Documentary film that tells the story of Toninho and Cristiano da Matta, father and son who dedicated their lives to one big passion: Motorsport. Going though thier battles, comebacks, tragedies and glories in one of the world's most competitive and dangerous sports.
Martin Scorsese is among those paying tribute to Gene Tierney, the Academy Award-nominated American actress who was a leading lady in Hollywood throughout the 1940s and '50s.
How does Genesis relate to the "real world?" Does it matter whether one believes in Creation or Evolution? Watch this unique and important message for today and understand why the Genesis Creation account is foundational to Christianity.
Here it is - the exciting first issue of Grip Video! Covering the Import Auto show and race scene, Grip delivers hard-hitting action, technical features and product showcases. Grip also exposes what goes on behind the scenes in the import industry and gets you up close and personal with the movers and the shakers. In this issue: Personal interview with RJ Devera Extreme Autofest at Pomona UPFD and Mani Jayasinghe's 800+ hp Supra Veilside Titanium Exhaust product feature and body kit talk Re Works Toyota Mr-Spyder A shop feature with MOTOREX The Tommy Kaira WRX Import Revolution in Anaheim Drift Session 2 and Justin Kikkawa's Toyota Corolla GTS Cedric Smith's 600 hp Supra Drift suspension setup with Signal Auto . . . and more!
A documentary film on the making of 'Close Encounters of the Third Kind'
In this retrospective tribute, acclaimed filmmaker Jean Walkinshaw hails the 100th anniversary of Mount Rainier National Park in Washington by talking to those who know it best: the scientists, naturalists, mountain climbers and artists whose lives have been touched by the peak's far-reaching shadow. The result is a harmonious blend of archival material and high-definition footage celebrating an icon of the Pacific Northwest.
Here it is – the exciting Second issue of Grip Video! The boys at Grip bring you the best car show coverage, in-depth celebrity interviews, the hottest import girls and the craziest street racing action you’ll ever see in an import street racing video. Packed with technical features and the latest product reviews, Grip delivers to car fans around the world.
When you listen to The Years, the debut studio recording from Urbanites, you're hearing a band in progress. They wanted to make The Years differently, and decided to record the album together, live, in the same space - Studio A of Electrical Audio in Chicago, Illinois. With the exception of limited overdubs, (vocals, drum ensembles and laptop atmospherics) each song represented one collective take, warmly captured to two inch analogue tape. This recording method embraced the mistake as much as the moment. They also chose to document the making of the record with a film, appropriately titled, 'You Can't Rewind The Years'. With a new understanding and years of progress to come, these longtime friends are making the music that they'd always hoped to. As they sing, in The Years' standout track Restless, "Not without trial, not without err - this brokenness is ours to share."
Filmed to praise the work of the Spanish Ministry of Housing in solving the problem of shanty towns in Bilbao, it was made to be viewed by General Franco and not for public screening or distribution through the NO-DO newsreel. Although the short film was commissioned by the Ministry of Housing, director Jorge Grau produced a subtly critical work.
Oxígeno para vivir
In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.
A day in the life of Mr. Istvan and Ms. Magdi, neighbors for many years, is narrated by the building of Budapest where both live. The walls surrounding them reveal their small passions, stories and routines.
The Russians Machine
The Dangers of the Fly is an educational film made by Ernesto Gunche and Eduardo Martínez de la Pera, also responsible for Gaucho Nobility (1915), the biggest blockbuster of Argentinean silent cinema. De la Pera was a talented photographer, always willing to try new gadgets and techniques. This film experiments with microphotography in the style of Jean Comandon's films for Pathé and it is part of a series which included a film about mosquitoes and paludism and another one about cancer, which are considered lost. Flies were a popular subject of silent films and there are more than a dozen titles featuring them in the teens and early twenties.
The documentary goes through the 23 years of MTV Brazil, taking stock from the avant-garde to the ostracism of the broadcaster that was the main guide for the musical, cultural and social formation of young people in the 90's and 2000's with interviews and testimonials from former VJ's and artists that emerged and became popular in the country because of the channel.
Documentary examining the work of sculptor Richard Lippold, particular his sculpture of the sun at the Metropolitan Museum of Art.
Men and women in the Horn of Africa and adjiacent regions of the Middle East tell stories of their relationships and contacts with demons and spirits in their life and culture.
As director Hakim Belabbes chronicles his journey from his home in Chicago to visit his family in his hometown of Boujad in Morocco, his exploration of family relationships is self-conscious and at times painfully honest. We witness his most private moments with his family. The film intimately explores the domestic spaces and religious rituals of intra-family relationships, especially when compounded by one member's break with traditional values.
Caught between chasing his past and accepting his impending end, a man follows his childhood memories through the dark alleyways and desolate cemeteries of Boujad, Morocco.
Tango of Yearning (1998) is the first episode of an autobiographical trilogy on postwar Lebanon, later including Nightfall (2000) and Civil War (2002). Taking its title from Tango of Hope, a classic ballad by Nur al-Huda, the film draws from the director’s reflections on war, love, and cinema, as well as his personal experience at the public television channel TéléLiban. Conjuring various snippets of audiovisual archival material, the film is a poetic elegy to film, Beirut’s movie theaters, and a city undergoing radical transformation. Mohamed Soueid has long been a proponent of the experimental video documentary movement in Lebanon, playing a significant role in the country’s creative renaissance since the end of the civil war. Originally trained as a news videographer during the war, the experience offered him a facility with the medium, which he further developed by making non-linear documentary films with a distinctly personal take.