For over thirty years, three women have languished in Missouri State prison under unjust sentences for killing their abusive husbands. Denied the opportunity to enter the abuse into evidence, each of the women represents a system broken by outdated and media-sensationalized stereotypes. When a greater understanding of the "battered" syndrome change legal practices in 2000, Missouri's Governor crafts a new law demanding the parole board reevaluate each woman's case.
Shocking documentary centering on victims of violent crime who seek to get revenge on their assailants.
When a young woman is shot by an undocumented immigrant on Pier 14 in San Francisco, the incident ignites a political and media furor that culminates in Donald Trump’s election as President of the United States. In the eye of this storm, two public defenders fight to reveal the truth.
NCR: Not Criminally Responsible tells the story of a troubled young man who stabbed a complete stranger 6 times in a crowded shopping mall while gripped by psychosis. Twelve years later, his victim, who miraculously survived, is terrified to learn that he's out, living in the community under supervision. He's applying for an absolute discharge, and if he succeeds, he'll no longer be required to take the anti-psychotic drugs that control his mental illness. With unprecedented access to the patient, the victim, and the mental institution, the film looks at both sides of the debate and puts a human face on the complex ethical issues raised.
Six years ago, Charity Jimohe left Nigeria for France. After ten months of forced prostitution to pay off a debt of 35,000 euros contracted with the traffickers who had brought her here, she walked through the door of a police station in Nantes to denounce the members of her prostitution ring.
Three women in a re-entry house experience the reality of reintegration and attempt to acclimate to life after being released from incarceration and battling addiction.
The Miami-Dade Community Mental Health Project comes to life in this documentary, following a team of dedicated public servants working through the courts to steer people with mental illness on a path from incarceration to recovery.
By the end of his illustrious career, Deputy U.S. Marshal Bass Reeves may well have been the preeminent lawman of the Old West. He brought upwards of 3,000 outlaws to justice and served in law enforcement for 32 years during Reconstruction after the Civil War. His story is one of an escape to freedom and the dangers of the West for a former slave who rose to become a legend of the law. Join us as we go in search of Bass Reeves.
Why was Alex Murdaugh's conviction overturned? The debut of "Instadocs" digs into stunning allegations of jury interference in his double murder trial.
In prisons ruled by toxic masculinity, dancing is an absolute taboo. But at Lancaster’s A-Yard, near Los Angeles, a group of young men, willing to take a chance to be mocked in the yard, start a dance class led by French choreographer Dimitri Chamblas. This class quickly becomes an intoxicating escape from their grim reality so they decide to create a dance show. In this exceptional context, the inmates engage with overwhelming sincerity, evoking their childhood, ganglife, the crimes, the prison, and their desire for transformation. Beyond damaged lives and a prison system on the edge of the abyss, DANCING IN A-YARD explores redemption and the capacity of human beings to reinvent themselves, when given a chance. And more importantly, how art and introspection can help see the light.
Directed by Oscar-nominated and NAACP Image Award winner David Massey, this dynamic documentary explores why so many unarmed black people have been targeted and killed by police officers. The filmmakers talk to legal experts, activists and law enforcement officials who discuss the inequality within our criminal justice system and who confront the crucial question of how to prevent more violence in this country, including Black on Black deaths. As the Black Lives Matter movement - and citizens nationwide - question the accountability of our justice system in cases of police violence, When Justice Isn't Just is an essential addition to the ongoing discussion about reform and renewal.
Kim Kardashian West works to shine a light on stories of people she believes have paid their debt to society while also bringing awareness to America’s growing problem with mass incarceration.
A courtroom in Milan is filled with people brought together by random selection. Long interviews lie ahead. Based on the interviews, some of them will be chosen for jury duty. However, The Call doesn’t focus on judicial proceedings, but rather considers people’s sense of justice through the conversations in the waiting room.
This film deals with the administration of justice on the local level in Canada, as seen in the activities of Roderick Haig-Brown, fisherman, writer and magistrate in rural British Columbia. A portrayal of a few of the typical cases on his roster indicates the variety of criminal offences which come under the jurisdiction of a country magistrate's court. In showing the discharge of his responsibilities the film reveals the magistrate's important position in the community, the constant demands on his time, and the integrity of judgment required to uphold the law on the one hand and to act in executive restraint of police powers on the other. Based on parts of the book Measure of the Year by Roderick Haig-Brown.
A man that is a stranger, is an incredibly easy man to hate. However, walking in a stranger’s shoes, even for a short while, can transform a perceived adversary into an ally. Power is found in coming to know our neighbor’s hearts. For in the darkness of ignorance, enemies are made and wars are waged, but in the light of understanding, family extends beyond blood lines and legacies of hatred crumble.
Every year, millions of Americans are incarcerated before even being convicted of a crime - all because they can't afford to post bail. How did we get here? “Trapped: Cash Bail in America” shines a light on our deeply flawed criminal justice system and the activists working to reform it. This new documentary explores the growing movement to end the inherent economic and racial inequalities of cash bail while highlighting victims impacted by an unjust system, the tireless campaigners fighting for criminal justice reform, and a bail industry lobbying to maintain the status quo.
Tough new sentencing laws across the U.S. are resulting in an influx of prisoners, creating massive overcrowding. Many States are responding to this crisis by contracting out the management and liability of prisoners to private multi-national corporations.
MILWAUKEE 53206 chronicles the lives of those living in the ZIP code that incarcerates the highest percentage of black men in America, up to 62%. Through the intimate stories of three 53206 residents, we witness the high toll that mass incarceration takes on individuals and families that make up the community. The film examines Milwaukee’s ZIP code 53206 to illuminate the story of people from across the United States who live with the daily affects of mass incarceration.
Low-level narcotics offenders too often cycle in and out of jail, re-offending soon after they hit the streets. District Attorney Kamala D. Harris has convened City leaders to answer this problem and, along with key partners, has launched Back on Track, an innovative education and employment reentry initiative focusing on young adult drug offenders. Designed to increase community safety by reducing recidivism, Back on Track couples strict accountability and close supervision with education, employment support and health care. The purpose of Back on Track is to prevent young people from committing crimes by leading them to make life changing choices.
“The Vanishing Trial” looks into “trial penalty,” the term used to describe the substantially longer prison sentence a person receives if they exercise their constitutional right to trial instead of plead guilty. The documentary focuses on four individuals who were forced to make that excruciating choice.