselves?

Princess Nokia is unafraid. During the 16-minute film directed by Orian Barki and produced by The FADER, the self-proclaimed New York aficionado commands the sidewalks of the Lower East Side and East Harlem. There's footage of intimate recording sessions, shots of some of her most beloved local spots, and vulnerable stoop conversations that all show the city's important connection to her work.

For years, right-wing politicians and pundits have repeatedly criticized the left for playing “the race card” and “the woman card.” This new film turns the tables and takes dead aim at the right’s own longstanding – but rarely discussed – deployment of white-male identity politics in American presidential elections. Ranging from Richard Nixon’s tough-talking, law-and-order campaign in 1968 to Donald Trump’s hyper-macho revival of the same fear-based appeals in 2020, "The Man Card" shows how the right has mobilized dominant ideas about manhood and enacted a deliberate strategy to frame Democrats and liberals as soft, brand the Republican Party as the party of “real men,” and position conservatives as defenders of white male power and authority in the face of transformative demographic change and ongoing struggles for racial, gender, and sexual equality.

This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.

Propaganda short film depicting the rise of Nazism in Germany and how political propaganda is similarly used in the United States. The film was made to make the case for the desegregation of the United States armed forces.

A real-time portrait of 2020 unfolds as an Asian-American family in Trump’s rural America fights to keep their restaurant and American dream alive in the face of a pandemic, Neo-Nazis, and generational scars from the Cambodian Killing Fields.

RiP!: A Remix Manifesto is a 2008 open source documentary film about the "the changing concept of copyright" directed by Brett Gaylor.

Thirteen examples of The Pogues unique brand of hellraising folk, ranging from punky takes on traditional Irish songs like 'Dirty Old Town' to the Shane MacGowan penned originals which offered romanticised visions of life viewed through the bottom of a bottle.