6999 Doors

Jayson Blair is the most infamous serial plagiarist of our time. He unleashed the massive scandal that rocked the New York Times and the entire world of journalism.

Documenting the creative brilliance and passion of three stand-up comedians working the comedy club circuit in the “flyover zones” of middle America, Road Comics: Big Work on Small Stages explores expectations of where and how comedy thrives today in the United States. Anthropologist and first-time filmmaker Susan Seizer​ follows comedians Stewart Huff, Tim Northern, and Kristin Key as they earn their living on the road, pausing along the way to discuss the business of being funny with regional club owners.

APPROACHING THE ELEPHANT is a feature-length documentary about The Teddy McArdle Free School, where classes are optional and rules are made by democratic vote. Summerhill, founded 90 years ago by A. S. Neill, was the first free school - now there are more than 200 worldwide. Approaching the Elephant chronicles a free school in the making - spanning two years, from Teddy McArdle's first day when there were no rules or classes, through the changing of the school's director and the expulsion of a student by democratic vote, to the last day of the second year, APPROACHING THE ELEPHANT is an intimate portrait of a small group of people from a range of educational backgrounds, come together to forge a place where children are treated as equals, at liberty to spend their days however they please.

Examines the public scandal and private tragedy which led to legendary director Roman Polanski's sudden flight from the United States.

Both an activist and a documentarian, Valentina Pedicini also brings her background in anthropology to this impressively captured, claustrophobic nonfiction feature. Venturing beneath sea level, From the Depths profiles the lone woman at work in the last coal mine in Sardinia, Italy.

The first film in a Seven Up-like series examining the lives of three teenage girls in South Australia during the 1970s. It looks at issues such as boys and sex, abortion, marriage, pregnancy, career paths, and education.

When the lights dim and the stage is revealed, Meschke channels life through the strings of his puppets, triggering the spiritual connection between the creator and his alter-egos: the charismatic Don Quixote, the loving Penelope, the inquisitive Baptiste, or the mysterious Antigone. THE MAN WHO MADE ANGELS FLY is a poetic story about a master of his craft that has inspired audiences to reflect upon common issues of suffering and the mortal coil. Visionary and un-biographic, imaginary tribute to the puppeteer.

Advanced Style examines the lives of seven unique New Yorkers whose eclectic personal style and vital spirit have guided their approach to aging. Based on Ari Seth Cohen’s famed blog of the same name, this film paints intimate and colorful portraits of independent, stylish women aged 62 to 95 who are challenging conventional ideas about beauty, aging, and Western’s culture’s increasing obsession with youth.

'OG' is a film about a legendary, Brazilian born, NYC skateboarder, Harry Jumonji. In the course of telling his story, through his triumphs and travails, Jumonji emerges in this portrait as an adolescent innocent, much like skateboarding itself. He is irrepressible, manically energetic and ultimately, pure. He has a transcendent presence, well beyond charm or charisma, of such unalloyed joy that nothing he does is unforgiveable. This is fortunate because, as a drug addict, unsurprisingly, he lies, cheats and steals. Harry is rendered as the poet, the sprite, the artist and the street saint he is.

Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.

Souls in the Sun takes an honest look at some victims of the world's neglect - a few individuals among the teeming masses of poor people.

Beauty Bites Beast aims to 'normalize' the idea of women's self-defense - and by extension, kids' self-defense - as a human need and right.

The Legacy Project tells the fate of the World War II heavy cruiser USS Indianapolis using exclusively first-person accounts. The last crew and their families share gripping stories of kamikaze attacks, invasions, a secret mission, and ultimately a devastating torpedo attack that killed three fourths of the crew. The survivors recall the 5 days they spent floating alone in the Pacific Ocean, their miraculous rescue, and how they fought together to clear their captain's name. Start to finish, this feature-length film flows from survivor to survivor as they finish each other's sentences. Set to a completely original score, the incredible story unfolds while rare WWII footage, a collection of previously unpublished photographs, open-ocean reenactments, and new footage from one of the last WWII era heavy cruisers in existence.

Ulrike Ottinger’s provocative mélange of ethnography, stunning tableaux and baroque vignettes was inspired by what she calls the “well-stocked miracle” of Korean wedding chests, assembled according to time-honored customs. This exploration of love and marriage in South Korea looks closely at ancient and present-day rituals, revealing what is old in the new and new in the old. Her inquiry leads us from shamans, temples and priests, to the enchanted maze of 21st-century Seoul, where vendors of medicinal herbs co-exist with high-tech beauty salons for wedding couples and secular marriage palaces. Using film much like a canvas, Ottinger creates a modern fairytale flush with mythological heroes, traditional rites, ancestral symbolism, dreams of eternal love, and a whole lot of Western kitsch. One of her most acclaimed documentaries, it captures the amazing phenomenon of new mega-cities and their contradictory societies caught in a balancing act.

"My Own Breathing" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.

At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, and the man was naked. Starting from this frozen image, the film explores the real and the imaginary.

There are places that we don’t want to know anything about, places that we would rather pretend don’t exist at all. One such place is a dumpsite. From the humans’ point of view, it is a ghastly place, a stinking desert of trash. But it’s a desert that is teaming with life.

The film is a commemoration of the lost livelihood of the earth, the lost lives of the War and to the work of two of the cinema’s greatest artists.

China's top drama academy stages the American musical "Fame," China's first official collaboration with Broadway, as the graduation showcase for its senior class. During the eight-month rehearsal, five students compete for roles, struggle with pressure from family and authority, and prepare to graduate into China's corrupt entertainment industry.

A descent into Eastern Europe's haunted woodlands uncovers the secrets, fairy tales, and bloody histories that shape our understanding of man's place in nature.