Hitler & Stalin: Portrait of Hostility

A tribute to the cameramen of the newsreel companies and the service film units, in the form of a compilation of film of the cameramen themselves, their training and some of their most dramatic film.

In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.

Starting with a Nazi plan to steal the Rimet Trophy from Italy during World War II, the story unfolds like a great caper film. Our hero, Ottorino Barassi, a mild-mannered Italian soccer official, tries to protect a valued treasure.

A pig farm in Lety, South Bohemia would make an ideal monument to collaboration and indifference, says writer and journalist Markus Pape. Most of those appearing in this documentary filmed in Slovakia, the Czech Republic, Poland, France, Germany and Croatia have personal experience of the indifference to the genocide of the Roma. Many of them experienced the Holocaust as children, and their distorted memories have earned them distrust and ridicule. Continuing racism and anti-Roma sentiment is illustrated among other matters by how contemporary society looks after the locations where the murders occurred. However, this documentary film essay focuses mainly on the survivors, who share with viewers their indelible traumas, their "hole in the head".

De Bevrijding van Den Haag

Created as a companion documentary to the film "Valkyrie," this documentary details the true story behind the plot to assassinate Adolph Hitler.

Federico Buffa racconta: i Diavoli di Zonderwater

A documentary film about the Nazi criminal Stefan Rojek. Rojko was an SS-Oberscharführer in the Small Fortress Terezín during World War II, the "right hand" of the fortress commander Heinrich Jöckel. After the war he fled to Graz, later sentenced to life imprisonment, and was paroled on 24 June 1975. The film was made in cooperation with the SPB and the Memorial of National Suffering in Terezín.

France is at the heart of Madonna's life. She is inspired by French culture and its values and has surrounded herself with French artists for many years. To celebrate the 40th anniversary of the Queen of Pop's career, this film revisits the close and unique bond between Madonna and France and features testimonials from close collaborators and French friends who have helped create her unique artistic universe: Maripol, Jean Paul Gaultier, Julien d'Ys, Nicolas Huchard, and Marion Motin. Today's artists such as Florence Foresti, Leïla Slimani, Victor Weinsanto and HollySiz talk about the influence of this emancipating figure, which extends far beyond music.

The greatest secret of the Second World War has remained a mystery for the last 80 years: a Jewish Communist, Sandor Rado, led a spy network that proved essential to the victory of Allied Forces. Rado received details of strictly confidential strategies from the highest echelons of the Nazi State through Rudolf Roessler, a dedicated anti-Nazi he'd only known as code name "Lucy." Aided by key German industry leaders, Roessler transmitted timely information from high-ranking collaborators within the German army headquarters. Despite their achievement, Rado, Roessler and their sources remained unacknowledged heroes until today. Thanks to the recent declassification of secret archives, we are now able to step behind the scenes of this incredible story.

This feature documentary examines its own genre, which has often been called Canada's national art form. Released in the year of the NFB's 75th birthday, Shameless Propaganda is filmmaker Robert Lower's take on the boldest and most compelling propaganda effort in our history (1939-1945), in which founding NFB Commissioner John Grierson saw the documentary as a "hammer to shape society". All 500 of the films produced by the NFB until 1945 are distilled here for the essence of their message to Canadians. Using only these films and still photos from that era, Lower recreates the picture of Canada they gave us and looks in it for the Canada we know today. What he finds is by turns enlightening, entertaining, and unexpectedly disturbing.

As the campaign to force Jews out of Germany ramps up, the American government blocks efforts to help rescue many of these displaced persons, and Americans' antisemitism only seems to get worse.

Early documentary about the Moscow metro: the early project, the development and the people working on it.

After the World War I, Mussolini's perspective on life is severely altered; once a willful socialist reformer, now obsessed with the idea of power, he founds the National Fascist Party in 1921 and assumes political power in 1922, becoming the Duce, dictator of Italy. His success encourages Hitler to take power in Germany in 1933, opening the dark road to World War II. (Originally released as a two-part miniseries. Includes colorized archival footage.)

Documentarians Andre Heller and Othmar Schmiderer turn their camera on 81-year-old Traudl Junge, who served as Adolf Hitler's secretary from 1942 to 1945, and allow her to speak about her experiences. Junge sheds light on life in the Third Reich and the days leading up to Hitler's death in the famed bunker, where Junge recorded Hitler's last will and testament. Her gripping account is nothing short of mesmerizing.

Nazi propaganda film “exposes” the United States and its plans against Germany and the German people. Shows so-called signs of decay, gang-wars, slums, riots of blacks, etc. Small wonder, the comment is, that the Statue of Liberty turns it back on America.

Oľga Ondreičková is one of the exceptional figures of the first generation of Slovak architects. Her work is characterized by pragmatism, simplicity, and monumentality. Her husband is architect Pavel Ondreička, with whom she collaborated on several projects, as well as on the design of furniture, interiors, and artistic decorations. At the height of her career, Oľga Ondreičková led her own project team, which was rare for a woman at that time.

Gustave Folcher, a French farmer, wrote in his 1939 diary that the summer had been long and hot. He was not alone. Many other anonymous French men and women wrote of the beauty and warmth of those summer months and how threats of war were far from their minds. Through home movies, diaries and letters, One Last Summer describes the final weeks of peace in France and the mix of blindness, denial and prophetic clear-sightedness of those facing the war that was about to unfold.

The documentary that captures the compelling story and eyewitness account of six survivors in war-torn Netherlands during World War II.

From her precocious status as a sex symbol to her consecration as a filmmaker, Jodie Foster's story is about a feminist struggle, albeit atypical, fought on and off the screen. This film sets out to retrace her remarkable journey within the Hollywood industry.