The film is about a young teacher who arrives at a village school, who tries to make a definite change in student attitude.
Mathukkutty, an unemployed man, lives in Germany with his bossy wife. He is given a chance to travel to Kerala to invite famous actors for an event, but all hell breaks loose after his arrival.
The film is about terrorist organizations operating in India and how they recruit young Keralites. It stars Prithviraj, Indrajith and Master Govardhan in the lead roles. The film's story revolves around a doctor (Prithviraj) with a haunting past. He witnessed his wife (Malavika) and five-year-old son die in an explosion at a market in Delhi.
Ajayan is back home after a long time away and he is hoping to be with his mother for the rest of his life, but things go wrong when a young boy claims to be his son.
Sreehalli
Mammootty in 'Pramaani' plays Viswanatha Panicker, the corrupt president of a grama panchayat. Panicker is a self-made man who has become immensely wealthy through corruption. He is called 'Pramani' because he has in his custody several documents; the Pramaanams as they call it.
The film revolves around Alexander Varma, who survives with his IQ, but fate has something else stored for him.
A drama with slight tinges of black humour and satire, tells the story of the lives of the Malayalees living in London, United Kingdom.
Punyam Aham is set in a small village in northern Kerala. The protagonist is Narayan Unni (Prithviraj Sukumaran), a young man with a Brahmin father and low-caste mother, who separated, leaving the mother to raise him alone. The film tells the story of Unni leaving home and searching for his identity, and then repeating many of his father's mistakes in life. It is based on the story in traditional folklore about Naranath Bhranthan and his father Vararuchi.[1]
In the backdrop of a receding summer, with the aid of some brilliant chess moves, the life of a woman and the different men in her lives take centre stage. The film's screenplay is written by noted author and filmmaker P. Padmarajan's son Anantha Padmanabhan and is based on his own novelette titled Venalinte Kalaneekkangal.
Amoeba is the second directorial of Manoj Kana after his critically acclaimed Chayilyam.The film starred Anumol, Indrans and Anoop Chandran in the lead. From wikipedia
In a village named Ilavattam there lives a man by the name of Gopalakrishna Pillai. He is a man with diverse qualities. Basically he is a moneylender, but not the avaricious kind. He lends money at very low interest-rates but makes it a point to get his money back on the date agreed upon. The story takes a turn when a bank, named Grand Bank opens up in the village, offering to give out loans at very low interest. The manager of the bank is a young lady named Jayalakshmi. She has made her entry into the village with a very definite purpose. All this, plus the very different kind of bonding between Gopalakrishna Pillai and his mother, form the plot, which develops towards a very interesting climax.
The film revolves around the life of an ordinary man and a local goon and how their lives get changed due to some unfortunate events.
Prasannan, a recently released mental asylum inmate, claims to be an avatar of God and assumes the identity of Poornananda Swami.
Ayaal is a story on intense human relations. It’s a story of a man who effortlessly floated along the estuaries of time, the back waters of Vembanad. If love is the flowering of one’s own heart, can it have a direction? Is it Scalar (direction less). This is an uncomfortable question raised by him, the protagonist, Guru Dasan. The film problemetises the conventional fabric of human relations, its rules and its sanctity.
An immensely rich farmer lives peacefully with his family in Pala and has no idea about the hectic metro life. He gets introduced to it when he hides a love-stricken couple in his house.
Govardhan, a doctor by profession, is wrongly accused of bombing a train and is jailed by the British in Cellular Jail, also known as Kala Pani in Andaman and Nicobar Islands. He witnesses sufferings of hundreds of Indian prisoners there.
Nadan is the story of a popular drama troupe owned by Devadas Sargavedi (Jayaram), which was previously possessed by his father and grandfather in the past, and speaks about the problems faced by the owner and his survival. The revival of this mighty art through the sustained effort of the talented theatre artists forms the crux of the narrative.
The film interprets a story from the Uttara Kanda of the epic poem Ramayana, where Rama sends his wife, Sita, to the jungle to satisfy his subjects. Sita is never actually seen in the film, but her virtual presence is compellingly evoked in the moods of the forest and the elements. The film retells the epic from a womens' liberationist perspective, and is about the tragedy of power and the sacrifices that adherence to dharma demands, including abandoning a chaste wife.
Sunny, a priest, comes to know that Vavachan is running an old age home with vile intentions. He wants the corpses of the inmates for the medical college run by his son. Sunny decides to expose this.