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Mondo-style docudrama about a war correspondent who comes back home and has a spiritual crisis about his own mortality. Surreal fantasy sequences are mixed with graphic real autopsy footage.

Het korps Mariniers is a documentary about the Royal Dutch Marine Corps, which Paul Verhoeven made while being assigned to the Marine Film Service as a documentary filmmaker.

In the gathering dusk of 18 August 1966, 108 young, inexperienced Australian and NZ soldiers are separated and surrounded, fighting for their lives, holding off an overwhelming force of 2,500 battle-hardened Viet Cong and North Vietnamese soldiers. And, in the pouring rain, amid the mud and shattered trees of a rubber plantation called Long Tan, with their ammunition running out and another Vietnamese battalion massing for the final assault, the digger's situation seemed hopeless. Long Tan is the true story of ordinary boys who became extraordinary men.

A portrait of the diverse opinions of Chicagoans as they reflect on the general state of affairs in America, the war in Vietnam, social and racial conflict, freedom and personal liberty, happiness, and social justice. Ratamata was made by future Tom Palazzolo collaborator Kreines when he was 16 years old, and was an award winner at the Young Chicago Filmmakers Festival.

1981. The shabby treatment of returning combat soldiers from Vietnam is investigated.

A documentary about militant student political activity at the University of California, Berkeley in the 1960s.

Before becoming a film critic, then a maker mainly of sharply engaged documentaries, usually in tandem with her late husband Lino Del Fra, Cécilia Mangini was a photographer. Taking pictures was something she did all her life, alongside whatever else she was working on. In 1965 Mangini and Del Fra went to war-torn Vietnam to make a film they never finished. More than half a century later, she returned to these images, moving and still, some of which she found again by accident.

A variety of locals react to a napalm plant and an ensuing protest in Redwood City CA during the Vietnam War.

Archival footage, animation and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.

Using obscure archival footage, animated illustrations and interviews, this film tells the story of the Vietnam War from the perspective of five Vietcong veterans: a soldier, an officer, an informant, a guerilla, a My Lai survivor, and the leader of the Long Hair army.

Former corporate whiz kid Robert McNamara was the controversial Secretary of Defense in the Kennedy and Johnson administrations, during the height of the Vietnam War. Augmented by archival footage and cabinet conversation recordings, Errol Morris gives the conflicted McNamara a platform on which he attempts to confront his and the U.S. government's actions in Southeast Asia in light of the horrors of modern warfare, the end of ideology and the punitive judgment of history.

Over the period of 25 years the director met General Võ Nguyên Giáp, a legendary hero of Vietnam’s independence wars, a number of times. She was the first American who entered the home of the “Red Napoleon”. The fruit of this friendship is a film, personal and politically involved at the same time. Travelling across the country and talking to important figures as well as ordinary people, the director finds out more about her roots and offers the audience a unique perspective on Vietnam’s present and past.

This documentary interviews young people on war, religion, music, sex, and other topics. Part of NBC's Experiment in Television.

A Hmong guide's daily life in the mountains of Sapa, North Vietnam.

A U.S. Navy Commander Jeremiah Denton leading a plane sortie into North Vietnam was shot down and captured as a POW. For 8 years of his life, he was a prisoner at Hanoi Hilton where he and other POWs were tortured. In a press conference, being forced by the North Vietnamese to say he was being treated well he blinked out the letters TORTURE in Morse code.

At the risk of a 5-year prison term, Francesco Da Vinci struggles with his Virginia draft board to be recognized as a sincere conscientious objector to the Vietnam war.

Many times during his presidency, Lyndon B. Johnson said that ultimate victory in the Vietnam War depended upon the U.S. military winning the "hearts and minds" of the Vietnamese people. Filmmaker Peter Davis uses Johnson's phrase in an ironic context in this anti-war documentary, filmed and released while the Vietnam War was still under way, juxtaposing interviews with military figures like U.S. Army Chief of Staff William C. Westmoreland with shocking scenes of violence and brutality.

The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.

The production is a poetic impression, its tone is mournful. The film shows the landscape of Vietnam two years after the end of the war. There is no commentary in the production, the image is accompanied by Mozart's composition.

During the Vietnam War, the US bombed Laos more heavily than any other country had been bombed before. Today, the Lao people live among, and risk their lives to clear, over 80 million unexploded bombs on their doorsteps. With great beauty and empathy, this documentary reveals the unbelievable stories of the men and women at the forefront of this monumental task.