A Danish writer travels to Mexico with the purpose of locating a mysterious Apache tribe that fervently seeks to remain in obscurity.
Emma reviews old tapes on VHS, which show faded family memories of those distant 80s, when she was still a child. While recalling the trips to the coast and the children's laughter, she tries to recompose pieces of a story that he never fully understood, joining the pieces of a forgotten puzzle to discover that things were not what they seemed.
In an empty house, we see the memories of a home, from those who once lived and filled it with joy and love.
An estimated 12 million people live in refugee camps worldwide and only 0.1% are resettled, repatriated, or integrated into normal society each year. The feature-length documentary.
Frans Bromet goes in search of his family history and discovers that Hermanus Bromet was a well-known slave trader in Suriname. Should he feel guilty for what his ancestor did? How do you deal with a burdened family past?
Eliza Dushku takes on her homeland of Albania.
Draussen bleiben
A project of theatre-documentary on the Srebrenica massacre.
Parque Necrópolis
Nóouhàh-Toka’na, known as swift fox in English, once roamed the North American Great Plains from Canada to Texas. Like bison, pronghorn and other plains animals, Nóouhàh-Toka’na held cultural significance for the Native Americans who lived alongside them. But predator control programs in the mid-1900s reduced the foxes to just 10 percent of their native range. At the Fort Belknap Indian Community in Montana, members of the Aaniiih and Nakoda tribes are working with the Smithsonian’s National Zoo and Conservation Biology Institute and other conservation partners to restore biodiversity and return Nóouhàh-Toka’na to the land.
A Sense of Justice, immerses us In a law firm in this same city. There, we can find Christine Mengus and Nohra Boukara, specialized in the rights of foreigners, supported by Audrey Scarinoff and their co-workers.. Stories from their sad, appalling or tragicomic cases alternate with their daily legal work. And as we hear snatches of consultations involving illegal entry or departure, deportation orders, the right to reside or medical assistance, we become witnesses to predictable tragedies, to the administrative or social precariousness induced by such predicaments, and to whole lives depending on court rulings.
From 1957 to 1961 170.000 Algerians flee to Tunisia because of the war. Most of them walk by feet across the mountains and the desert, carrying only a few of their belongings in their hands or on donkeys. As there is no clay in the desert they cannot build ordinary houses. They have to live in pits in the ground, covered with canvas, but some are offered to stay in American army tents.
A courageous pastor uses his underground network to rescue and aid North Korean families as they risk their lives to embrace freedom.
The lives of four Syrian families, resettled in Baltimore and under a deadline to become self-sufficient in eight months.
A story with almost 100 years told by the 95 years old woman Floripes.
Recounted mostly through animation to protect his identity, Amin looks back over his past as a child refugee from Afghanistan as he grapples with a secret he’s kept hidden for 20 years.
The four Afghan refugees who have applied for asylum in Austria strike up the song, “The caravan moves on” again and again. Encouraged by the journalist Lucy Ashton to record their lives on their smartphone cameras as a video diary, the friends film their precarious daily routine between visits to authorities, small jobs, and changing accommodations. Yet even when hope is lost, one certainty remains: the power of friendship.
The rugged Swiss mountain valley of Bregaglia has produced an entire dynasty of artists: the Giacomettis. Alberto revolutionised the art world with his slender sculptures. Before him, his father was an Impressionist of the first hour. What makes this valley the birthplace of so many artists?
This feature documentary follows three newly arrived people in Canada and their experiences with the Canadian Refugee process. As claims are assessed and paperwork is double checked, we begin to examine exactly who can be considered a refugee.
While millions of birds migrate freely in the skies above, Fadia, a Palestinian refugee stranded in Lebanon, yearns for the ancestral homeland she is denied. When a chance meeting introduces her to the director, Sarah, she challenges her to find an ancient mulberry tree that once grew next to her grandfather’s house in historic Palestine, a tree that stands witness to her family’s existence.