Nostromo: David Lean's Impossible Dream

Memórias de um Filme

Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.

Omnibus: François Truffaut

A portrait of the Spanish director Lorenzo Llobet Gràcia (1911-76), one of the outsiders of Spanish cinema, and the story of his masterpiece, a cult work that tells the story of a self-taught filmmaker who was born under the sign of the shadows, lights and chiaroscuro of cinema.

In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, left Stockholm and went to live there. When he died, the house was preserved. A group of very special cinephiles, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergmans video, 2012.)

A Danish writer travels to Mexico with the purpose of locating a mysterious Apache tribe that fervently seeks to remain in obscurity.

Counter Shot: Departure of the Filmmakers

Since he was a child, Estèphe dreams to work in the movie industry, alongside those whom he watches films with passion. Cinema become quickly a leisure activity, spend with his friends, directing his first amateur movies. Could he dream bigger, growing up in Normandy, far from the studios and knowing nobody in this industry ? Estème dedicate himself to his studies, without lose sight of his ultimate dream.

French artist Maurice Chevalier (1888-1972), a legend of stage and screen, was an accomplished singer, actor and entertainer, who embodied the charm of his native Paris throughout a decades-long career that brought him fame in Europe and America and left for show business history a vast repertoire of masterful classic songs and captivating film performances.

The script of "Back to the Future" was one of the most refused of Hollywood: more than forty times. No producer believed in this project of Robert Zemeckis and Bob Gale. Steven Spielberg imposed the film on Universal Studios, with Gale signing the script and Zemeckis directing. The director of "Jaws" will not regret it. In 1985, "Back to the Future" pulverized the box office and became a worldwide success, reinforced by two sequels in 1989 and 1990. Decade after decade, the popularity of this trilogy does not falter. Why this longevity while so many blockbusters sink into oblivion?fre

Filmmakers Ibrahim, Suliman, Eltayeb and Manar, close friends for many years, left their motherland in the sixties and seventies to study film abroad and founded the Sudanese Film Group in 1989. After years of distance and exile, they are reunited, hoping to finally make their old dream come true: to bring back cinema to Sudan by reopening the Halfaia Cinema, a dilapidated theater in Khartoum.

The life story of Richard Pryor (1940-2005), the legendary performer and iconic social satirist who transcended racial and social barriers with his honest, irreverent and biting humor.

A look at the different masculinities portrayed in Spanish cinema through time. (A sequel to “Barefoot in the Kitchen,” 2013.)

For just forty days, filmmaker and writer Mark Cousins embarks on a peculiar journey in order to explore topics as the passion for cinema and certain aspects related to making films as style, ideas, emotions and practicalities; an ambitious exploration of the universal language of cinema by analyzing pieces of work that cross every artistic and cultural boundaries.

Second part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by An Opera of Violence; followed by Something to Do With Death.)

Third part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by The Wages of Sin.)

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

On February 26, 1920, Robert Wiene's world-famous film The Cabinet of Dr. Caligari premiered at the Marmorhaus in Berlin. To this day, it is considered a manifesto of German expressionism; a legend of cinema and a key work to understand the nature of the Weimar Republic and the constant political turmoil in which a divided society lived after the end of the First World War.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.