The Last Dance: RAW

Years spent recording footage of creatures from every corner of the globe is bound to produce a bit of drama. Here's a behind-the-scenes look.

Errol Morris’s Fast, Cheap & Out of Control interweaves the stories of four men, each driven to create eccentric worlds from their unique obsessions, all of which involve animals. There’s a lion tamer who shares his theories on the mental processes of wild animals; a topiary gardener who has devoted a lifetime to shaping bears and giraffes out of hedges and trees; a man fascinated with hairless mole rats; and an MIT scientist who has designed complex, autonomous robots that can crawl like bugs.

From vegan cupcakes to tap dancing, comedian Tom Henry brings his hysterical brand of understated observational humour to Just For Laughs in this one-hour, 66 joke-filled stand-up special.

Making-of documentary about Lino Brocka's 1975 film "Manila in the Claws of Light," featuring interviews and behind-the-scenes footage.

A supercomputer plans world domination with the help of Robby the Robot and a 10 year old boy, who is the son of the computer's inventor.

A series of unexplainable accidents befall the people and companies responsible for developing the world's first supersonic airliner. A British agent is sent to investigate and with the help of another agent uncovers a plot masterminded by Carl Petersen who stands to gain eight million pounds if the aircraft is not ready by a certain date.

In this campy spy movie spoof Dr. Goldfoot (Vincent Price) has invented an army of bikini-clad robots who are programmed to seek out wealthy men and charm them into signing over their assets. Secret agent Craig Gamble (Frankie Avalon) and millionaire Todd Armstrong set out to foil his fiendish plot.

What a revelation and a privilege it is to see Chantal Akerman at work. Its French title a pun, this film offers behind-the-scenes footage from the production of Tomorrow We Move: makeup and costume tests, script readings, scene blocking and rehearsals, and on-set interviews with Aurore Clément and Sylvie Testud, her lead actresses, as well as Akerman herself.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese.

Emerging from the depths of the film industry, the Mad Max saga became an instant cult classic after the release of the first film in 1979. These five critically acclaimed films have continued to captivate audiences. They shaped the identity of Australian cinema, launched a movie star – Mel Gibson – and propelled George Miller as one of the greatest directors of his generation. Above all, Mad Max has left an indelible mark on our collective unconscious, redefining our vision of the apocalypse and human civilization. This documentary tells the story of this phenomenon, from the small production of the first film to the monumental later installments, drawing on interviews and rare archives.

Two Shots adapts the extra chapter of the same name, while All or Nothing adapts Chapter 174 of the same name and a scene of the final chapter of the manga, which also matches with the conclusion of the final episode of the anime series. Two Shots tells the story of how Kurama and Hiei met, while All or Nothing covers a story of the main characters coming back together to solve a hostage crisis in the spirit world.

Chronicles the making of director Werner Herzog’s 2009 feature, My Son, My Son, What Have Ye Done, providing profound insight into the director and his craft. My Son, My Son, What Have Ye Done was inspired by the true story of an actor who committed in reality the crime he was supposed to enact on stage: murdering his mother. With longtime friend Herbert Golder behind the lens, Herzog reveals the privacy and deep solitude that defines the director and his art.

A German tourist who gained fame in the 1970s after becoming lost in America and a washed-up one-hit-wonder indie rocker are connected across history by feelings of having already peaked.

The filmmakers and lead actors of The Remains of the Day (1993) discuss how they came to make the film, and the subtle power of its execution.

When the seventh shogun, Ietsugu died, shogunate officials chose Yoshimune, Lord of Kishu, to succeed him. Since then Yoshimune has led a double life.In court he remains a dedicated leader, but outside he travels incognito as a wandering swordsman, seeking out crime and corruption. With his trusted friends and his ninja, he’ll expose anyone who perverts the shogun’s justice and oppresses his people and he’ll ruthlessly put them down with his lightning-fast sword. But since he became shogun, many high-placed officials look on with jealousy, and long to destroy him. One such man, Lord Owari, tries to unseat Yoshimune by exposing his mother as a practitioner of an outlaw religion, Christianity, an offense punishable by crucifixion!

After a lightning bolt zaps a robot named Number 5, the lovable machine starts to think he's human and escapes the lab. Hot on his trail is his designer, Newton, who hopes to get to Number 5 before the military does. In the meantime, a spunky animal lover mistakes the robot for an alien and takes him in, teaching her new guest about life on Earth.

An assassin called Filthy Harry is hired by a shady figure and charged with killing the heroes. The men are framed twice for different robberies by King Kong's new girlfriend, nearly committed to a mental hospital by their devious boss, and forced to battle Filthy Harry's weaponry-laden robot while covered with time bombs.

La rosa dei nomi

1980s. Brazilian television exploding in color and auditorium programs not so politically correct. In the middle of this fervor, Augusto Mendes, a young rising actor, seeks his place in the sun. From porn studios to soap operas, he finally finds success and fame when he becomes "Bingo", a TV host clown from one of the audience leader TV shows for children. It turns out that behind the rice powder and red nose, nobody knows who he is.

Pleasantly plump teenager Tracy Turnblad auditions to be on Baltimore's most popular dance show - The Corny Collins Show - and lands a prime spot. Through her newfound fame, she becomes determined to help her friends and end the racial segregation that has been a staple of the show.