Theater Of Life

A made for TV movie that would be loosely remade as Magnitude 7.9 or DEATHQUAKE

Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.

Tragedy strikes a married couple vacationing in the Moroccan desert, which jumpstarts an interlocking story involving four different families.

In a small Tokyo apartment, twelve-year-old Akira must care for his younger siblings after their mother leaves them and shows no sign of returning.

A daughter is constantly overshadowed by her famous father, but she is determined to make her own mark in the world.

Brash businessman Hideki (Arata Iura) convinces his Tokyo bosses he can turn a profitless Montana cattle ranch into a premiere-performing asset. However, when his Japanese Wagyu-beef expert fails him, Hideki is poised to fail unless he identifies a missing element that's key to the transformation: himself.

A young boy takes interest in piano while his family begins to disintegrate around him after his father loses his job.

Three distinct tales unfold in the bustling city of Tokyo. Merde, a bizarre sewer-dweller, emerges from a manhole and begins terrorizing pedestrians. After his arrest, he stands trial and lashes out at a hostile courtroom. A man who has resigned himself to a life of solitude reconsiders after meeting a charming pizza delivery woman. And finally, a happy young couple find themselves undergoing a series of frightening metamorphoses.

In order to avoid a jail sentence, Sean Boswell heads to Tokyo to live with his military father. In a low-rent section of the city, Shaun gets caught up in the underground world of drift racing

Shibuya in Tokyo, a city that continues to change due to redevelopment. At a house in the corner of Shibuya, Ai dreaming of a model, Mizuho working for the editorial department of a magazine, and musician Erika live together. This story is about the modest cohabitation of the three.

Three people from a former theater club get back in touch for the first time in 20 years during the COVID-19 pandemic. Each of them have led completely different lives, but an absent woman continues to cast a shadow over them. This story takes place over one night, and explores the themes of isolation during the COVID-19 pandemic and connections between people.

A young Tokyo salary man and his wife struggle within the confines of their passionless relationship while he has an extramarital affair.

Izo is an assassin in the service of a Tosa lord and Imperial supporter. After killing dozens of the Shogun's men, Izo is captured and crucified. Instead of being extinguished, his rage propels him through the space-time continuum to present-day Tokyo. Here Izo transforms himself into a new, improved killing machine.

Max is a former playboy who has decided to settle down by marrying his current love, Muriel. However, when Max catches a glimpse of the great lost love of his life, he becomes obsessed with rekindling their relationship.

At Kichijōji Station, Tokyo, Taku Morisaki glimpses a familiar woman on the platform opposite boarding a train. Later, her photo falls from a shelf as he exits his apartment before flying to Kōchi Prefecture. Picking it up, he looks at it briefly before leaving. As the aeroplane takes off, he narrates the events that brought her into his life...

With delicate, unobtrusive strokes, Naruse evokes both the humor and bitterness of his characters’ dilemmas, in this bleak, compelling poignant portrait of a quartet of aging geishas contemplating their troubles with men and money.

Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.

Pre-war Asakusa was a riotous district of cabarets, dance-halls and brothels - a striking backdrop for Shimazu's story of innocence and experience. Pretty, young Reiko is the new dancer in an infamous theatre troupe, and her fellow performers try to protect her virtue in a land of vice. Meanwhile, an ageing actor wants to be a hero off stage as well as on, and the troupe matriarch Marie has to keep them all together.

When his father flees from debt, carefree college student Osamu sees his life turn upside-down. Expelled from school and evicted from his apartment, he becomes one of Japan’s many ‘net cafe refugees’, barely scraping by each day with temporary and part-time work. Even though he’s still in Tokyo, his circumstances drive him to see and experience his home city in new ways. Trying to survive, Osamu gradually acquaints himself with the ‘invisible’ spaces occupied by the wanderers and homeless of Tokyo… people just like himself.

A 28-year-old single woman is pressured to marry.